| Distance Between Two Most Common Vertical Intervals |
3.0 |
| Prevalence of Most Common Vertical Interval |
0.2064 |
| Prevalence of Second Most Common Vertical Interval |
0.2036 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.9862 |
| Vertical Unisons |
0.05937 |
| Vertical Minor Seconds |
0.004825 |
| Vertical Thirds |
0.3551 |
| Vertical Tritones |
0.01821 |
| Vertical Perfect Fourths |
0.06071 |
| Vertical Perfect Fifths |
0.1658 |
| Vertical Sixths |
0.1395 |
| Vertical Sevenths |
0.02753 |
| Vertical Octaves |
0.1442 |
| Perfect Vertical Intervals |
0.4301 |
| Vertical Dissonance Ratio |
0.0815 |
| Vertical Minor Third Prevalence |
0.441 |
| Vertical Major Third Prevalence |
0.3379 |
| Chord Duration |
1.973 |
| Partial Chords |
0.5642 |
| Standard Triads |
0.3072 |
| Diminished and Augmented Triads |
0.0312 |
| Dominant Seventh Chords |
0.0 |
| Seventh Chords |
0.01528 |
| Non-Standard Chords |
0.1133 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
1.149 |
| Average Number of Simultaneous Pitch Classes |
2.292 |
| Variability of Number of Simultaneous Pitch Classes |
0.7015 |
| Average Number of Simultaneous Pitches |
2.673 |
| Variability of Number of Simultaneous Pitches |
0.8731 |
| Most Common Vertical Interval |
3.0 |
| Second Most Common Vertical Interval |
0.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
5.873 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
205.8 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
4.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.2031 |
| Stepwise Motion |
0.6271 |
| Melodic Thirds |
0.1382 |
| Melodic Perfect Fourths |
0.06329 |
| Melodic Tritones |
0.0005274 |
| Melodic Perfect Fifths |
0.09388 |
| Melodic Sixths |
0.00211 |
| Melodic Sevenths |
0.0005274 |
| Melodic Octaves |
0.01371 |
| Melodic Large Intervals |
0.0005274 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
1.817 |
| Melodic Embellishments |
0.01734 |
| Direction of Melodic Motion |
0.4383 |
| Average Length of Melodic Arcs |
1.75 |
| Average Interval Spanned by Melodic Arcs |
4.98 |
| Melodic Pitch Variety |
5.246 |
| Mean Melodic Interval |
2.687 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.4241 |
| Relative Prevalence of Most Common Melodic Intervals |
0.4789 |
| Amount of Arpeggiation |
0.3064 |
| Repeated Notes |
0.06013 |
| Importance of Middle Register |
0.7578 |
| Importance of High Register |
0.0005255 |
| Dominant Spread |
7.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
58.49 |
| Mean Pitch Class |
5.35 |
| Most Common Pitch |
57.0 |
| Most Common Pitch Class |
9.0 |
| Prevalence of Most Common Pitch |
0.114 |
| Prevalence of Most Common Pitch Class |
0.1818 |
| Relative Prevalence of Top Pitches |
0.8479 |
| Relative Prevalence of Top Pitch Classes |
0.8555 |
| Interval Between Most Prevalent Pitches |
5.0 |
| Interval Between Most Prevalent Pitch Classes |
7.0 |
| Pitch Variability |
6.316 |
| Pitch Class Variability |
3.465 |
| Pitch Class Variability After Folding |
3.54 |
| Pitch Skewness |
0.01797 |
| Pitch Class Skewness |
0.303 |
| Pitch Class Skewness After Folding |
0.7545 |
| Pitch Kurtosis |
5.398 |
| Pitch Class Kurtosis |
4.851 |
| Pitch Class Kurtosis After Folding |
5.962 |
| Major or Minor |
0.0 |
| First Pitch |
50.0 |
| First Pitch Class |
2.0 |
| Last Pitch |
50.0 |
| Last Pitch Class |
2.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
26.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
11.0 |
| Number of Common Pitches |
3.0 |
| Number of Common Pitch Classes |
0.0 |
| Range |
31.0 |
| Importance of Bass Register |
0.2417 |
| Note Density per Quarter Note |
1.069 |
| Note Density per Quarter Note per Voice |
0.1526 |
| Note Density per Quarter Note Variability |
0.5464 |
| Range of Rhythmic Values |
9.0 |
| Number of Different Rhythmic Values Present |
8.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.01997 |
| Prevalence of Medium Rhythmic Values |
0.6521 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.7814 |
| Prevalence of Very Long Rhythmic Values |
0.07725 |
| Prevalence of Dotted Notes |
0.1734 |
| Shortest Rhythmic Value |
0.5 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
2.652 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.4335 |
| Relative Prevalence of Most Common Rhythmic Values |
0.4582 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
1.921 |
| Rhythmic Value Skewness |
1.018 |
| Rhythmic Value Kurtosis |
14.65 |
| Mean Rhythmic Value Run Length |
1.624 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.447 |
| Mean Rhythmic Value Offset |
0.01051 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.304 |
| Complete Rests Fraction |
0.0005117 |
| Partial Rests Fraction |
1.0 |
| Average Rest Fraction Across Voices |
0.5933 |
| Longest Complete Rest |
0.9113 |
| Longest Partial Rest |
1310.0 |
| Mean Complete Rest Duration |
0.9113 |
| Mean Partial Rest Duration |
64.88 |
| Median Complete Rest Duration |
0.9113 |
| Median Partial Rest Duration |
5.514 |
| Duple Initial Meter |
0.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
210.8 |
| Variability Across Voices of Combined Rests |
604.2 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
1.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.5333 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.2558 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.084 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.7892 |
| Rhythmic Variability - Tempo Standardized |
0.04898 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.6667 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
2.0 |
| Total Number of Notes |
1903.0 |
| Initial Tempo |
232.0 |
| Average Variability of Time Between Attacks for Each Voice |
2.594 |
| Minimum Note Duration |
0.1293 |
| Maximum Note Duration |
5.0 |
| Average Note Duration |
0.6062 |
| Variability of Note Durations |
0.4591 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
5.0 |
| Number of Moderate Rhythmic Pulses |
5.0 |
| Number of Relatively Strong Rhythmic Pulses |
5.0 |
| Mean Tempo |
266.6 |
| Strongest Rhythmic Pulse |
44.0 |
| Second Strongest Rhythmic Pulse |
66.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.5 |
| Strength of Strongest Rhythmic Pulse |
0.2731 |
| Strength of Second Strongest Rhythmic Pulse |
0.2479 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.102 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.521 |
| Rhythmic Variability |
0.03644 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.6 |
| Tempo Variability |
26.8 |
| Duration in Seconds |
405.2 |
| Note Density |
4.697 |
| Note Density Variability |
2.07 |
| Average Time Between Attacks |
0.3777 |
| Average Time Between Attacks for Each Voice |
0.8984 |
| Variability of Time Between Attacks |
0.2369 |
| Maximum Number of Independent Voices |
4.0 |
| Relative Range of Loudest Voice |
0.5484 |
| Relative Range Isolation of Loudest Voice |
0.001795 |
| Relative Range of Highest Line |
0.5484 |
| Relative Note Density of Highest Line |
0.2391 |
| Relative Note Durations of Lowest Line |
1.039 |
| Relative Size of Melodic Intervals in Lowest Line |
1.0 |
| Voice Overlap |
0.9953 |
| Voice Separation |
2.333 |
| Variability of Voice Separation |
2.16 |
| Parallel Motion |
0.04413 |
| Average Number of Independent Voices |
2.847 |
| Similar Motion |
0.1481 |
| Contrary Motion |
0.176 |
| Oblique Motion |
0.6318 |
| Parallel Fifths |
0.004646 |
| Parallel Octaves |
0.001742 |
| Variability of Number of Independent Voices |
0.8853 |
| Voice Equality - Number of Notes |
253.3 |
| Voice Equality - Note Duration |
137.5 |
| Voice Equality - Dynamics |
6.986 |
| Voice Equality - Melodic Leaps |
0.0 |
| Voice Equality - Range |
1.254 |
| Importance of Loudest Voice |
8.333 |