| Distance Between Two Most Common Vertical Intervals |
4.0 |
| Prevalence of Most Common Vertical Interval |
0.1923 |
| Prevalence of Second Most Common Vertical Interval |
0.1879 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.9774 |
| Vertical Unisons |
0.03296 |
| Vertical Minor Seconds |
0.006401 |
| Vertical Thirds |
0.3438 |
| Vertical Tritones |
0.0104 |
| Vertical Perfect Fourths |
0.08551 |
| Vertical Perfect Fifths |
0.181 |
| Vertical Sixths |
0.1364 |
| Vertical Sevenths |
0.02582 |
| Vertical Octaves |
0.155 |
| Perfect Vertical Intervals |
0.4545 |
| Vertical Dissonance Ratio |
0.07 |
| Vertical Minor Third Prevalence |
0.4571 |
| Vertical Major Third Prevalence |
0.5516 |
| Chord Duration |
2.307 |
| Partial Chords |
0.3473 |
| Standard Triads |
0.4901 |
| Diminished and Augmented Triads |
0.01343 |
| Dominant Seventh Chords |
0.004947 |
| Seventh Chords |
0.02403 |
| Non-Standard Chords |
0.1385 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
0.4631 |
| Average Number of Simultaneous Pitch Classes |
2.622 |
| Variability of Number of Simultaneous Pitch Classes |
0.6695 |
| Average Number of Simultaneous Pitches |
3.227 |
| Variability of Number of Simultaneous Pitches |
0.7971 |
| Most Common Vertical Interval |
4.0 |
| Second Most Common Vertical Interval |
0.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
6.496 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
119.7 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
4.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.2105 |
| Stepwise Motion |
0.6562 |
| Melodic Thirds |
0.125 |
| Melodic Perfect Fourths |
0.05038 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.04464 |
| Melodic Sixths |
0.005102 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.01531 |
| Melodic Large Intervals |
0.0006378 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
1.085 |
| Melodic Embellishments |
0.01654 |
| Direction of Melodic Motion |
0.4492 |
| Average Length of Melodic Arcs |
1.777 |
| Average Interval Spanned by Melodic Arcs |
4.606 |
| Melodic Pitch Variety |
4.696 |
| Mean Melodic Interval |
2.337 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.4458 |
| Relative Prevalence of Most Common Melodic Intervals |
0.4721 |
| Amount of Arpeggiation |
0.2876 |
| Repeated Notes |
0.1027 |
| Importance of Middle Register |
0.7545 |
| Importance of High Register |
0.02608 |
| Dominant Spread |
6.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
60.35 |
| Mean Pitch Class |
5.075 |
| Most Common Pitch |
65.0 |
| Most Common Pitch Class |
5.0 |
| Prevalence of Most Common Pitch |
0.0986 |
| Prevalence of Most Common Pitch Class |
0.1915 |
| Relative Prevalence of Top Pitches |
0.9871 |
| Relative Prevalence of Top Pitch Classes |
0.8804 |
| Interval Between Most Prevalent Pitches |
5.0 |
| Interval Between Most Prevalent Pitch Classes |
5.0 |
| Pitch Variability |
7.062 |
| Pitch Class Variability |
3.41 |
| Pitch Class Variability After Folding |
4.079 |
| Pitch Skewness |
0.2589 |
| Pitch Class Skewness |
0.06604 |
| Pitch Class Skewness After Folding |
0.9871 |
| Pitch Kurtosis |
5.25 |
| Pitch Class Kurtosis |
4.853 |
| Pitch Class Kurtosis After Folding |
4.94 |
| Major or Minor |
0.0 |
| First Pitch |
53.0 |
| First Pitch Class |
5.0 |
| Last Pitch |
53.0 |
| Last Pitch Class |
5.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
27.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
10.0 |
| Number of Common Pitches |
2.0 |
| Number of Common Pitch Classes |
0.0 |
| Range |
34.0 |
| Importance of Bass Register |
0.2195 |
| Note Density per Quarter Note |
1.053 |
| Note Density per Quarter Note per Voice |
0.2632 |
| Note Density per Quarter Note Variability |
0.4916 |
| Range of Rhythmic Values |
9.0 |
| Number of Different Rhythmic Values Present |
8.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.002545 |
| Prevalence of Medium Rhythmic Values |
0.5528 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.8142 |
| Prevalence of Very Long Rhythmic Values |
0.1139 |
| Prevalence of Dotted Notes |
0.1221 |
| Shortest Rhythmic Value |
0.5 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
3.139 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.367 |
| Relative Prevalence of Most Common Rhythmic Values |
0.7348 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
2.271 |
| Rhythmic Value Skewness |
1.504 |
| Rhythmic Value Kurtosis |
10.51 |
| Mean Rhythmic Value Run Length |
1.726 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.2 |
| Mean Rhythmic Value Offset |
0.05852 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.8951 |
| Complete Rests Fraction |
0.0005981 |
| Partial Rests Fraction |
0.459 |
| Average Rest Fraction Across Voices |
0.1557 |
| Longest Complete Rest |
0.8929 |
| Longest Partial Rest |
107.3 |
| Mean Complete Rest Duration |
0.8929 |
| Mean Partial Rest Duration |
9.785 |
| Median Complete Rest Duration |
0.8929 |
| Median Partial Rest Duration |
3.602 |
| Duple Initial Meter |
0.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
14.72 |
| Variability Across Voices of Combined Rests |
49.14 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
1.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.5981 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.2015 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.968 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.7996 |
| Rhythmic Variability - Tempo Standardized |
0.05193 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.6667 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
2.0 |
| Total Number of Notes |
1572.0 |
| Initial Tempo |
232.0 |
| Average Variability of Time Between Attacks for Each Voice |
1.142 |
| Minimum Note Duration |
0.1293 |
| Maximum Note Duration |
9.31 |
| Average Note Duration |
0.7422 |
| Variability of Note Durations |
0.6228 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
3.0 |
| Number of Moderate Rhythmic Pulses |
5.0 |
| Number of Relatively Strong Rhythmic Pulses |
3.0 |
| Mean Tempo |
262.3 |
| Strongest Rhythmic Pulse |
65.0 |
| Second Strongest Rhythmic Pulse |
44.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.477 |
| Strength of Strongest Rhythmic Pulse |
0.3003 |
| Strength of Second Strongest Rhythmic Pulse |
0.2672 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.124 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.5675 |
| Rhythmic Variability |
0.03841 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.6667 |
| Tempo Variability |
27.9 |
| Duration in Seconds |
345.4 |
| Note Density |
4.551 |
| Note Density Variability |
1.568 |
| Average Time Between Attacks |
0.438 |
| Average Time Between Attacks for Each Voice |
0.9274 |
| Variability of Time Between Attacks |
0.2508 |
| Maximum Number of Independent Voices |
4.0 |
| Relative Range of Loudest Voice |
0.5 |
| Relative Range Isolation of Loudest Voice |
0.3048 |
| Relative Range of Highest Line |
0.5 |
| Relative Note Density of Highest Line |
0.173 |
| Relative Note Durations of Lowest Line |
0.9487 |
| Relative Size of Melodic Intervals in Lowest Line |
1.0 |
| Voice Overlap |
0.7761 |
| Voice Separation |
5.333 |
| Variability of Voice Separation |
4.619 |
| Parallel Motion |
0.04605 |
| Average Number of Independent Voices |
3.369 |
| Similar Motion |
0.1376 |
| Contrary Motion |
0.2075 |
| Oblique Motion |
0.6089 |
| Parallel Fifths |
0.003589 |
| Parallel Octaves |
0.001196 |
| Variability of Number of Independent Voices |
0.7832 |
| Voice Equality - Number of Notes |
119.7 |
| Voice Equality - Note Duration |
11.37 |
| Voice Equality - Dynamics |
8.539 |
| Voice Equality - Melodic Leaps |
0.0 |
| Voice Equality - Range |
2.082 |
| Importance of Loudest Voice |
11.67 |