| Distance Between Two Most Common Vertical Intervals |
3.0 |
| Prevalence of Most Common Vertical Interval |
0.2082 |
| Prevalence of Second Most Common Vertical Interval |
0.1991 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.9563 |
| Vertical Unisons |
0.03615 |
| Vertical Minor Seconds |
0.01014 |
| Vertical Thirds |
0.3661 |
| Vertical Tritones |
0.008051 |
| Vertical Perfect Fourths |
0.07952 |
| Vertical Perfect Fifths |
0.1744 |
| Vertical Sixths |
0.1171 |
| Vertical Sevenths |
0.02207 |
| Vertical Octaves |
0.163 |
| Perfect Vertical Intervals |
0.4531 |
| Vertical Dissonance Ratio |
0.06815 |
| Vertical Minor Third Prevalence |
0.4753 |
| Vertical Major Third Prevalence |
0.4005 |
| Chord Duration |
2.282 |
| Partial Chords |
0.5168 |
| Standard Triads |
0.3586 |
| Diminished and Augmented Triads |
0.01697 |
| Dominant Seventh Chords |
0.0009428 |
| Seventh Chords |
0.008485 |
| Non-Standard Chords |
0.1161 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
2.135 |
| Average Number of Simultaneous Pitch Classes |
2.362 |
| Variability of Number of Simultaneous Pitch Classes |
0.6903 |
| Average Number of Simultaneous Pitches |
2.839 |
| Variability of Number of Simultaneous Pitches |
0.9167 |
| Most Common Vertical Interval |
3.0 |
| Second Most Common Vertical Interval |
0.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
6.9 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
107.6 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
4.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.2544 |
| Stepwise Motion |
0.6533 |
| Melodic Thirds |
0.1185 |
| Melodic Perfect Fourths |
0.0453 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.1028 |
| Melodic Sixths |
0.01568 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.01132 |
| Melodic Large Intervals |
0.001742 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
1.833 |
| Melodic Embellishments |
0.01474 |
| Direction of Melodic Motion |
0.4793 |
| Average Length of Melodic Arcs |
1.748 |
| Average Interval Spanned by Melodic Arcs |
4.936 |
| Melodic Pitch Variety |
4.912 |
| Mean Melodic Interval |
2.693 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.399 |
| Relative Prevalence of Most Common Melodic Intervals |
0.6376 |
| Amount of Arpeggiation |
0.2848 |
| Repeated Notes |
0.05139 |
| Importance of Middle Register |
0.7693 |
| Importance of High Register |
0.05898 |
| Dominant Spread |
7.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
61.11 |
| Mean Pitch Class |
5.384 |
| Most Common Pitch |
64.0 |
| Most Common Pitch Class |
4.0 |
| Prevalence of Most Common Pitch |
0.1049 |
| Prevalence of Most Common Pitch Class |
0.1778 |
| Relative Prevalence of Top Pitches |
0.8926 |
| Relative Prevalence of Top Pitch Classes |
0.9756 |
| Interval Between Most Prevalent Pitches |
7.0 |
| Interval Between Most Prevalent Pitch Classes |
5.0 |
| Pitch Variability |
7.465 |
| Pitch Class Variability |
3.539 |
| Pitch Class Variability After Folding |
3.111 |
| Pitch Skewness |
-0.1039 |
| Pitch Class Skewness |
0.3257 |
| Pitch Class Skewness After Folding |
0.5126 |
| Pitch Kurtosis |
5.369 |
| Pitch Class Kurtosis |
4.832 |
| Pitch Class Kurtosis After Folding |
7.037 |
| Major or Minor |
0.0 |
| First Pitch |
55.0 |
| First Pitch Class |
7.0 |
| Last Pitch |
45.0 |
| Last Pitch Class |
9.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
29.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
10.0 |
| Number of Common Pitches |
2.0 |
| Number of Common Pitch Classes |
0.0 |
| Range |
36.0 |
| Importance of Bass Register |
0.1717 |
| Note Density per Quarter Note |
0.9796 |
| Note Density per Quarter Note per Voice |
0.1959 |
| Note Density per Quarter Note Variability |
0.5196 |
| Range of Rhythmic Values |
9.0 |
| Number of Different Rhythmic Values Present |
10.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.001735 |
| Prevalence of Medium Rhythmic Values |
0.5976 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.8248 |
| Prevalence of Very Long Rhythmic Values |
0.08153 |
| Prevalence of Dotted Notes |
0.09714 |
| Shortest Rhythmic Value |
0.5 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
2.918 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.4224 |
| Relative Prevalence of Most Common Rhythmic Values |
0.6242 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
1.956 |
| Rhythmic Value Skewness |
1.409 |
| Rhythmic Value Kurtosis |
11.42 |
| Mean Rhythmic Value Run Length |
1.785 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.359 |
| Mean Rhythmic Value Offset |
0.103 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
1.501 |
| Complete Rests Fraction |
0.0007882 |
| Partial Rests Fraction |
1.0 |
| Average Rest Fraction Across Voices |
0.4062 |
| Longest Complete Rest |
0.9277 |
| Longest Partial Rest |
494.9 |
| Mean Complete Rest Duration |
0.9277 |
| Mean Partial Rest Duration |
32.3 |
| Median Complete Rest Duration |
0.9277 |
| Median Partial Rest Duration |
2.323 |
| Duple Initial Meter |
0.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
91.48 |
| Variability Across Voices of Combined Rests |
255.1 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
1.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
1.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.6369 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.1796 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
3.546 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.8165 |
| Rhythmic Variability - Tempo Standardized |
0.05349 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
1.0 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
2.0 |
| Total Number of Notes |
1153.0 |
| Initial Tempo |
232.0 |
| Average Variability of Time Between Attacks for Each Voice |
3.197 |
| Minimum Note Duration |
0.1293 |
| Maximum Note Duration |
12.41 |
| Average Note Duration |
0.6749 |
| Variability of Note Durations |
0.6646 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
3.0 |
| Number of Moderate Rhythmic Pulses |
5.0 |
| Number of Relatively Strong Rhythmic Pulses |
3.0 |
| Mean Tempo |
272.0 |
| Strongest Rhythmic Pulse |
68.0 |
| Second Strongest Rhythmic Pulse |
45.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.511 |
| Strength of Strongest Rhythmic Pulse |
0.2915 |
| Strength of Second Strongest Rhythmic Pulse |
0.277 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.052 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.5685 |
| Rhythmic Variability |
0.03854 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.6667 |
| Tempo Variability |
25.29 |
| Duration in Seconds |
262.1 |
| Note Density |
4.399 |
| Note Density Variability |
1.618 |
| Average Time Between Attacks |
0.4132 |
| Average Time Between Attacks for Each Voice |
0.9276 |
| Variability of Time Between Attacks |
0.2221 |
| Maximum Number of Independent Voices |
4.0 |
| Relative Range of Loudest Voice |
0.5556 |
| Relative Range Isolation of Loudest Voice |
0.02096 |
| Relative Range of Highest Line |
0.5556 |
| Relative Note Density of Highest Line |
0.2949 |
| Relative Note Durations of Lowest Line |
1.004 |
| Relative Size of Melodic Intervals in Lowest Line |
0.9091 |
| Voice Overlap |
0.9696 |
| Voice Separation |
4.0 |
| Variability of Voice Separation |
4.082 |
| Parallel Motion |
0.02648 |
| Average Number of Independent Voices |
2.957 |
| Similar Motion |
0.1598 |
| Contrary Motion |
0.188 |
| Oblique Motion |
0.6258 |
| Parallel Fifths |
0.0 |
| Parallel Octaves |
0.0008826 |
| Variability of Number of Independent Voices |
0.9239 |
| Voice Equality - Number of Notes |
92.71 |
| Voice Equality - Note Duration |
56.8 |
| Voice Equality - Dynamics |
8.367 |
| Voice Equality - Melodic Leaps |
0.4472 |
| Voice Equality - Range |
0.8367 |
| Importance of Loudest Voice |
8.75 |