| Distance Between Two Most Common Vertical Intervals |
3.0 |
| Prevalence of Most Common Vertical Interval |
0.2042 |
| Prevalence of Second Most Common Vertical Interval |
0.1903 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.9319 |
| Vertical Unisons |
0.04018 |
| Vertical Minor Seconds |
0.007446 |
| Vertical Thirds |
0.3623 |
| Vertical Tritones |
0.0123 |
| Vertical Perfect Fourths |
0.06572 |
| Vertical Perfect Fifths |
0.1761 |
| Vertical Sixths |
0.1408 |
| Vertical Sevenths |
0.02593 |
| Vertical Octaves |
0.1501 |
| Perfect Vertical Intervals |
0.4321 |
| Vertical Dissonance Ratio |
0.06927 |
| Vertical Minor Third Prevalence |
0.6025 |
| Vertical Major Third Prevalence |
0.5069 |
| Chord Duration |
2.47 |
| Partial Chords |
0.3136 |
| Standard Triads |
0.5048 |
| Diminished and Augmented Triads |
0.02714 |
| Dominant Seventh Chords |
0.002413 |
| Seventh Chords |
0.02654 |
| Non-Standard Chords |
0.155 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
0.8275 |
| Average Number of Simultaneous Pitch Classes |
2.671 |
| Variability of Number of Simultaneous Pitch Classes |
0.6562 |
| Average Number of Simultaneous Pitches |
3.278 |
| Variability of Number of Simultaneous Pitches |
0.7185 |
| Most Common Vertical Interval |
3.0 |
| Second Most Common Vertical Interval |
0.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
5.641 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
102.8 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
4.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.226 |
| Stepwise Motion |
0.6909 |
| Melodic Thirds |
0.1171 |
| Melodic Perfect Fourths |
0.04684 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.06323 |
| Melodic Sixths |
0.005855 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.01171 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
2.03 |
| Melodic Embellishments |
0.01981 |
| Direction of Melodic Motion |
0.4894 |
| Average Length of Melodic Arcs |
1.902 |
| Average Interval Spanned by Melodic Arcs |
4.852 |
| Melodic Pitch Variety |
5.277 |
| Mean Melodic Interval |
2.41 |
| Number of Common Melodic Intervals |
2.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.4649 |
| Relative Prevalence of Most Common Melodic Intervals |
0.4861 |
| Amount of Arpeggiation |
0.2564 |
| Repeated Notes |
0.0644 |
| Importance of Middle Register |
0.69 |
| Importance of High Register |
0.003497 |
| Dominant Spread |
7.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
57.71 |
| Mean Pitch Class |
5.132 |
| Most Common Pitch |
62.0 |
| Most Common Pitch Class |
2.0 |
| Prevalence of Most Common Pitch |
0.1061 |
| Prevalence of Most Common Pitch Class |
0.1748 |
| Relative Prevalence of Top Pitches |
0.8242 |
| Relative Prevalence of Top Pitch Classes |
0.8533 |
| Interval Between Most Prevalent Pitches |
2.0 |
| Interval Between Most Prevalent Pitch Classes |
2.0 |
| Pitch Variability |
7.122 |
| Pitch Class Variability |
3.565 |
| Pitch Class Variability After Folding |
3.181 |
| Pitch Skewness |
-0.3569 |
| Pitch Class Skewness |
0.1108 |
| Pitch Class Skewness After Folding |
0.4342 |
| Pitch Kurtosis |
5.274 |
| Pitch Class Kurtosis |
4.842 |
| Pitch Class Kurtosis After Folding |
6.974 |
| Major or Minor |
0.0 |
| First Pitch |
50.0 |
| First Pitch Class |
2.0 |
| Last Pitch |
50.0 |
| Last Pitch Class |
2.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
25.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
10.0 |
| Number of Common Pitches |
1.0 |
| Number of Common Pitch Classes |
0.0 |
| Range |
33.0 |
| Importance of Bass Register |
0.3065 |
| Note Density per Quarter Note |
0.9874 |
| Note Density per Quarter Note per Voice |
0.2468 |
| Note Density per Quarter Note Variability |
0.4892 |
| Range of Rhythmic Values |
9.0 |
| Number of Different Rhythmic Values Present |
8.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.002331 |
| Prevalence of Medium Rhythmic Values |
0.5455 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.7483 |
| Prevalence of Very Long Rhythmic Values |
0.1445 |
| Prevalence of Dotted Notes |
0.1841 |
| Shortest Rhythmic Value |
0.5 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
3.31 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.2937 |
| Relative Prevalence of Most Common Rhythmic Values |
0.8492 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
2.794 |
| Rhythmic Value Skewness |
1.407 |
| Rhythmic Value Kurtosis |
9.108 |
| Mean Rhythmic Value Run Length |
1.527 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.117 |
| Mean Rhythmic Value Offset |
0.1865 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
1.547 |
| Complete Rests Fraction |
0.001077 |
| Partial Rests Fraction |
0.4339 |
| Average Rest Fraction Across Voices |
0.1372 |
| Longest Complete Rest |
0.9355 |
| Longest Partial Rest |
84.32 |
| Mean Complete Rest Duration |
0.9355 |
| Mean Partial Rest Duration |
8.365 |
| Median Complete Rest Duration |
0.9355 |
| Median Partial Rest Duration |
3.774 |
| Duple Initial Meter |
0.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
14.91 |
| Variability Across Voices of Combined Rests |
91.02 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
1.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.4927 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.2548 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.934 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.7475 |
| Rhythmic Variability - Tempo Standardized |
0.0477 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.6667 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
2.0 |
| Total Number of Notes |
858.0 |
| Initial Tempo |
232.0 |
| Average Variability of Time Between Attacks for Each Voice |
1.195 |
| Minimum Note Duration |
0.1293 |
| Maximum Note Duration |
8.333 |
| Average Note Duration |
0.7719 |
| Variability of Note Durations |
0.7845 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
5.0 |
| Number of Moderate Rhythmic Pulses |
5.0 |
| Number of Relatively Strong Rhythmic Pulses |
5.0 |
| Mean Tempo |
274.1 |
| Strongest Rhythmic Pulse |
46.0 |
| Second Strongest Rhythmic Pulse |
68.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.478 |
| Strength of Strongest Rhythmic Pulse |
0.2701 |
| Strength of Second Strongest Rhythmic Pulse |
0.2591 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.042 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.5292 |
| Rhythmic Variability |
0.03667 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.6 |
| Tempo Variability |
24.2 |
| Duration in Seconds |
191.9 |
| Note Density |
4.471 |
| Note Density Variability |
1.648 |
| Average Time Between Attacks |
0.4214 |
| Average Time Between Attacks for Each Voice |
1.182 |
| Variability of Time Between Attacks |
0.2983 |
| Maximum Number of Independent Voices |
4.0 |
| Relative Range of Loudest Voice |
0.5152 |
| Relative Range Isolation of Loudest Voice |
0.2744 |
| Relative Range of Highest Line |
0.5152 |
| Relative Note Density of Highest Line |
0.303 |
| Relative Note Durations of Lowest Line |
0.9931 |
| Relative Size of Melodic Intervals in Lowest Line |
1.0 |
| Voice Overlap |
0.8403 |
| Voice Separation |
5.0 |
| Variability of Voice Separation |
2.0 |
| Parallel Motion |
0.0419 |
| Average Number of Independent Voices |
3.456 |
| Similar Motion |
0.111 |
| Contrary Motion |
0.1665 |
| Oblique Motion |
0.6806 |
| Parallel Fifths |
0.001133 |
| Parallel Octaves |
0.0 |
| Variability of Number of Independent Voices |
0.6917 |
| Voice Equality - Number of Notes |
102.8 |
| Voice Equality - Note Duration |
20.1 |
| Voice Equality - Dynamics |
8.539 |
| Voice Equality - Melodic Leaps |
0.0 |
| Voice Equality - Range |
2.363 |
| Importance of Loudest Voice |
11.67 |