| Distance Between Two Most Common Vertical Intervals |
3.0 |
| Prevalence of Most Common Vertical Interval |
0.2056 |
| Prevalence of Second Most Common Vertical Interval |
0.1898 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.9231 |
| Vertical Unisons |
0.04487 |
| Vertical Minor Seconds |
0.007348 |
| Vertical Thirds |
0.3391 |
| Vertical Tritones |
0.0106 |
| Vertical Perfect Fourths |
0.08936 |
| Vertical Perfect Fifths |
0.1633 |
| Vertical Sixths |
0.1365 |
| Vertical Sevenths |
0.02847 |
| Vertical Octaves |
0.1607 |
| Perfect Vertical Intervals |
0.4583 |
| Vertical Dissonance Ratio |
0.07081 |
| Vertical Minor Third Prevalence |
0.429 |
| Vertical Major Third Prevalence |
0.3398 |
| Chord Duration |
2.425 |
| Partial Chords |
0.5433 |
| Standard Triads |
0.342 |
| Diminished and Augmented Triads |
0.0196 |
| Dominant Seventh Chords |
0.001547 |
| Seventh Chords |
0.01161 |
| Non-Standard Chords |
0.1032 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
0.8624 |
| Average Number of Simultaneous Pitch Classes |
2.315 |
| Variability of Number of Simultaneous Pitch Classes |
0.7036 |
| Average Number of Simultaneous Pitches |
2.757 |
| Variability of Number of Simultaneous Pitches |
0.9183 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
3.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
6.613 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
97.68 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
4.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.272 |
| Stepwise Motion |
0.7819 |
| Melodic Thirds |
0.08955 |
| Melodic Perfect Fourths |
0.02819 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.03814 |
| Melodic Sixths |
0.004146 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.00995 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
1.842 |
| Melodic Embellishments |
0.01734 |
| Direction of Melodic Motion |
0.466 |
| Average Length of Melodic Arcs |
1.929 |
| Average Interval Spanned by Melodic Arcs |
4.336 |
| Melodic Pitch Variety |
5.096 |
| Mean Melodic Interval |
2.153 |
| Number of Common Melodic Intervals |
2.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.51 |
| Relative Prevalence of Most Common Melodic Intervals |
0.5333 |
| Amount of Arpeggiation |
0.1857 |
| Repeated Notes |
0.04809 |
| Importance of Middle Register |
0.8637 |
| Importance of High Register |
0.02147 |
| Dominant Spread |
7.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
60.97 |
| Mean Pitch Class |
5.083 |
| Most Common Pitch |
60.0 |
| Most Common Pitch Class |
0.0 |
| Prevalence of Most Common Pitch |
0.1305 |
| Prevalence of Most Common Pitch Class |
0.1924 |
| Relative Prevalence of Top Pitches |
0.7975 |
| Relative Prevalence of Top Pitch Classes |
0.9528 |
| Interval Between Most Prevalent Pitches |
4.0 |
| Interval Between Most Prevalent Pitch Classes |
7.0 |
| Pitch Variability |
6.204 |
| Pitch Class Variability |
3.616 |
| Pitch Class Variability After Folding |
3.146 |
| Pitch Skewness |
-0.2771 |
| Pitch Class Skewness |
0.06919 |
| Pitch Class Skewness After Folding |
1.107 |
| Pitch Kurtosis |
5.676 |
| Pitch Class Kurtosis |
4.859 |
| Pitch Class Kurtosis After Folding |
7.241 |
| Major or Minor |
0.0 |
| First Pitch |
60.0 |
| First Pitch Class |
0.0 |
| Last Pitch |
48.0 |
| Last Pitch Class |
0.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
26.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
9.0 |
| Number of Common Pitches |
5.0 |
| Number of Common Pitch Classes |
0.0 |
| Range |
34.0 |
| Importance of Bass Register |
0.1148 |
| Note Density per Quarter Note |
0.8289 |
| Note Density per Quarter Note per Voice |
0.2072 |
| Note Density per Quarter Note Variability |
0.406 |
| Range of Rhythmic Values |
9.0 |
| Number of Different Rhythmic Values Present |
9.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.004955 |
| Prevalence of Medium Rhythmic Values |
0.455 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.7688 |
| Prevalence of Very Long Rhythmic Values |
0.1709 |
| Prevalence of Dotted Notes |
0.2048 |
| Shortest Rhythmic Value |
0.5 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
3.436 |
| Most Common Rhythmic Value |
4.0 |
| Prevalence of Most Common Rhythmic Value |
0.2675 |
| Relative Prevalence of Most Common Rhythmic Values |
0.8364 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
2.49 |
| Rhythmic Value Skewness |
0.5252 |
| Rhythmic Value Kurtosis |
8.415 |
| Mean Rhythmic Value Run Length |
1.512 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
0.9261 |
| Mean Rhythmic Value Offset |
0.1225 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.7703 |
| Complete Rests Fraction |
0.0004194 |
| Partial Rests Fraction |
0.6898 |
| Average Rest Fraction Across Voices |
0.2878 |
| Longest Complete Rest |
0.6127 |
| Longest Partial Rest |
128.1 |
| Mean Complete Rest Duration |
0.6127 |
| Mean Partial Rest Duration |
21.02 |
| Median Complete Rest Duration |
0.6127 |
| Median Partial Rest Duration |
7.535 |
| Duple Initial Meter |
0.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
30.32 |
| Variability Across Voices of Combined Rests |
159.1 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
5.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
120.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.0 |
| Triple Initial Meter |
1.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.476 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.2208 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.156 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.6969 |
| Rhythmic Variability - Tempo Standardized |
0.0448 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.6667 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
2.0 |
| Total Number of Notes |
1211.0 |
| Initial Tempo |
232.0 |
| Average Variability of Time Between Attacks for Each Voice |
2.194 |
| Minimum Note Duration |
0.06834 |
| Maximum Note Duration |
6.207 |
| Average Note Duration |
0.7611 |
| Variability of Note Durations |
0.6498 |
| Amount of Staccato |
0.001652 |
| Number of Strong Rhythmic Pulses |
3.0 |
| Number of Moderate Rhythmic Pulses |
7.0 |
| Number of Relatively Strong Rhythmic Pulses |
5.0 |
| Mean Tempo |
283.5 |
| Strongest Rhythmic Pulse |
68.0 |
| Second Strongest Rhythmic Pulse |
46.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.478 |
| Strength of Strongest Rhythmic Pulse |
0.2663 |
| Strength of Second Strongest Rhythmic Pulse |
0.2471 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.077 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.5134 |
| Rhythmic Variability |
0.03455 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.4 |
| Tempo Variability |
67.33 |
| Duration in Seconds |
323.2 |
| Note Density |
3.747 |
| Note Density Variability |
1.567 |
| Average Time Between Attacks |
0.4453 |
| Average Time Between Attacks for Each Voice |
1.105 |
| Variability of Time Between Attacks |
0.3079 |
| Maximum Number of Independent Voices |
4.0 |
| Relative Range of Loudest Voice |
0.5882 |
| Relative Range Isolation of Loudest Voice |
0.3295 |
| Relative Range of Highest Line |
0.5882 |
| Relative Note Density of Highest Line |
0.2213 |
| Relative Note Durations of Lowest Line |
1.12 |
| Relative Size of Melodic Intervals in Lowest Line |
1.143 |
| Voice Overlap |
0.8208 |
| Voice Separation |
4.667 |
| Variability of Voice Separation |
4.163 |
| Parallel Motion |
0.04411 |
| Average Number of Independent Voices |
2.891 |
| Similar Motion |
0.1425 |
| Contrary Motion |
0.1807 |
| Oblique Motion |
0.6327 |
| Parallel Fifths |
0.003393 |
| Parallel Octaves |
0.0008482 |
| Variability of Number of Independent Voices |
0.888 |
| Voice Equality - Number of Notes |
97.68 |
| Voice Equality - Note Duration |
35.19 |
| Voice Equality - Dynamics |
8.539 |
| Voice Equality - Melodic Leaps |
0.5 |
| Voice Equality - Range |
3.304 |
| Importance of Loudest Voice |
11.67 |