| Distance Between Two Most Common Vertical Intervals |
3.0 |
| Prevalence of Most Common Vertical Interval |
0.2453 |
| Prevalence of Second Most Common Vertical Interval |
0.1958 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.7981 |
| Vertical Unisons |
0.04363 |
| Vertical Minor Seconds |
0.005269 |
| Vertical Thirds |
0.4038 |
| Vertical Tritones |
0.008666 |
| Vertical Perfect Fourths |
0.03013 |
| Vertical Perfect Fifths |
0.1958 |
| Vertical Sixths |
0.1435 |
| Vertical Sevenths |
0.01802 |
| Vertical Octaves |
0.1301 |
| Perfect Vertical Intervals |
0.3996 |
| Vertical Dissonance Ratio |
0.05603 |
| Vertical Minor Third Prevalence |
0.35 |
| Vertical Major Third Prevalence |
0.4795 |
| Chord Duration |
2.345 |
| Partial Chords |
0.5337 |
| Standard Triads |
0.3716 |
| Diminished and Augmented Triads |
0.01496 |
| Dominant Seventh Chords |
0.0 |
| Seventh Chords |
0.0 |
| Non-Standard Chords |
0.09476 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
1.258 |
| Average Number of Simultaneous Pitch Classes |
2.336 |
| Variability of Number of Simultaneous Pitch Classes |
0.6329 |
| Average Number of Simultaneous Pitches |
2.655 |
| Variability of Number of Simultaneous Pitches |
0.5671 |
| Most Common Vertical Interval |
4.0 |
| Second Most Common Vertical Interval |
7.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
8.124 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
17.67 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
3.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.263 |
| Stepwise Motion |
0.7948 |
| Melodic Thirds |
0.08382 |
| Melodic Perfect Fourths |
0.04046 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.0289 |
| Melodic Sixths |
0.0 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.01734 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
2.625 |
| Melodic Embellishments |
0.0 |
| Direction of Melodic Motion |
0.4671 |
| Average Length of Melodic Arcs |
2.303 |
| Average Interval Spanned by Melodic Arcs |
5.2 |
| Melodic Pitch Variety |
5.222 |
| Mean Melodic Interval |
2.214 |
| Number of Common Melodic Intervals |
2.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.5318 |
| Relative Prevalence of Most Common Melodic Intervals |
0.4946 |
| Amount of Arpeggiation |
0.1647 |
| Repeated Notes |
0.03468 |
| Importance of Middle Register |
0.7851 |
| Importance of High Register |
0.002865 |
| Dominant Spread |
6.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
59.14 |
| Mean Pitch Class |
5.364 |
| Most Common Pitch |
67.0 |
| Most Common Pitch Class |
7.0 |
| Prevalence of Most Common Pitch |
0.09742 |
| Prevalence of Most Common Pitch Class |
0.1862 |
| Relative Prevalence of Top Pitches |
0.9118 |
| Relative Prevalence of Top Pitch Classes |
0.8154 |
| Interval Between Most Prevalent Pitches |
12.0 |
| Interval Between Most Prevalent Pitch Classes |
2.0 |
| Pitch Variability |
6.568 |
| Pitch Class Variability |
3.365 |
| Pitch Class Variability After Folding |
4.161 |
| Pitch Skewness |
-0.0157 |
| Pitch Class Skewness |
0.3244 |
| Pitch Class Skewness After Folding |
1.109 |
| Pitch Kurtosis |
5.058 |
| Pitch Class Kurtosis |
4.808 |
| Pitch Class Kurtosis After Folding |
4.636 |
| Major or Minor |
0.0 |
| First Pitch |
62.0 |
| First Pitch Class |
2.0 |
| Last Pitch |
55.0 |
| Last Pitch Class |
7.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
21.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
10.0 |
| Number of Common Pitches |
1.0 |
| Number of Common Pitch Classes |
0.0 |
| Range |
28.0 |
| Importance of Bass Register |
0.212 |
| Note Density per Quarter Note |
0.7914 |
| Note Density per Quarter Note per Voice |
0.2638 |
| Note Density per Quarter Note Variability |
0.3964 |
| Range of Rhythmic Values |
7.0 |
| Number of Different Rhythmic Values Present |
7.0 |
| Number of Common Rhythmic Values Present |
2.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.0 |
| Prevalence of Medium Rhythmic Values |
0.4384 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.7106 |
| Prevalence of Very Long Rhythmic Values |
0.1461 |
| Prevalence of Dotted Notes |
0.1117 |
| Shortest Rhythmic Value |
1.0 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
3.387 |
| Most Common Rhythmic Value |
4.0 |
| Prevalence of Most Common Rhythmic Value |
0.3782 |
| Relative Prevalence of Most Common Rhythmic Values |
0.7652 |
| Difference Between Most Common Rhythmic Values |
4.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
2.423 |
| Rhythmic Value Skewness |
-0.7593 |
| Rhythmic Value Kurtosis |
8.553 |
| Mean Rhythmic Value Run Length |
1.79 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.167 |
| Mean Rhythmic Value Offset |
0.1032 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.6349 |
| Complete Rests Fraction |
0.002249 |
| Partial Rests Fraction |
0.1973 |
| Average Rest Fraction Across Voices |
0.07935 |
| Longest Complete Rest |
0.9917 |
| Longest Partial Rest |
32.0 |
| Mean Complete Rest Duration |
0.9917 |
| Mean Partial Rest Duration |
6.561 |
| Median Complete Rest Duration |
0.9917 |
| Median Partial Rest Duration |
4.0 |
| Duple Initial Meter |
1.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
7.755 |
| Variability Across Voices of Combined Rests |
13.11 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
120.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.0 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.4503 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.3268 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.378 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.7771 |
| Rhythmic Variability - Tempo Standardized |
0.04697 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.6667 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
1.0 |
| Total Number of Notes |
349.0 |
| Initial Tempo |
288.0 |
| Average Variability of Time Between Attacks for Each Voice |
0.6338 |
| Minimum Note Duration |
0.2083 |
| Maximum Note Duration |
3.333 |
| Average Note Duration |
0.7271 |
| Variability of Note Durations |
0.5913 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
5.0 |
| Number of Moderate Rhythmic Pulses |
6.0 |
| Number of Relatively Strong Rhythmic Pulses |
5.0 |
| Mean Tempo |
288.0 |
| Strongest Rhythmic Pulse |
72.0 |
| Second Strongest Rhythmic Pulse |
48.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.5 |
| Strength of Strongest Rhythmic Pulse |
0.3096 |
| Strength of Second Strongest Rhythmic Pulse |
0.2073 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.493 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.5169 |
| Rhythmic Variability |
0.035 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.4 |
| Tempo Variability |
0.0000000003967 |
| Duration in Seconds |
91.87 |
| Note Density |
3.799 |
| Note Density Variability |
1.365 |
| Average Time Between Attacks |
0.4719 |
| Average Time Between Attacks for Each Voice |
0.7524 |
| Variability of Time Between Attacks |
0.2914 |
| Maximum Number of Independent Voices |
3.0 |
| Relative Range of Loudest Voice |
0.5 |
| Relative Range Isolation of Loudest Voice |
0.6484 |
| Relative Range of Highest Line |
0.5 |
| Relative Note Density of Highest Line |
0.5673 |
| Relative Note Durations of Lowest Line |
0.9049 |
| Relative Size of Melodic Intervals in Lowest Line |
0.75 |
| Voice Overlap |
0.6218 |
| Voice Separation |
6.5 |
| Variability of Voice Separation |
2.121 |
| Parallel Motion |
0.06422 |
| Average Number of Independent Voices |
2.768 |
| Similar Motion |
0.1284 |
| Contrary Motion |
0.2416 |
| Oblique Motion |
0.5657 |
| Parallel Fifths |
0.0 |
| Parallel Octaves |
0.0 |
| Variability of Number of Independent Voices |
0.5008 |
| Voice Equality - Number of Notes |
17.67 |
| Voice Equality - Note Duration |
2.732 |
| Voice Equality - Dynamics |
10.41 |
| Voice Equality - Melodic Leaps |
0.5774 |
| Voice Equality - Range |
3.215 |
| Importance of Loudest Voice |
12.5 |