| Distance Between Two Most Common Vertical Intervals |
4.0 |
| Prevalence of Most Common Vertical Interval |
0.2101 |
| Prevalence of Second Most Common Vertical Interval |
0.2077 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.9888 |
| Vertical Unisons |
0.02803 |
| Vertical Minor Seconds |
0.004431 |
| Vertical Thirds |
0.3374 |
| Vertical Tritones |
0.00594 |
| Vertical Perfect Fourths |
0.07801 |
| Vertical Perfect Fifths |
0.1938 |
| Vertical Sixths |
0.1255 |
| Vertical Sevenths |
0.02338 |
| Vertical Octaves |
0.182 |
| Perfect Vertical Intervals |
0.4819 |
| Vertical Dissonance Ratio |
0.0585 |
| Vertical Minor Third Prevalence |
0.4125 |
| Vertical Major Third Prevalence |
0.5382 |
| Chord Duration |
2.34 |
| Partial Chords |
0.3781 |
| Standard Triads |
0.4796 |
| Diminished and Augmented Triads |
0.007299 |
| Dominant Seventh Chords |
0.005839 |
| Seventh Chords |
0.0219 |
| Non-Standard Chords |
0.1204 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
0.4009 |
| Average Number of Simultaneous Pitch Classes |
2.593 |
| Variability of Number of Simultaneous Pitch Classes |
0.6622 |
| Average Number of Simultaneous Pitches |
3.333 |
| Variability of Number of Simultaneous Pitches |
0.7565 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
4.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
6.815 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
49.96 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
4.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.1942 |
| Stepwise Motion |
0.6835 |
| Melodic Thirds |
0.1116 |
| Melodic Perfect Fourths |
0.05046 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.05352 |
| Melodic Sixths |
0.001529 |
| Melodic Sevenths |
0.001529 |
| Melodic Octaves |
0.01682 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
3.056 |
| Melodic Embellishments |
0.02128 |
| Direction of Melodic Motion |
0.4559 |
| Average Length of Melodic Arcs |
1.884 |
| Average Interval Spanned by Melodic Arcs |
4.831 |
| Melodic Pitch Variety |
5.206 |
| Mean Melodic Interval |
2.391 |
| Number of Common Melodic Intervals |
2.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.4893 |
| Relative Prevalence of Most Common Melodic Intervals |
0.3969 |
| Amount of Arpeggiation |
0.2645 |
| Repeated Notes |
0.08104 |
| Importance of Middle Register |
0.5912 |
| Importance of High Register |
0.0 |
| Dominant Spread |
7.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
55.65 |
| Mean Pitch Class |
5.065 |
| Most Common Pitch |
53.0 |
| Most Common Pitch Class |
5.0 |
| Prevalence of Most Common Pitch |
0.1064 |
| Prevalence of Most Common Pitch Class |
0.19 |
| Relative Prevalence of Top Pitches |
0.8714 |
| Relative Prevalence of Top Pitch Classes |
0.912 |
| Interval Between Most Prevalent Pitches |
7.0 |
| Interval Between Most Prevalent Pitch Classes |
5.0 |
| Pitch Variability |
7.343 |
| Pitch Class Variability |
3.327 |
| Pitch Class Variability After Folding |
4.246 |
| Pitch Skewness |
-0.2738 |
| Pitch Class Skewness |
0.05894 |
| Pitch Class Skewness After Folding |
1.053 |
| Pitch Kurtosis |
5.332 |
| Pitch Class Kurtosis |
4.857 |
| Pitch Class Kurtosis After Folding |
4.699 |
| Major or Minor |
0.0 |
| First Pitch |
53.0 |
| First Pitch Class |
5.0 |
| Last Pitch |
41.0 |
| Last Pitch Class |
5.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
22.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
9.0 |
| Number of Common Pitches |
2.0 |
| Number of Common Pitch Classes |
0.0 |
| Range |
33.0 |
| Importance of Bass Register |
0.4088 |
| Note Density per Quarter Note |
0.9126 |
| Note Density per Quarter Note per Voice |
0.2282 |
| Note Density per Quarter Note Variability |
0.5252 |
| Range of Rhythmic Values |
9.0 |
| Number of Different Rhythmic Values Present |
8.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.00304 |
| Prevalence of Medium Rhythmic Values |
0.5289 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.7842 |
| Prevalence of Very Long Rhythmic Values |
0.19 |
| Prevalence of Dotted Notes |
0.1657 |
| Shortest Rhythmic Value |
0.5 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
3.623 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.3131 |
| Relative Prevalence of Most Common Rhythmic Values |
0.7379 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
2.996 |
| Rhythmic Value Skewness |
1.625 |
| Rhythmic Value Kurtosis |
7.853 |
| Mean Rhythmic Value Run Length |
1.621 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.122 |
| Mean Rhythmic Value Offset |
0.1641 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
1.496 |
| Complete Rests Fraction |
0.001481 |
| Partial Rests Fraction |
0.4051 |
| Average Rest Fraction Across Voices |
0.137 |
| Longest Complete Rest |
1.068 |
| Longest Partial Rest |
55.99 |
| Mean Complete Rest Duration |
1.068 |
| Mean Partial Rest Duration |
7.319 |
| Median Complete Rest Duration |
1.068 |
| Median Partial Rest Duration |
2.153 |
| Duple Initial Meter |
0.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
11.97 |
| Variability Across Voices of Combined Rests |
55.86 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
120.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.0 |
| Triple Initial Meter |
1.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.5899 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.2225 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.652 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.8123 |
| Rhythmic Variability - Tempo Standardized |
0.05153 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.6667 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
2.0 |
| Total Number of Notes |
658.0 |
| Initial Tempo |
232.0 |
| Average Variability of Time Between Attacks for Each Voice |
1.197 |
| Minimum Note Duration |
0.1293 |
| Maximum Note Duration |
6.667 |
| Average Note Duration |
0.9085 |
| Variability of Note Durations |
0.8528 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
3.0 |
| Number of Moderate Rhythmic Pulses |
5.0 |
| Number of Relatively Strong Rhythmic Pulses |
4.0 |
| Mean Tempo |
252.5 |
| Strongest Rhythmic Pulse |
63.0 |
| Second Strongest Rhythmic Pulse |
42.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.5 |
| Strength of Strongest Rhythmic Pulse |
0.2808 |
| Strength of Second Strongest Rhythmic Pulse |
0.2775 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.012 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.5583 |
| Rhythmic Variability |
0.0382 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.5 |
| Tempo Variability |
26.98 |
| Duration in Seconds |
173.2 |
| Note Density |
3.799 |
| Note Density Variability |
1.763 |
| Average Time Between Attacks |
0.4805 |
| Average Time Between Attacks for Each Voice |
1.07 |
| Variability of Time Between Attacks |
0.3501 |
| Maximum Number of Independent Voices |
4.0 |
| Relative Range of Loudest Voice |
0.5152 |
| Relative Range Isolation of Loudest Voice |
0.7304 |
| Relative Range of Highest Line |
0.5152 |
| Relative Note Density of Highest Line |
0.3891 |
| Relative Note Durations of Lowest Line |
1.126 |
| Relative Size of Melodic Intervals in Lowest Line |
0.5714 |
| Voice Overlap |
0.7052 |
| Voice Separation |
5.667 |
| Variability of Voice Separation |
2.517 |
| Parallel Motion |
0.05213 |
| Average Number of Independent Voices |
3.461 |
| Similar Motion |
0.1235 |
| Contrary Motion |
0.1646 |
| Oblique Motion |
0.6598 |
| Parallel Fifths |
0.009602 |
| Parallel Octaves |
0.001372 |
| Variability of Number of Independent Voices |
0.7368 |
| Voice Equality - Number of Notes |
49.96 |
| Voice Equality - Note Duration |
13.42 |
| Voice Equality - Dynamics |
8.539 |
| Voice Equality - Melodic Leaps |
0.5 |
| Voice Equality - Range |
1.708 |
| Importance of Loudest Voice |
11.67 |