| Distance Between Two Most Common Vertical Intervals |
7.0 |
| Prevalence of Most Common Vertical Interval |
0.2489 |
| Prevalence of Second Most Common Vertical Interval |
0.1961 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.7878 |
| Vertical Unisons |
0.05878 |
| Vertical Minor Seconds |
0.00351 |
| Vertical Thirds |
0.3196 |
| Vertical Tritones |
0.004799 |
| Vertical Perfect Fourths |
0.06687 |
| Vertical Perfect Fifths |
0.1961 |
| Vertical Sixths |
0.1235 |
| Vertical Sevenths |
0.01882 |
| Vertical Octaves |
0.1902 |
| Perfect Vertical Intervals |
0.5119 |
| Vertical Dissonance Ratio |
0.0471 |
| Vertical Minor Third Prevalence |
0.5166 |
| Vertical Major Third Prevalence |
0.3876 |
| Chord Duration |
2.214 |
| Partial Chords |
0.4994 |
| Standard Triads |
0.3923 |
| Diminished and Augmented Triads |
0.005702 |
| Dominant Seventh Chords |
0.002138 |
| Seventh Chords |
0.01497 |
| Non-Standard Chords |
0.09337 |
| Complex Chords |
0.001426 |
| Minor Major Triad Ratio |
2.769 |
| Average Number of Simultaneous Pitch Classes |
2.37 |
| Variability of Number of Simultaneous Pitch Classes |
0.7391 |
| Average Number of Simultaneous Pitches |
3.1 |
| Variability of Number of Simultaneous Pitches |
1.218 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
7.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
5.903 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
282.2 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
4.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.1703 |
| Stepwise Motion |
0.5253 |
| Melodic Thirds |
0.1757 |
| Melodic Perfect Fourths |
0.0536 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.07266 |
| Melodic Sixths |
0.001787 |
| Melodic Sevenths |
0.001787 |
| Melodic Octaves |
0.01072 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
3.758 |
| Melodic Embellishments |
0.02671 |
| Direction of Melodic Motion |
0.4777 |
| Average Length of Melodic Arcs |
1.66 |
| Average Interval Spanned by Melodic Arcs |
4.678 |
| Melodic Pitch Variety |
4.627 |
| Mean Melodic Interval |
2.382 |
| Number of Common Melodic Intervals |
4.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.355 |
| Relative Prevalence of Most Common Melodic Intervals |
0.4799 |
| Amount of Arpeggiation |
0.4193 |
| Repeated Notes |
0.1584 |
| Importance of Middle Register |
0.7139 |
| Importance of High Register |
0.02136 |
| Dominant Spread |
6.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
58.23 |
| Mean Pitch Class |
5.293 |
| Most Common Pitch |
55.0 |
| Most Common Pitch Class |
7.0 |
| Prevalence of Most Common Pitch |
0.124 |
| Prevalence of Most Common Pitch Class |
0.2071 |
| Relative Prevalence of Top Pitches |
0.8278 |
| Relative Prevalence of Top Pitch Classes |
0.9742 |
| Interval Between Most Prevalent Pitches |
7.0 |
| Interval Between Most Prevalent Pitch Classes |
5.0 |
| Pitch Variability |
7.315 |
| Pitch Class Variability |
3.347 |
| Pitch Class Variability After Folding |
3.763 |
| Pitch Skewness |
0.2833 |
| Pitch Class Skewness |
0.2622 |
| Pitch Class Skewness After Folding |
1.444 |
| Pitch Kurtosis |
5.336 |
| Pitch Class Kurtosis |
4.695 |
| Pitch Class Kurtosis After Folding |
5.439 |
| Major or Minor |
0.0 |
| First Pitch |
67.0 |
| First Pitch Class |
7.0 |
| Last Pitch |
43.0 |
| Last Pitch Class |
7.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
26.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
11.0 |
| Number of Common Pitches |
2.0 |
| Number of Common Pitch Classes |
2.0 |
| Range |
31.0 |
| Importance of Bass Register |
0.2647 |
| Note Density per Quarter Note |
1.063 |
| Note Density per Quarter Note per Voice |
0.1772 |
| Note Density per Quarter Note Variability |
0.6262 |
| Range of Rhythmic Values |
8.0 |
| Number of Different Rhythmic Values Present |
9.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.0 |
| Prevalence of Medium Rhythmic Values |
0.5312 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.8024 |
| Prevalence of Very Long Rhythmic Values |
0.1027 |
| Prevalence of Dotted Notes |
0.1056 |
| Shortest Rhythmic Value |
0.75 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
3.1 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.3335 |
| Relative Prevalence of Most Common Rhythmic Values |
0.8754 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
2.107 |
| Rhythmic Value Skewness |
1.566 |
| Rhythmic Value Kurtosis |
9.502 |
| Mean Rhythmic Value Run Length |
1.768 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.231 |
| Mean Rhythmic Value Offset |
0.08145 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
1.038 |
| Complete Rests Fraction |
0.0006267 |
| Partial Rests Fraction |
0.9107 |
| Average Rest Fraction Across Voices |
0.4373 |
| Longest Complete Rest |
0.9934 |
| Longest Partial Rest |
276.5 |
| Mean Complete Rest Duration |
0.9934 |
| Mean Partial Rest Duration |
23.11 |
| Median Complete Rest Duration |
0.9934 |
| Median Partial Rest Duration |
6.01 |
| Duple Initial Meter |
1.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
50.31 |
| Variability Across Voices of Combined Rests |
312.6 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.5717 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.2132 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.681 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.7849 |
| Rhythmic Variability - Tempo Standardized |
0.05054 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.6667 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
2.0 |
| Total Number of Notes |
1685.0 |
| Initial Tempo |
288.0 |
| Average Variability of Time Between Attacks for Each Voice |
4.013 |
| Minimum Note Duration |
0.09112 |
| Maximum Note Duration |
6.667 |
| Average Note Duration |
0.6604 |
| Variability of Note Durations |
0.5483 |
| Amount of Staccato |
0.0005935 |
| Number of Strong Rhythmic Pulses |
3.0 |
| Number of Moderate Rhythmic Pulses |
6.0 |
| Number of Relatively Strong Rhythmic Pulses |
3.0 |
| Mean Tempo |
288.8 |
| Strongest Rhythmic Pulse |
72.0 |
| Second Strongest Rhythmic Pulse |
49.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.469 |
| Strength of Strongest Rhythmic Pulse |
0.283 |
| Strength of Second Strongest Rhythmic Pulse |
0.236 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.199 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.519 |
| Rhythmic Variability |
0.0354 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.6667 |
| Tempo Variability |
10.7 |
| Duration in Seconds |
329.6 |
| Note Density |
5.112 |
| Note Density Variability |
2.418 |
| Average Time Between Attacks |
0.3834 |
| Average Time Between Attacks for Each Voice |
1.455 |
| Variability of Time Between Attacks |
0.2126 |
| Maximum Number of Independent Voices |
6.0 |
| Relative Range of Loudest Voice |
0.3871 |
| Relative Range Isolation of Loudest Voice |
0.6143 |
| Relative Range of Highest Line |
0.3871 |
| Relative Note Density of Highest Line |
0.2421 |
| Relative Note Durations of Lowest Line |
1.038 |
| Relative Size of Melodic Intervals in Lowest Line |
1.2 |
| Voice Overlap |
0.8237 |
| Voice Separation |
3.8 |
| Variability of Voice Separation |
2.775 |
| Parallel Motion |
0.04136 |
| Average Number of Independent Voices |
3.383 |
| Similar Motion |
0.1462 |
| Contrary Motion |
0.1558 |
| Oblique Motion |
0.6566 |
| Parallel Fifths |
0.004431 |
| Parallel Octaves |
0.004431 |
| Variability of Number of Independent Voices |
1.414 |
| Voice Equality - Number of Notes |
144.0 |
| Voice Equality - Note Duration |
65.01 |
| Voice Equality - Dynamics |
8.01 |
| Voice Equality - Melodic Leaps |
0.5164 |
| Voice Equality - Range |
5.076 |
| Importance of Loudest Voice |
13.0 |