| Distance Between Two Most Common Vertical Intervals |
3.0 |
| Prevalence of Most Common Vertical Interval |
0.2008 |
| Prevalence of Second Most Common Vertical Interval |
0.1947 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.9698 |
| Vertical Unisons |
0.04121 |
| Vertical Minor Seconds |
0.007034 |
| Vertical Thirds |
0.3548 |
| Vertical Tritones |
0.01102 |
| Vertical Perfect Fourths |
0.07595 |
| Vertical Perfect Fifths |
0.1751 |
| Vertical Sixths |
0.1216 |
| Vertical Sevenths |
0.02396 |
| Vertical Octaves |
0.1596 |
| Perfect Vertical Intervals |
0.4519 |
| Vertical Dissonance Ratio |
0.07732 |
| Vertical Minor Third Prevalence |
0.5282 |
| Vertical Major Third Prevalence |
0.4452 |
| Chord Duration |
1.877 |
| Partial Chords |
0.4208 |
| Standard Triads |
0.4231 |
| Diminished and Augmented Triads |
0.0153 |
| Dominant Seventh Chords |
0.001887 |
| Seventh Chords |
0.01195 |
| Non-Standard Chords |
0.1442 |
| Complex Chords |
0.002516 |
| Minor Major Triad Ratio |
1.193 |
| Average Number of Simultaneous Pitch Classes |
2.512 |
| Variability of Number of Simultaneous Pitch Classes |
0.6825 |
| Average Number of Simultaneous Pitches |
3.063 |
| Variability of Number of Simultaneous Pitches |
0.9753 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
3.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
4.126 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
484.4 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
4.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.1902 |
| Stepwise Motion |
0.6331 |
| Melodic Thirds |
0.1328 |
| Melodic Perfect Fourths |
0.04011 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.04228 |
| Melodic Sixths |
0.004336 |
| Melodic Sevenths |
0.001084 |
| Melodic Octaves |
0.01897 |
| Melodic Large Intervals |
0.001626 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
1.988 |
| Melodic Embellishments |
0.02649 |
| Direction of Melodic Motion |
0.4743 |
| Average Length of Melodic Arcs |
2.019 |
| Average Interval Spanned by Melodic Arcs |
5.323 |
| Melodic Pitch Variety |
5.087 |
| Mean Melodic Interval |
2.312 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.4428 |
| Relative Prevalence of Most Common Melodic Intervals |
0.4296 |
| Amount of Arpeggiation |
0.322 |
| Repeated Notes |
0.1257 |
| Importance of Middle Register |
0.64 |
| Importance of High Register |
0.01351 |
| Dominant Spread |
6.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
56.04 |
| Mean Pitch Class |
5.177 |
| Most Common Pitch |
55.0 |
| Most Common Pitch Class |
2.0 |
| Prevalence of Most Common Pitch |
0.1211 |
| Prevalence of Most Common Pitch Class |
0.1746 |
| Relative Prevalence of Top Pitches |
0.8482 |
| Relative Prevalence of Top Pitch Classes |
0.9783 |
| Interval Between Most Prevalent Pitches |
3.0 |
| Interval Between Most Prevalent Pitch Classes |
5.0 |
| Pitch Variability |
6.509 |
| Pitch Class Variability |
3.436 |
| Pitch Class Variability After Folding |
4.122 |
| Pitch Skewness |
-0.1986 |
| Pitch Class Skewness |
0.1543 |
| Pitch Class Skewness After Folding |
0.9965 |
| Pitch Kurtosis |
5.951 |
| Pitch Class Kurtosis |
4.69 |
| Pitch Class Kurtosis After Folding |
4.718 |
| Major or Minor |
0.0 |
| First Pitch |
55.0 |
| First Pitch Class |
7.0 |
| Last Pitch |
43.0 |
| Last Pitch Class |
7.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
25.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
10.0 |
| Number of Common Pitches |
3.0 |
| Number of Common Pitch Classes |
0.0 |
| Range |
32.0 |
| Importance of Bass Register |
0.3465 |
| Note Density per Quarter Note |
1.085 |
| Note Density per Quarter Note per Voice |
0.217 |
| Note Density per Quarter Note Variability |
0.5558 |
| Range of Rhythmic Values |
7.0 |
| Number of Different Rhythmic Values Present |
8.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.0 |
| Prevalence of Medium Rhythmic Values |
0.5486 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.7027 |
| Prevalence of Very Long Rhythmic Values |
0.107 |
| Prevalence of Dotted Notes |
0.1351 |
| Shortest Rhythmic Value |
1.0 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
2.929 |
| Most Common Rhythmic Value |
1.0 |
| Prevalence of Most Common Rhythmic Value |
0.2908 |
| Relative Prevalence of Most Common Rhythmic Values |
0.8829 |
| Difference Between Most Common Rhythmic Values |
4.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
2.107 |
| Rhythmic Value Skewness |
1.322 |
| Rhythmic Value Kurtosis |
9.137 |
| Mean Rhythmic Value Run Length |
1.626 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.157 |
| Mean Rhythmic Value Offset |
0.05081 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.5481 |
| Complete Rests Fraction |
0.0005816 |
| Partial Rests Fraction |
0.8475 |
| Average Rest Fraction Across Voices |
0.3539 |
| Longest Complete Rest |
0.9917 |
| Longest Partial Rest |
344.0 |
| Mean Complete Rest Duration |
0.9917 |
| Mean Partial Rest Duration |
18.97 |
| Median Complete Rest Duration |
0.9917 |
| Median Partial Rest Duration |
4.0 |
| Duple Initial Meter |
1.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
48.42 |
| Variability Across Voices of Combined Rests |
521.4 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
120.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.0 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.4941 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.2472 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.999 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.7412 |
| Rhythmic Variability - Tempo Standardized |
0.04736 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.6667 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
1.0 |
| Total Number of Notes |
1850.0 |
| Initial Tempo |
288.0 |
| Average Variability of Time Between Attacks for Each Voice |
3.036 |
| Minimum Note Duration |
0.2083 |
| Maximum Note Duration |
5.0 |
| Average Note Duration |
0.6203 |
| Variability of Note Durations |
0.4951 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
6.0 |
| Number of Moderate Rhythmic Pulses |
6.0 |
| Number of Relatively Strong Rhythmic Pulses |
6.0 |
| Mean Tempo |
288.0 |
| Strongest Rhythmic Pulse |
72.0 |
| Second Strongest Rhythmic Pulse |
48.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.5 |
| Strength of Strongest Rhythmic Pulse |
0.2457 |
| Strength of Second Strongest Rhythmic Pulse |
0.2165 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.135 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.4622 |
| Rhythmic Variability |
0.03345 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.3333 |
| Tempo Variability |
0.000000001048 |
| Duration in Seconds |
355.2 |
| Note Density |
5.208 |
| Note Density Variability |
2.215 |
| Average Time Between Attacks |
0.3464 |
| Average Time Between Attacks for Each Voice |
1.41 |
| Variability of Time Between Attacks |
0.2108 |
| Maximum Number of Independent Voices |
5.0 |
| Relative Range of Loudest Voice |
0.4062 |
| Relative Range Isolation of Loudest Voice |
0.6364 |
| Relative Range of Highest Line |
0.4062 |
| Relative Note Density of Highest Line |
0.1892 |
| Relative Note Durations of Lowest Line |
0.9953 |
| Relative Size of Melodic Intervals in Lowest Line |
1.111 |
| Voice Overlap |
0.8876 |
| Voice Separation |
5.25 |
| Variability of Voice Separation |
5.737 |
| Parallel Motion |
0.05833 |
| Average Number of Independent Voices |
3.232 |
| Similar Motion |
0.1278 |
| Contrary Motion |
0.1494 |
| Oblique Motion |
0.6644 |
| Parallel Fifths |
0.0005556 |
| Parallel Octaves |
0.001111 |
| Variability of Number of Independent Voices |
1.024 |
| Voice Equality - Number of Notes |
238.0 |
| Voice Equality - Note Duration |
108.6 |
| Voice Equality - Dynamics |
7.416 |
| Voice Equality - Melodic Leaps |
0.4472 |
| Voice Equality - Range |
3.578 |
| Importance of Loudest Voice |
11.25 |