| Distance Between Two Most Common Vertical Intervals |
7.0 |
| Prevalence of Most Common Vertical Interval |
0.1811 |
| Prevalence of Second Most Common Vertical Interval |
0.1756 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.97 |
| Vertical Unisons |
0.04088 |
| Vertical Minor Seconds |
0.01156 |
| Vertical Thirds |
0.2892 |
| Vertical Tritones |
0.01695 |
| Vertical Perfect Fourths |
0.09351 |
| Vertical Perfect Fifths |
0.1756 |
| Vertical Sixths |
0.1491 |
| Vertical Sevenths |
0.04051 |
| Vertical Octaves |
0.1402 |
| Perfect Vertical Intervals |
0.4502 |
| Vertical Dissonance Ratio |
0.1255 |
| Vertical Minor Third Prevalence |
0.2645 |
| Vertical Major Third Prevalence |
0.25 |
| Chord Duration |
1.935 |
| Partial Chords |
0.6797 |
| Standard Triads |
0.1797 |
| Diminished and Augmented Triads |
0.01961 |
| Dominant Seventh Chords |
0.0 |
| Seventh Chords |
0.0 |
| Non-Standard Chords |
0.1405 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
0.7188 |
| Average Number of Simultaneous Pitch Classes |
2.174 |
| Variability of Number of Simultaneous Pitch Classes |
0.6041 |
| Average Number of Simultaneous Pitches |
2.451 |
| Variability of Number of Simultaneous Pitches |
0.5369 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
7.0 |
| Dynamic Range |
15.0 |
| Variation of Dynamics |
6.37 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
7.638 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
3.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.2696 |
| Stepwise Motion |
0.7241 |
| Melodic Thirds |
0.05643 |
| Melodic Perfect Fourths |
0.05956 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.03135 |
| Melodic Sixths |
0.0 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.01567 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
5.0 |
| Melodic Embellishments |
0.03106 |
| Direction of Melodic Motion |
0.4629 |
| Average Length of Melodic Arcs |
2.211 |
| Average Interval Spanned by Melodic Arcs |
4.984 |
| Melodic Pitch Variety |
5.175 |
| Mean Melodic Interval |
2.063 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.4545 |
| Relative Prevalence of Most Common Melodic Intervals |
0.5931 |
| Amount of Arpeggiation |
0.2163 |
| Repeated Notes |
0.1129 |
| Importance of Middle Register |
0.8665 |
| Importance of High Register |
0.0 |
| Dominant Spread |
6.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
59.15 |
| Mean Pitch Class |
5.283 |
| Most Common Pitch |
60.0 |
| Most Common Pitch Class |
7.0 |
| Prevalence of Most Common Pitch |
0.1335 |
| Prevalence of Most Common Pitch Class |
0.205 |
| Relative Prevalence of Top Pitches |
0.8372 |
| Relative Prevalence of Top Pitch Classes |
0.7727 |
| Interval Between Most Prevalent Pitches |
5.0 |
| Interval Between Most Prevalent Pitch Classes |
7.0 |
| Pitch Variability |
5.441 |
| Pitch Class Variability |
3.432 |
| Pitch Class Variability After Folding |
4.092 |
| Pitch Skewness |
-0.02569 |
| Pitch Class Skewness |
0.247 |
| Pitch Class Skewness After Folding |
0.8948 |
| Pitch Kurtosis |
5.593 |
| Pitch Class Kurtosis |
4.814 |
| Pitch Class Kurtosis After Folding |
4.857 |
| Major or Minor |
0.0 |
| First Pitch |
60.0 |
| First Pitch Class |
0.0 |
| Last Pitch |
55.0 |
| Last Pitch Class |
7.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
21.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
10.0 |
| Number of Common Pitches |
5.0 |
| Number of Common Pitch Classes |
1.0 |
| Range |
26.0 |
| Importance of Bass Register |
0.1335 |
| Note Density per Quarter Note |
0.9334 |
| Note Density per Quarter Note per Voice |
0.3111 |
| Note Density per Quarter Note Variability |
0.4225 |
| Range of Rhythmic Values |
7.0 |
| Number of Different Rhythmic Values Present |
7.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.0 |
| Prevalence of Medium Rhythmic Values |
0.5839 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.7733 |
| Prevalence of Very Long Rhythmic Values |
0.06211 |
| Prevalence of Dotted Notes |
0.1398 |
| Shortest Rhythmic Value |
1.0 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
2.696 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.3571 |
| Relative Prevalence of Most Common Rhythmic Values |
0.7043 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
1.616 |
| Rhythmic Value Skewness |
1.292 |
| Rhythmic Value Kurtosis |
10.48 |
| Mean Rhythmic Value Run Length |
1.548 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.058 |
| Mean Rhythmic Value Offset |
0.01242 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.2229 |
| Complete Rests Fraction |
0.002874 |
| Partial Rests Fraction |
0.4551 |
| Average Rest Fraction Across Voices |
0.1575 |
| Longest Complete Rest |
0.9917 |
| Longest Partial Rest |
28.0 |
| Mean Complete Rest Duration |
0.9917 |
| Mean Partial Rest Duration |
8.149 |
| Median Complete Rest Duration |
0.9917 |
| Median Partial Rest Duration |
4.0 |
| Duple Initial Meter |
1.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
7.577 |
| Variability Across Voices of Combined Rests |
21.39 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.553 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.2352 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.351 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.7881 |
| Rhythmic Variability - Tempo Standardized |
0.04998 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.6667 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
1.0 |
| Total Number of Notes |
322.0 |
| Initial Tempo |
288.0 |
| Average Variability of Time Between Attacks for Each Voice |
0.7508 |
| Minimum Note Duration |
0.2083 |
| Maximum Note Duration |
3.333 |
| Average Note Duration |
0.5642 |
| Variability of Note Durations |
0.3543 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
3.0 |
| Number of Moderate Rhythmic Pulses |
6.0 |
| Number of Relatively Strong Rhythmic Pulses |
6.0 |
| Mean Tempo |
288.0 |
| Strongest Rhythmic Pulse |
48.0 |
| Second Strongest Rhythmic Pulse |
72.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.5 |
| Strength of Strongest Rhythmic Pulse |
0.2425 |
| Strength of Second Strongest Rhythmic Pulse |
0.2422 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.001 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.4847 |
| Rhythmic Variability |
0.0347 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.5 |
| Tempo Variability |
0.0000000002542 |
| Duration in Seconds |
71.87 |
| Note Density |
4.48 |
| Note Density Variability |
1.431 |
| Average Time Between Attacks |
0.3706 |
| Average Time Between Attacks for Each Voice |
0.6509 |
| Variability of Time Between Attacks |
0.2075 |
| Maximum Number of Independent Voices |
3.0 |
| Relative Range of Loudest Voice |
0.6538 |
| Relative Range Isolation of Loudest Voice |
0.3945 |
| Relative Range of Highest Line |
0.4615 |
| Relative Note Density of Highest Line |
0.6056 |
| Relative Note Durations of Lowest Line |
1.034 |
| Relative Size of Melodic Intervals in Lowest Line |
0.75 |
| Voice Overlap |
0.8043 |
| Voice Separation |
5.5 |
| Variability of Voice Separation |
0.7071 |
| Parallel Motion |
0.06122 |
| Average Number of Independent Voices |
2.535 |
| Similar Motion |
0.1551 |
| Contrary Motion |
0.1796 |
| Oblique Motion |
0.6041 |
| Parallel Fifths |
0.004082 |
| Parallel Octaves |
0.0 |
| Variability of Number of Independent Voices |
0.5216 |
| Voice Equality - Number of Notes |
7.638 |
| Voice Equality - Note Duration |
4.455 |
| Voice Equality - Dynamics |
7.638 |
| Voice Equality - Melodic Leaps |
0.5774 |
| Voice Equality - Range |
2.887 |
| Importance of Loudest Voice |
10.0 |