| Distance Between Two Most Common Vertical Intervals |
3.0 |
| Prevalence of Most Common Vertical Interval |
0.2068 |
| Prevalence of Second Most Common Vertical Interval |
0.1865 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.9015 |
| Vertical Unisons |
0.04946 |
| Vertical Minor Seconds |
0.02225 |
| Vertical Thirds |
0.3832 |
| Vertical Tritones |
0.01516 |
| Vertical Perfect Fourths |
0.06269 |
| Vertical Perfect Fifths |
0.1577 |
| Vertical Sixths |
0.1138 |
| Vertical Sevenths |
0.03113 |
| Vertical Octaves |
0.137 |
| Perfect Vertical Intervals |
0.4068 |
| Vertical Dissonance Ratio |
0.1064 |
| Vertical Minor Third Prevalence |
0.4364 |
| Vertical Major Third Prevalence |
0.3896 |
| Chord Duration |
1.712 |
| Partial Chords |
0.5337 |
| Standard Triads |
0.2871 |
| Diminished and Augmented Triads |
0.03093 |
| Dominant Seventh Chords |
0.0 |
| Seventh Chords |
0.0 |
| Non-Standard Chords |
0.1792 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
0.9053 |
| Average Number of Simultaneous Pitch Classes |
2.352 |
| Variability of Number of Simultaneous Pitch Classes |
0.62 |
| Average Number of Simultaneous Pitches |
2.688 |
| Variability of Number of Simultaneous Pitches |
0.4954 |
| Most Common Vertical Interval |
3.0 |
| Second Most Common Vertical Interval |
0.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
6.488 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
103.8 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
3.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.2136 |
| Stepwise Motion |
0.6893 |
| Melodic Thirds |
0.1359 |
| Melodic Perfect Fourths |
0.06068 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.03398 |
| Melodic Sixths |
0.002427 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.02427 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
1.333 |
| Melodic Embellishments |
0.00241 |
| Direction of Melodic Motion |
0.4462 |
| Average Length of Melodic Arcs |
2.021 |
| Average Interval Spanned by Melodic Arcs |
5.218 |
| Melodic Pitch Variety |
5.69 |
| Mean Melodic Interval |
2.485 |
| Number of Common Melodic Intervals |
2.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.4757 |
| Relative Prevalence of Most Common Melodic Intervals |
0.449 |
| Amount of Arpeggiation |
0.2476 |
| Repeated Notes |
0.0534 |
| Importance of Middle Register |
0.6386 |
| Importance of High Register |
0.004819 |
| Dominant Spread |
7.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
56.86 |
| Mean Pitch Class |
5.149 |
| Most Common Pitch |
53.0 |
| Most Common Pitch Class |
5.0 |
| Prevalence of Most Common Pitch |
0.1253 |
| Prevalence of Most Common Pitch Class |
0.1904 |
| Relative Prevalence of Top Pitches |
0.8846 |
| Relative Prevalence of Top Pitch Classes |
0.8228 |
| Interval Between Most Prevalent Pitches |
2.0 |
| Interval Between Most Prevalent Pitch Classes |
4.0 |
| Pitch Variability |
6.363 |
| Pitch Class Variability |
3.23 |
| Pitch Class Variability After Folding |
4.111 |
| Pitch Skewness |
0.1613 |
| Pitch Class Skewness |
0.1388 |
| Pitch Class Skewness After Folding |
1.094 |
| Pitch Kurtosis |
5.471 |
| Pitch Class Kurtosis |
4.91 |
| Pitch Class Kurtosis After Folding |
4.855 |
| Major or Minor |
0.0 |
| First Pitch |
53.0 |
| First Pitch Class |
5.0 |
| Last Pitch |
53.0 |
| Last Pitch Class |
5.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
18.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
7.0 |
| Number of Common Pitches |
3.0 |
| Number of Common Pitch Classes |
0.0 |
| Range |
29.0 |
| Importance of Bass Register |
0.3566 |
| Note Density per Quarter Note |
0.9081 |
| Note Density per Quarter Note per Voice |
0.3027 |
| Note Density per Quarter Note Variability |
0.3298 |
| Range of Rhythmic Values |
7.0 |
| Number of Different Rhythmic Values Present |
8.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.0 |
| Prevalence of Medium Rhythmic Values |
0.5904 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.6361 |
| Prevalence of Very Long Rhythmic Values |
0.1566 |
| Prevalence of Dotted Notes |
0.2096 |
| Shortest Rhythmic Value |
1.0 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
3.087 |
| Most Common Rhythmic Value |
1.0 |
| Prevalence of Most Common Rhythmic Value |
0.2627 |
| Relative Prevalence of Most Common Rhythmic Values |
0.8624 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
2.492 |
| Rhythmic Value Skewness |
1.308 |
| Rhythmic Value Kurtosis |
7.847 |
| Mean Rhythmic Value Run Length |
2.015 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
3.34 |
| Mean Rhythmic Value Offset |
0.04578 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.5904 |
| Complete Rests Fraction |
0.00217 |
| Partial Rests Fraction |
0.1685 |
| Average Rest Fraction Across Voices |
0.06198 |
| Longest Complete Rest |
0.9917 |
| Longest Partial Rest |
24.0 |
| Mean Complete Rest Duration |
0.9917 |
| Mean Partial Rest Duration |
4.249 |
| Median Complete Rest Duration |
0.9917 |
| Median Partial Rest Duration |
4.0 |
| Duple Initial Meter |
1.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
5.057 |
| Variability Across Voices of Combined Rests |
11.72 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
5.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
120.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.0 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.428 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.2147 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.993 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.6427 |
| Rhythmic Variability - Tempo Standardized |
0.04138 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.6667 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
1.0 |
| Total Number of Notes |
415.0 |
| Initial Tempo |
288.0 |
| Average Variability of Time Between Attacks for Each Voice |
0.7052 |
| Minimum Note Duration |
0.2083 |
| Maximum Note Duration |
5.0 |
| Average Note Duration |
0.6456 |
| Variability of Note Durations |
0.5563 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
3.0 |
| Number of Moderate Rhythmic Pulses |
9.0 |
| Number of Relatively Strong Rhythmic Pulses |
6.0 |
| Mean Tempo |
288.0 |
| Strongest Rhythmic Pulse |
72.0 |
| Second Strongest Rhythmic Pulse |
144.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
2.0 |
| Strength of Strongest Rhythmic Pulse |
0.233 |
| Strength of Second Strongest Rhythmic Pulse |
0.1928 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.208 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.4258 |
| Rhythmic Variability |
0.0305 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.3333 |
| Tempo Variability |
0.0000000004146 |
| Duration in Seconds |
95.21 |
| Note Density |
4.359 |
| Note Density Variability |
1.427 |
| Average Time Between Attacks |
0.3316 |
| Average Time Between Attacks for Each Voice |
0.9262 |
| Variability of Time Between Attacks |
0.1742 |
| Maximum Number of Independent Voices |
3.0 |
| Relative Range of Loudest Voice |
0.4828 |
| Relative Range Isolation of Loudest Voice |
0.3571 |
| Relative Range of Highest Line |
0.4828 |
| Relative Note Density of Highest Line |
0.4771 |
| Relative Note Durations of Lowest Line |
0.5542 |
| Relative Size of Melodic Intervals in Lowest Line |
0.6 |
| Voice Overlap |
0.6964 |
| Voice Separation |
6.5 |
| Variability of Voice Separation |
0.7071 |
| Parallel Motion |
0.02613 |
| Average Number of Independent Voices |
2.82 |
| Similar Motion |
0.1021 |
| Contrary Motion |
0.1235 |
| Oblique Motion |
0.7482 |
| Parallel Fifths |
0.0 |
| Parallel Octaves |
0.002375 |
| Variability of Number of Independent Voices |
0.4169 |
| Voice Equality - Number of Notes |
103.8 |
| Voice Equality - Note Duration |
2.441 |
| Voice Equality - Dynamics |
10.41 |
| Voice Equality - Melodic Leaps |
0.5774 |
| Voice Equality - Range |
1.732 |
| Importance of Loudest Voice |
12.5 |