| Distance Between Two Most Common Vertical Intervals |
3.0 |
| Prevalence of Most Common Vertical Interval |
0.2863 |
| Prevalence of Second Most Common Vertical Interval |
0.2139 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.7473 |
| Vertical Unisons |
0.09743 |
| Vertical Minor Seconds |
0.0009203 |
| Vertical Thirds |
0.3999 |
| Vertical Tritones |
0.0008731 |
| Vertical Perfect Fourths |
0.03301 |
| Vertical Perfect Fifths |
0.2004 |
| Vertical Sixths |
0.07476 |
| Vertical Sevenths |
0.0008967 |
| Vertical Octaves |
0.1888 |
| Perfect Vertical Intervals |
0.5197 |
| Vertical Dissonance Ratio |
0.005719 |
| Vertical Minor Third Prevalence |
0.5213 |
| Vertical Major Third Prevalence |
0.5183 |
| Chord Duration |
2.92 |
| Partial Chords |
0.6179 |
| Standard Triads |
0.3754 |
| Diminished and Augmented Triads |
0.0 |
| Dominant Seventh Chords |
0.0 |
| Seventh Chords |
0.0 |
| Non-Standard Chords |
0.006645 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
0.3294 |
| Average Number of Simultaneous Pitch Classes |
2.268 |
| Variability of Number of Simultaneous Pitch Classes |
0.6008 |
| Average Number of Simultaneous Pitches |
2.857 |
| Variability of Number of Simultaneous Pitches |
0.6946 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
3.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
5.255 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
49.0 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
4.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.0107 |
| Stepwise Motion |
0.02674 |
| Melodic Thirds |
0.2968 |
| Melodic Perfect Fourths |
0.1043 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.02406 |
| Melodic Sixths |
0.002674 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.05615 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
0.0 |
| Minor Major Melodic Third Ratio |
1.467 |
| Melodic Embellishments |
0.05556 |
| Direction of Melodic Motion |
0.3508 |
| Average Length of Melodic Arcs |
1.566 |
| Average Interval Spanned by Melodic Arcs |
7.164 |
| Melodic Pitch Variety |
4.717 |
| Mean Melodic Interval |
2.441 |
| Number of Common Melodic Intervals |
4.0 |
| Distance Between Most Prevalent Melodic Intervals |
3.0 |
| Prevalence of Most Common Melodic Interval |
0.4893 |
| Relative Prevalence of Most Common Melodic Intervals |
0.3607 |
| Amount of Arpeggiation |
0.8663 |
| Repeated Notes |
0.4893 |
| Importance of Middle Register |
0.8571 |
| Importance of High Register |
0.01852 |
| Dominant Spread |
5.0 |
| Strong Tonal Centres |
1.0 |
| Mean Pitch |
60.37 |
| Mean Pitch Class |
4.659 |
| Most Common Pitch |
67.0 |
| Most Common Pitch Class |
7.0 |
| Prevalence of Most Common Pitch |
0.1296 |
| Prevalence of Most Common Pitch Class |
0.2646 |
| Relative Prevalence of Top Pitches |
0.9592 |
| Relative Prevalence of Top Pitch Classes |
0.85 |
| Interval Between Most Prevalent Pitches |
12.0 |
| Interval Between Most Prevalent Pitch Classes |
7.0 |
| Pitch Variability |
6.728 |
| Pitch Class Variability |
3.545 |
| Pitch Class Variability After Folding |
2.371 |
| Pitch Skewness |
-0.414 |
| Pitch Class Skewness |
-0.2888 |
| Pitch Class Skewness After Folding |
0.2109 |
| Pitch Kurtosis |
5.621 |
| Pitch Class Kurtosis |
4.733 |
| Pitch Class Kurtosis After Folding |
11.67 |
| Major or Minor |
0.0 |
| First Pitch |
62.0 |
| First Pitch Class |
2.0 |
| Last Pitch |
60.0 |
| Last Pitch Class |
0.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
17.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
7.0 |
| Number of Common Pitches |
4.0 |
| Number of Common Pitch Classes |
2.0 |
| Range |
31.0 |
| Importance of Bass Register |
0.1243 |
| Note Density per Quarter Note |
1.149 |
| Note Density per Quarter Note per Voice |
0.2872 |
| Note Density per Quarter Note Variability |
0.3926 |
| Range of Rhythmic Values |
7.0 |
| Number of Different Rhythmic Values Present |
8.0 |
| Number of Common Rhythmic Values Present |
2.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.0 |
| Prevalence of Medium Rhythmic Values |
0.6429 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.8254 |
| Prevalence of Very Long Rhythmic Values |
0.07407 |
| Prevalence of Dotted Notes |
0.1772 |
| Shortest Rhythmic Value |
1.0 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
2.759 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.4683 |
| Relative Prevalence of Most Common Rhythmic Values |
0.3672 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
1.826 |
| Rhythmic Value Skewness |
1.248 |
| Rhythmic Value Kurtosis |
12.45 |
| Mean Rhythmic Value Run Length |
1.758 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.869 |
| Mean Rhythmic Value Offset |
0.05026 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.6505 |
| Complete Rests Fraction |
0.003014 |
| Partial Rests Fraction |
0.6231 |
| Average Rest Fraction Across Voices |
0.1975 |
| Longest Complete Rest |
0.9917 |
| Longest Partial Rest |
48.0 |
| Mean Complete Rest Duration |
0.9917 |
| Mean Partial Rest Duration |
4.406 |
| Median Complete Rest Duration |
0.9917 |
| Median Partial Rest Duration |
2.0 |
| Duple Initial Meter |
1.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
10.21 |
| Variability Across Voices of Combined Rests |
53.49 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
5.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
1.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.5945 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.1645 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
3.614 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.759 |
| Rhythmic Variability - Tempo Standardized |
0.05003 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
1.0 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
1.0 |
| Total Number of Notes |
378.0 |
| Initial Tempo |
288.0 |
| Average Variability of Time Between Attacks for Each Voice |
1.016 |
| Minimum Note Duration |
0.2083 |
| Maximum Note Duration |
5.0 |
| Average Note Duration |
0.582 |
| Variability of Note Durations |
0.445 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
3.0 |
| Number of Moderate Rhythmic Pulses |
9.0 |
| Number of Relatively Strong Rhythmic Pulses |
3.0 |
| Mean Tempo |
288.0 |
| Strongest Rhythmic Pulse |
72.0 |
| Second Strongest Rhythmic Pulse |
48.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.5 |
| Strength of Strongest Rhythmic Pulse |
0.2735 |
| Strength of Second Strongest Rhythmic Pulse |
0.2375 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.152 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.5109 |
| Rhythmic Variability |
0.03479 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.6667 |
| Tempo Variability |
0.0000000002224 |
| Duration in Seconds |
68.54 |
| Note Density |
5.515 |
| Note Density Variability |
1.157 |
| Average Time Between Attacks |
0.3098 |
| Average Time Between Attacks for Each Voice |
1.078 |
| Variability of Time Between Attacks |
0.1129 |
| Maximum Number of Independent Voices |
4.0 |
| Relative Range of Loudest Voice |
0.6129 |
| Relative Range Isolation of Loudest Voice |
0.2941 |
| Relative Range of Highest Line |
0.6129 |
| Relative Note Density of Highest Line |
0.6984 |
| Relative Note Durations of Lowest Line |
0.8743 |
| Relative Size of Melodic Intervals in Lowest Line |
0.8889 |
| Voice Overlap |
0.8545 |
| Voice Separation |
4.0 |
| Variability of Voice Separation |
3.606 |
| Parallel Motion |
0.05455 |
| Average Number of Independent Voices |
3.22 |
| Similar Motion |
0.1 |
| Contrary Motion |
0.2273 |
| Oblique Motion |
0.6182 |
| Parallel Fifths |
0.0 |
| Parallel Octaves |
0.0 |
| Variability of Number of Independent Voices |
0.7161 |
| Voice Equality - Number of Notes |
49.0 |
| Voice Equality - Note Duration |
11.14 |
| Voice Equality - Dynamics |
8.539 |
| Voice Equality - Melodic Leaps |
0.5 |
| Voice Equality - Range |
3.5 |
| Importance of Loudest Voice |
11.67 |