| Distance Between Two Most Common Vertical Intervals |
7.0 |
| Prevalence of Most Common Vertical Interval |
0.191 |
| Prevalence of Second Most Common Vertical Interval |
0.1904 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.9967 |
| Vertical Unisons |
0.02918 |
| Vertical Minor Seconds |
0.0077 |
| Vertical Thirds |
0.3535 |
| Vertical Tritones |
0.01126 |
| Vertical Perfect Fourths |
0.09314 |
| Vertical Perfect Fifths |
0.1904 |
| Vertical Sixths |
0.1186 |
| Vertical Sevenths |
0.01792 |
| Vertical Octaves |
0.1619 |
| Perfect Vertical Intervals |
0.4746 |
| Vertical Dissonance Ratio |
0.05631 |
| Vertical Minor Third Prevalence |
0.5916 |
| Vertical Major Third Prevalence |
0.6244 |
| Chord Duration |
2.754 |
| Partial Chords |
0.2648 |
| Standard Triads |
0.5831 |
| Diminished and Augmented Triads |
0.02146 |
| Dominant Seventh Chords |
0.001826 |
| Seventh Chords |
0.01872 |
| Non-Standard Chords |
0.1333 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
0.6792 |
| Average Number of Simultaneous Pitch Classes |
2.755 |
| Variability of Number of Simultaneous Pitch Classes |
0.5728 |
| Average Number of Simultaneous Pitches |
3.492 |
| Variability of Number of Simultaneous Pitches |
0.6392 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
7.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
7.028 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
140.1 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
4.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.2035 |
| Stepwise Motion |
0.6217 |
| Melodic Thirds |
0.131 |
| Melodic Perfect Fourths |
0.0618 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.06645 |
| Melodic Sixths |
0.002788 |
| Melodic Sevenths |
0.0009294 |
| Melodic Octaves |
0.01255 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
2.065 |
| Melodic Embellishments |
0.0153 |
| Direction of Melodic Motion |
0.4816 |
| Average Length of Melodic Arcs |
1.817 |
| Average Interval Spanned by Melodic Arcs |
4.913 |
| Melodic Pitch Variety |
5.092 |
| Mean Melodic Interval |
2.433 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.4182 |
| Relative Prevalence of Most Common Melodic Intervals |
0.4867 |
| Amount of Arpeggiation |
0.3137 |
| Repeated Notes |
0.1027 |
| Importance of Middle Register |
0.7497 |
| Importance of High Register |
0.003709 |
| Dominant Spread |
6.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
58.26 |
| Mean Pitch Class |
4.98 |
| Most Common Pitch |
60.0 |
| Most Common Pitch Class |
5.0 |
| Prevalence of Most Common Pitch |
0.1247 |
| Prevalence of Most Common Pitch Class |
0.1845 |
| Relative Prevalence of Top Pitches |
0.8178 |
| Relative Prevalence of Top Pitch Classes |
0.9472 |
| Interval Between Most Prevalent Pitches |
3.0 |
| Interval Between Most Prevalent Pitch Classes |
5.0 |
| Pitch Variability |
6.138 |
| Pitch Class Variability |
3.436 |
| Pitch Class Variability After Folding |
3.986 |
| Pitch Skewness |
-0.5026 |
| Pitch Class Skewness |
-0.0174 |
| Pitch Class Skewness After Folding |
0.904 |
| Pitch Kurtosis |
5.387 |
| Pitch Class Kurtosis |
4.836 |
| Pitch Class Kurtosis After Folding |
5.123 |
| Major or Minor |
0.0 |
| First Pitch |
53.0 |
| First Pitch Class |
5.0 |
| Last Pitch |
53.0 |
| Last Pitch Class |
5.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
28.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
12.0 |
| Number of Common Pitches |
4.0 |
| Number of Common Pitch Classes |
0.0 |
| Range |
33.0 |
| Importance of Bass Register |
0.2466 |
| Note Density per Quarter Note |
0.966 |
| Note Density per Quarter Note per Voice |
0.2415 |
| Note Density per Quarter Note Variability |
0.4388 |
| Range of Rhythmic Values |
9.0 |
| Number of Different Rhythmic Values Present |
10.0 |
| Number of Common Rhythmic Values Present |
2.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.0009272 |
| Prevalence of Medium Rhythmic Values |
0.4543 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.879 |
| Prevalence of Very Long Rhythmic Values |
0.1776 |
| Prevalence of Dotted Notes |
0.1261 |
| Shortest Rhythmic Value |
0.5 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
3.67 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.3333 |
| Relative Prevalence of Most Common Rhythmic Values |
0.9624 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
2.489 |
| Rhythmic Value Skewness |
0.8078 |
| Rhythmic Value Kurtosis |
8.213 |
| Mean Rhythmic Value Run Length |
1.68 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.217 |
| Mean Rhythmic Value Offset |
0.09307 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.6829 |
| Complete Rests Fraction |
0.0003333 |
| Partial Rests Fraction |
0.3262 |
| Average Rest Fraction Across Voices |
0.09663 |
| Longest Complete Rest |
0.7442 |
| Longest Partial Rest |
36.61 |
| Mean Complete Rest Duration |
0.7442 |
| Mean Partial Rest Duration |
6.796 |
| Median Complete Rest Duration |
0.7442 |
| Median Partial Rest Duration |
4.576 |
| Duple Initial Meter |
1.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
7.309 |
| Variability Across Voices of Combined Rests |
52.65 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
1.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.6633 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.1738 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
3.817 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.837 |
| Rhythmic Variability - Tempo Standardized |
0.05531 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
1.0 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
2.0 |
| Total Number of Notes |
2157.0 |
| Initial Tempo |
288.0 |
| Average Variability of Time Between Attacks for Each Voice |
0.7695 |
| Minimum Note Duration |
0.06834 |
| Maximum Note Duration |
5.0 |
| Average Note Duration |
0.682 |
| Variability of Note Durations |
0.5532 |
| Amount of Staccato |
0.0009272 |
| Number of Strong Rhythmic Pulses |
4.0 |
| Number of Moderate Rhythmic Pulses |
7.0 |
| Number of Relatively Strong Rhythmic Pulses |
4.0 |
| Mean Tempo |
343.2 |
| Strongest Rhythmic Pulse |
83.0 |
| Second Strongest Rhythmic Pulse |
42.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.976 |
| Strength of Strongest Rhythmic Pulse |
0.252 |
| Strength of Second Strongest Rhythmic Pulse |
0.2462 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.024 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.4982 |
| Rhythmic Variability |
0.03445 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.5 |
| Tempo Variability |
72.73 |
| Duration in Seconds |
406.7 |
| Note Density |
5.304 |
| Note Density Variability |
2.019 |
| Average Time Between Attacks |
0.408 |
| Average Time Between Attacks for Each Voice |
0.7984 |
| Variability of Time Between Attacks |
0.2434 |
| Maximum Number of Independent Voices |
4.0 |
| Relative Range of Loudest Voice |
0.4242 |
| Relative Range Isolation of Loudest Voice |
0.1164 |
| Relative Range of Highest Line |
0.4242 |
| Relative Note Density of Highest Line |
0.1224 |
| Relative Note Durations of Lowest Line |
0.9205 |
| Relative Size of Melodic Intervals in Lowest Line |
0.5 |
| Voice Overlap |
0.923 |
| Voice Separation |
5.0 |
| Variability of Voice Separation |
2.0 |
| Parallel Motion |
0.04016 |
| Average Number of Independent Voices |
3.633 |
| Similar Motion |
0.1598 |
| Contrary Motion |
0.2195 |
| Oblique Motion |
0.5805 |
| Parallel Fifths |
0.002028 |
| Parallel Octaves |
0.001623 |
| Variability of Number of Independent Voices |
0.5937 |
| Voice Equality - Number of Notes |
140.1 |
| Voice Equality - Note Duration |
9.589 |
| Voice Equality - Dynamics |
8.539 |
| Voice Equality - Melodic Leaps |
0.8165 |
| Voice Equality - Range |
2.646 |
| Importance of Loudest Voice |
11.67 |