| Distance Between Two Most Common Vertical Intervals |
7.0 |
| Prevalence of Most Common Vertical Interval |
0.232 |
| Prevalence of Second Most Common Vertical Interval |
0.1667 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.7185 |
| Vertical Unisons |
0.05281 |
| Vertical Minor Seconds |
0.008885 |
| Vertical Thirds |
0.2484 |
| Vertical Tritones |
0.03867 |
| Vertical Perfect Fourths |
0.1319 |
| Vertical Perfect Fifths |
0.1667 |
| Vertical Sixths |
0.118 |
| Vertical Sevenths |
0.03014 |
| Vertical Octaves |
0.1791 |
| Perfect Vertical Intervals |
0.5305 |
| Vertical Dissonance Ratio |
0.1149 |
| Vertical Minor Third Prevalence |
0.5074 |
| Vertical Major Third Prevalence |
0.3015 |
| Chord Duration |
1.702 |
| Partial Chords |
0.3281 |
| Standard Triads |
0.3202 |
| Diminished and Augmented Triads |
0.1028 |
| Dominant Seventh Chords |
0.0 |
| Seventh Chords |
0.04743 |
| Non-Standard Chords |
0.3043 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
0.9286 |
| Average Number of Simultaneous Pitch Classes |
2.632 |
| Variability of Number of Simultaneous Pitch Classes |
0.7257 |
| Average Number of Simultaneous Pitches |
3.357 |
| Variability of Number of Simultaneous Pitches |
0.6871 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
7.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
7.431 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
0.8165 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
4.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.2403 |
| Stepwise Motion |
0.6461 |
| Melodic Thirds |
0.07468 |
| Melodic Perfect Fourths |
0.1039 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.05844 |
| Melodic Sixths |
0.006494 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.00974 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
0.7692 |
| Melodic Embellishments |
0.07692 |
| Direction of Melodic Motion |
0.4765 |
| Average Length of Melodic Arcs |
1.859 |
| Average Interval Spanned by Melodic Arcs |
4.886 |
| Melodic Pitch Variety |
4.89 |
| Mean Melodic Interval |
2.416 |
| Number of Common Melodic Intervals |
4.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.4058 |
| Relative Prevalence of Most Common Melodic Intervals |
0.592 |
| Amount of Arpeggiation |
0.2435 |
| Repeated Notes |
0.1006 |
| Importance of Middle Register |
0.8269 |
| Importance of High Register |
0.003205 |
| Dominant Spread |
7.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
60.02 |
| Mean Pitch Class |
5.244 |
| Most Common Pitch |
65.0 |
| Most Common Pitch Class |
5.0 |
| Prevalence of Most Common Pitch |
0.1122 |
| Prevalence of Most Common Pitch Class |
0.1795 |
| Relative Prevalence of Top Pitches |
0.8857 |
| Relative Prevalence of Top Pitch Classes |
0.9107 |
| Interval Between Most Prevalent Pitches |
5.0 |
| Interval Between Most Prevalent Pitch Classes |
2.0 |
| Pitch Variability |
6.205 |
| Pitch Class Variability |
3.304 |
| Pitch Class Variability After Folding |
4.145 |
| Pitch Skewness |
-0.2169 |
| Pitch Class Skewness |
0.2212 |
| Pitch Class Skewness After Folding |
1.123 |
| Pitch Kurtosis |
5.281 |
| Pitch Class Kurtosis |
4.906 |
| Pitch Class Kurtosis After Folding |
4.773 |
| Major or Minor |
0.0 |
| First Pitch |
53.0 |
| First Pitch Class |
5.0 |
| Last Pitch |
46.0 |
| Last Pitch Class |
10.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
20.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
10.0 |
| Number of Common Pitches |
4.0 |
| Number of Common Pitch Classes |
0.0 |
| Range |
28.0 |
| Importance of Bass Register |
0.1699 |
| Note Density per Quarter Note |
1.143 |
| Note Density per Quarter Note per Voice |
0.2857 |
| Note Density per Quarter Note Variability |
0.4391 |
| Range of Rhythmic Values |
7.0 |
| Number of Different Rhythmic Values Present |
7.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.0 |
| Prevalence of Medium Rhythmic Values |
0.4295 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.8109 |
| Prevalence of Very Long Rhythmic Values |
0.1186 |
| Prevalence of Dotted Notes |
0.1987 |
| Shortest Rhythmic Value |
1.0 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
3.147 |
| Most Common Rhythmic Value |
4.0 |
| Prevalence of Most Common Rhythmic Value |
0.3526 |
| Relative Prevalence of Most Common Rhythmic Values |
0.6818 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
1.715 |
| Rhythmic Value Skewness |
0.2578 |
| Rhythmic Value Kurtosis |
7.911 |
| Mean Rhythmic Value Run Length |
1.209 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
0.5094 |
| Mean Rhythmic Value Offset |
0.0 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.0 |
| Complete Rests Fraction |
0.003633 |
| Partial Rests Fraction |
0.3333 |
| Average Rest Fraction Across Voices |
0.1007 |
| Longest Complete Rest |
0.9917 |
| Longest Partial Rest |
12.0 |
| Mean Complete Rest Duration |
0.9917 |
| Mean Partial Rest Duration |
3.055 |
| Median Complete Rest Duration |
0.9917 |
| Median Partial Rest Duration |
2.0 |
| Duple Initial Meter |
1.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
2.575 |
| Variability Across Voices of Combined Rests |
4.435 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.5568 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.2279 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.444 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.7847 |
| Rhythmic Variability - Tempo Standardized |
0.05013 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.6667 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
1.0 |
| Total Number of Notes |
312.0 |
| Initial Tempo |
288.0 |
| Average Variability of Time Between Attacks for Each Voice |
0.4415 |
| Minimum Note Duration |
0.2083 |
| Maximum Note Duration |
2.5 |
| Average Note Duration |
0.6557 |
| Variability of Note Durations |
0.3574 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
3.0 |
| Number of Moderate Rhythmic Pulses |
6.0 |
| Number of Relatively Strong Rhythmic Pulses |
5.0 |
| Mean Tempo |
288.0 |
| Strongest Rhythmic Pulse |
72.0 |
| Second Strongest Rhythmic Pulse |
48.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.5 |
| Strength of Strongest Rhythmic Pulse |
0.2654 |
| Strength of Second Strongest Rhythmic Pulse |
0.2476 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.072 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.513 |
| Rhythmic Variability |
0.03526 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.4 |
| Tempo Variability |
0.00000000008151 |
| Duration in Seconds |
56.87 |
| Note Density |
5.486 |
| Note Density Variability |
1.388 |
| Average Time Between Attacks |
0.3357 |
| Average Time Between Attacks for Each Voice |
0.7018 |
| Variability of Time Between Attacks |
0.1314 |
| Maximum Number of Independent Voices |
4.0 |
| Relative Range of Loudest Voice |
0.3571 |
| Relative Range Isolation of Loudest Voice |
0.2821 |
| Relative Range of Highest Line |
0.3571 |
| Relative Note Density of Highest Line |
0.859 |
| Relative Note Durations of Lowest Line |
1.043 |
| Relative Size of Melodic Intervals in Lowest Line |
0.5 |
| Voice Overlap |
0.8269 |
| Voice Separation |
4.667 |
| Variability of Voice Separation |
0.5774 |
| Parallel Motion |
0.06037 |
| Average Number of Independent Voices |
3.61 |
| Similar Motion |
0.147 |
| Contrary Motion |
0.1129 |
| Oblique Motion |
0.6798 |
| Parallel Fifths |
0.01312 |
| Parallel Octaves |
0.0 |
| Variability of Number of Independent Voices |
0.5962 |
| Voice Equality - Number of Notes |
0.8165 |
| Voice Equality - Note Duration |
0.9239 |
| Voice Equality - Dynamics |
8.539 |
| Voice Equality - Melodic Leaps |
1.155 |
| Voice Equality - Range |
1.915 |
| Importance of Loudest Voice |
11.67 |