| Distance Between Two Most Common Vertical Intervals |
7.0 |
| Prevalence of Most Common Vertical Interval |
0.2123 |
| Prevalence of Second Most Common Vertical Interval |
0.1811 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.8532 |
| Vertical Unisons |
0.04659 |
| Vertical Minor Seconds |
0.006778 |
| Vertical Thirds |
0.3389 |
| Vertical Tritones |
0.01025 |
| Vertical Perfect Fourths |
0.07675 |
| Vertical Perfect Fifths |
0.1811 |
| Vertical Sixths |
0.132 |
| Vertical Sevenths |
0.0236 |
| Vertical Octaves |
0.1657 |
| Perfect Vertical Intervals |
0.4702 |
| Vertical Dissonance Ratio |
0.06249 |
| Vertical Minor Third Prevalence |
0.402 |
| Vertical Major Third Prevalence |
0.3931 |
| Chord Duration |
2.841 |
| Partial Chords |
0.535 |
| Standard Triads |
0.3644 |
| Diminished and Augmented Triads |
0.01533 |
| Dominant Seventh Chords |
0.000876 |
| Seventh Chords |
0.009636 |
| Non-Standard Chords |
0.09104 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
0.5129 |
| Average Number of Simultaneous Pitch Classes |
2.343 |
| Variability of Number of Simultaneous Pitch Classes |
0.6933 |
| Average Number of Simultaneous Pitches |
2.838 |
| Variability of Number of Simultaneous Pitches |
0.901 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
7.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
6.928 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
112.2 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
4.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.212 |
| Stepwise Motion |
0.6513 |
| Melodic Thirds |
0.1223 |
| Melodic Perfect Fourths |
0.05393 |
| Melodic Tritones |
0.00186 |
| Melodic Perfect Fifths |
0.04324 |
| Melodic Sixths |
0.007903 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.0172 |
| Melodic Large Intervals |
0.0009298 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
1.578 |
| Melodic Embellishments |
0.01578 |
| Direction of Melodic Motion |
0.4444 |
| Average Length of Melodic Arcs |
1.86 |
| Average Interval Spanned by Melodic Arcs |
4.906 |
| Melodic Pitch Variety |
5.17 |
| Mean Melodic Interval |
2.374 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.4393 |
| Relative Prevalence of Most Common Melodic Intervals |
0.4825 |
| Amount of Arpeggiation |
0.285 |
| Repeated Notes |
0.1013 |
| Importance of Middle Register |
0.5912 |
| Importance of High Register |
0.0 |
| Dominant Spread |
7.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
55.24 |
| Mean Pitch Class |
5.081 |
| Most Common Pitch |
60.0 |
| Most Common Pitch Class |
0.0 |
| Prevalence of Most Common Pitch |
0.1132 |
| Prevalence of Most Common Pitch Class |
0.1907 |
| Relative Prevalence of Top Pitches |
0.9713 |
| Relative Prevalence of Top Pitch Classes |
0.9732 |
| Interval Between Most Prevalent Pitches |
7.0 |
| Interval Between Most Prevalent Pitch Classes |
5.0 |
| Pitch Variability |
6.646 |
| Pitch Class Variability |
3.46 |
| Pitch Class Variability After Folding |
4.271 |
| Pitch Skewness |
-0.5976 |
| Pitch Class Skewness |
0.07041 |
| Pitch Class Skewness After Folding |
1.09 |
| Pitch Kurtosis |
5.535 |
| Pitch Class Kurtosis |
4.753 |
| Pitch Class Kurtosis After Folding |
4.628 |
| Major or Minor |
0.0 |
| First Pitch |
53.0 |
| First Pitch Class |
5.0 |
| Last Pitch |
41.0 |
| Last Pitch Class |
5.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
26.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
10.0 |
| Number of Common Pitches |
3.0 |
| Number of Common Pitch Classes |
0.0 |
| Range |
34.0 |
| Importance of Bass Register |
0.4088 |
| Note Density per Quarter Note |
0.8468 |
| Note Density per Quarter Note per Voice |
0.2117 |
| Note Density per Quarter Note Variability |
0.4754 |
| Range of Rhythmic Values |
9.0 |
| Number of Different Rhythmic Values Present |
10.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.001856 |
| Prevalence of Medium Rhythmic Values |
0.4821 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.8088 |
| Prevalence of Very Long Rhythmic Values |
0.1545 |
| Prevalence of Dotted Notes |
0.1378 |
| Shortest Rhythmic Value |
0.5 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
3.432 |
| Most Common Rhythmic Value |
4.0 |
| Prevalence of Most Common Rhythmic Value |
0.2919 |
| Relative Prevalence of Most Common Rhythmic Values |
0.9968 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
2.457 |
| Rhythmic Value Skewness |
0.5271 |
| Rhythmic Value Kurtosis |
8.55 |
| Mean Rhythmic Value Run Length |
1.532 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.011 |
| Mean Rhythmic Value Offset |
0.0971 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.9855 |
| Complete Rests Fraction |
0.001849 |
| Partial Rests Fraction |
0.6283 |
| Average Rest Fraction Across Voices |
0.2633 |
| Longest Complete Rest |
2.024 |
| Longest Partial Rest |
251.3 |
| Mean Complete Rest Duration |
1.569 |
| Mean Partial Rest Duration |
13.82 |
| Median Complete Rest Duration |
2.024 |
| Median Partial Rest Duration |
4.048 |
| Duple Initial Meter |
0.0 |
| Variability of Complete Rest Durations |
0.7885 |
| Variability of Partial Rest Durations |
28.56 |
| Variability Across Voices of Combined Rests |
244.3 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
120.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.0 |
| Triple Initial Meter |
1.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.5717 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.2105 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.716 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.7821 |
| Rhythmic Variability - Tempo Standardized |
0.05056 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.6667 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
2.0 |
| Total Number of Notes |
2155.0 |
| Initial Tempo |
232.0 |
| Average Variability of Time Between Attacks for Each Voice |
1.554 |
| Minimum Note Duration |
0.1293 |
| Maximum Note Duration |
6.207 |
| Average Note Duration |
0.7164 |
| Variability of Note Durations |
0.6351 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
3.0 |
| Number of Moderate Rhythmic Pulses |
6.0 |
| Number of Relatively Strong Rhythmic Pulses |
3.0 |
| Mean Tempo |
311.6 |
| Strongest Rhythmic Pulse |
73.0 |
| Second Strongest Rhythmic Pulse |
49.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.49 |
| Strength of Strongest Rhythmic Pulse |
0.2846 |
| Strength of Second Strongest Rhythmic Pulse |
0.2464 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.155 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.531 |
| Rhythmic Variability |
0.03565 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.6667 |
| Tempo Variability |
85.27 |
| Duration in Seconds |
523.9 |
| Note Density |
4.113 |
| Note Density Variability |
1.838 |
| Average Time Between Attacks |
0.4389 |
| Average Time Between Attacks for Each Voice |
0.9407 |
| Variability of Time Between Attacks |
0.2869 |
| Maximum Number of Independent Voices |
4.0 |
| Relative Range of Loudest Voice |
0.5588 |
| Relative Range Isolation of Loudest Voice |
0.4685 |
| Relative Range of Highest Line |
0.5588 |
| Relative Note Density of Highest Line |
0.1169 |
| Relative Note Durations of Lowest Line |
0.9908 |
| Relative Size of Melodic Intervals in Lowest Line |
1.0 |
| Voice Overlap |
0.8492 |
| Voice Separation |
5.333 |
| Variability of Voice Separation |
3.786 |
| Parallel Motion |
0.04283 |
| Average Number of Independent Voices |
2.993 |
| Similar Motion |
0.1507 |
| Contrary Motion |
0.1692 |
| Oblique Motion |
0.6372 |
| Parallel Fifths |
0.003702 |
| Parallel Octaves |
0.001058 |
| Variability of Number of Independent Voices |
0.9183 |
| Voice Equality - Number of Notes |
112.2 |
| Voice Equality - Note Duration |
50.29 |
| Voice Equality - Dynamics |
8.539 |
| Voice Equality - Melodic Leaps |
0.0 |
| Voice Equality - Range |
0.8165 |
| Importance of Loudest Voice |
11.67 |