| Distance Between Two Most Common Vertical Intervals |
7.0 |
| Prevalence of Most Common Vertical Interval |
0.2294 |
| Prevalence of Second Most Common Vertical Interval |
0.1845 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.8042 |
| Vertical Unisons |
0.08121 |
| Vertical Minor Seconds |
0.005403 |
| Vertical Thirds |
0.313 |
| Vertical Tritones |
0.01443 |
| Vertical Perfect Fourths |
0.09608 |
| Vertical Perfect Fifths |
0.1845 |
| Vertical Sixths |
0.09992 |
| Vertical Sevenths |
0.02058 |
| Vertical Octaves |
0.1482 |
| Perfect Vertical Intervals |
0.51 |
| Vertical Dissonance Ratio |
0.08351 |
| Vertical Minor Third Prevalence |
0.5069 |
| Vertical Major Third Prevalence |
0.4809 |
| Chord Duration |
1.716 |
| Partial Chords |
0.3821 |
| Standard Triads |
0.4068 |
| Diminished and Augmented Triads |
0.02742 |
| Dominant Seventh Chords |
0.007313 |
| Seventh Chords |
0.0128 |
| Non-Standard Chords |
0.1984 |
| Complex Chords |
0.005484 |
| Minor Major Triad Ratio |
1.392 |
| Average Number of Simultaneous Pitch Classes |
2.595 |
| Variability of Number of Simultaneous Pitch Classes |
0.6845 |
| Average Number of Simultaneous Pitches |
3.181 |
| Variability of Number of Simultaneous Pitches |
0.9235 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
7.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
8.19 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
97.58 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
4.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.2258 |
| Stepwise Motion |
0.6527 |
| Melodic Thirds |
0.1136 |
| Melodic Perfect Fourths |
0.04569 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.05222 |
| Melodic Sixths |
0.002611 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.01044 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
4.118 |
| Melodic Embellishments |
0.0454 |
| Direction of Melodic Motion |
0.4688 |
| Average Length of Melodic Arcs |
1.976 |
| Average Interval Spanned by Melodic Arcs |
4.862 |
| Melodic Pitch Variety |
4.894 |
| Mean Melodic Interval |
2.183 |
| Number of Common Melodic Intervals |
4.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.4269 |
| Relative Prevalence of Most Common Melodic Intervals |
0.5291 |
| Amount of Arpeggiation |
0.299 |
| Repeated Notes |
0.1227 |
| Importance of Middle Register |
0.7095 |
| Importance of High Register |
0.001297 |
| Dominant Spread |
4.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
57.13 |
| Mean Pitch Class |
5.424 |
| Most Common Pitch |
55.0 |
| Most Common Pitch Class |
7.0 |
| Prevalence of Most Common Pitch |
0.1518 |
| Prevalence of Most Common Pitch Class |
0.2179 |
| Relative Prevalence of Top Pitches |
0.7009 |
| Relative Prevalence of Top Pitch Classes |
0.8274 |
| Interval Between Most Prevalent Pitches |
7.0 |
| Interval Between Most Prevalent Pitch Classes |
5.0 |
| Pitch Variability |
6.309 |
| Pitch Class Variability |
3.14 |
| Pitch Class Variability After Folding |
3.755 |
| Pitch Skewness |
0.2387 |
| Pitch Class Skewness |
0.4052 |
| Pitch Class Skewness After Folding |
0.8424 |
| Pitch Kurtosis |
5.423 |
| Pitch Class Kurtosis |
4.903 |
| Pitch Class Kurtosis After Folding |
5.351 |
| Major or Minor |
0.0 |
| First Pitch |
58.0 |
| First Pitch Class |
10.0 |
| Last Pitch |
50.0 |
| Last Pitch Class |
2.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
25.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
11.0 |
| Number of Common Pitches |
3.0 |
| Number of Common Pitch Classes |
1.0 |
| Range |
31.0 |
| Importance of Bass Register |
0.2892 |
| Note Density per Quarter Note |
1.336 |
| Note Density per Quarter Note per Voice |
0.2672 |
| Note Density per Quarter Note Variability |
0.5784 |
| Range of Rhythmic Values |
9.0 |
| Number of Different Rhythmic Values Present |
8.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.002594 |
| Prevalence of Medium Rhythmic Values |
0.6407 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.808 |
| Prevalence of Very Long Rhythmic Values |
0.04669 |
| Prevalence of Dotted Notes |
0.1232 |
| Shortest Rhythmic Value |
0.5 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
2.612 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.4488 |
| Relative Prevalence of Most Common Rhythmic Values |
0.4566 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
1.633 |
| Rhythmic Value Skewness |
1.125 |
| Rhythmic Value Kurtosis |
14.37 |
| Mean Rhythmic Value Run Length |
1.554 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.136 |
| Mean Rhythmic Value Offset |
0.05707 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
1.048 |
| Complete Rests Fraction |
0.001719 |
| Partial Rests Fraction |
0.8024 |
| Average Rest Fraction Across Voices |
0.2866 |
| Longest Complete Rest |
0.9917 |
| Longest Partial Rest |
72.0 |
| Mean Complete Rest Duration |
0.9917 |
| Mean Partial Rest Duration |
10.34 |
| Median Complete Rest Duration |
0.9917 |
| Median Partial Rest Duration |
2.0 |
| Duple Initial Meter |
1.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
15.17 |
| Variability Across Voices of Combined Rests |
91.34 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.576 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.2291 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.514 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.8051 |
| Rhythmic Variability - Tempo Standardized |
0.05096 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.6667 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
1.0 |
| Total Number of Notes |
771.0 |
| Initial Tempo |
288.0 |
| Average Variability of Time Between Attacks for Each Voice |
1.175 |
| Minimum Note Duration |
0.1042 |
| Maximum Note Duration |
8.333 |
| Average Note Duration |
0.5561 |
| Variability of Note Durations |
0.4582 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
3.0 |
| Number of Moderate Rhythmic Pulses |
6.0 |
| Number of Relatively Strong Rhythmic Pulses |
6.0 |
| Mean Tempo |
288.0 |
| Strongest Rhythmic Pulse |
48.0 |
| Second Strongest Rhythmic Pulse |
144.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
3.0 |
| Strength of Strongest Rhythmic Pulse |
0.2495 |
| Strength of Second Strongest Rhythmic Pulse |
0.2385 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.046 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.4881 |
| Rhythmic Variability |
0.03486 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.5 |
| Tempo Variability |
0.0000000002219 |
| Duration in Seconds |
120.2 |
| Note Density |
6.414 |
| Note Density Variability |
2.345 |
| Average Time Between Attacks |
0.3261 |
| Average Time Between Attacks for Each Voice |
0.7512 |
| Variability of Time Between Attacks |
0.1448 |
| Maximum Number of Independent Voices |
5.0 |
| Relative Range of Loudest Voice |
0.5484 |
| Relative Range Isolation of Loudest Voice |
0.2252 |
| Relative Range of Highest Line |
0.5484 |
| Relative Note Density of Highest Line |
0.4215 |
| Relative Note Durations of Lowest Line |
1.019 |
| Relative Size of Melodic Intervals in Lowest Line |
1.25 |
| Voice Overlap |
0.9027 |
| Voice Separation |
3.75 |
| Variability of Voice Separation |
2.217 |
| Parallel Motion |
0.04921 |
| Average Number of Independent Voices |
3.573 |
| Similar Motion |
0.1381 |
| Contrary Motion |
0.1302 |
| Oblique Motion |
0.6825 |
| Parallel Fifths |
0.0 |
| Parallel Octaves |
0.001587 |
| Variability of Number of Independent Voices |
0.9973 |
| Voice Equality - Number of Notes |
46.26 |
| Voice Equality - Note Duration |
19.03 |
| Voice Equality - Dynamics |
8.944 |
| Voice Equality - Melodic Leaps |
0.5477 |
| Voice Equality - Range |
4.087 |
| Importance of Loudest Voice |
13.75 |