| Distance Between Two Most Common Vertical Intervals |
7.0 |
| Prevalence of Most Common Vertical Interval |
0.2451 |
| Prevalence of Second Most Common Vertical Interval |
0.1917 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.7824 |
| Vertical Unisons |
0.06131 |
| Vertical Minor Seconds |
0.004469 |
| Vertical Thirds |
0.3052 |
| Vertical Tritones |
0.008378 |
| Vertical Perfect Fourths |
0.08194 |
| Vertical Perfect Fifths |
0.1917 |
| Vertical Sixths |
0.123 |
| Vertical Sevenths |
0.01929 |
| Vertical Octaves |
0.1838 |
| Perfect Vertical Intervals |
0.5187 |
| Vertical Dissonance Ratio |
0.05606 |
| Vertical Minor Third Prevalence |
0.4265 |
| Vertical Major Third Prevalence |
0.3929 |
| Chord Duration |
2.275 |
| Partial Chords |
0.4764 |
| Standard Triads |
0.3915 |
| Diminished and Augmented Triads |
0.01415 |
| Dominant Seventh Chords |
0.003538 |
| Seventh Chords |
0.01887 |
| Non-Standard Chords |
0.1132 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
1.037 |
| Average Number of Simultaneous Pitch Classes |
2.403 |
| Variability of Number of Simultaneous Pitch Classes |
0.7427 |
| Average Number of Simultaneous Pitches |
2.979 |
| Variability of Number of Simultaneous Pitches |
0.8536 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
7.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
6.904 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
47.81 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
4.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.1872 |
| Stepwise Motion |
0.6453 |
| Melodic Thirds |
0.1326 |
| Melodic Perfect Fourths |
0.0686 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.05581 |
| Melodic Sixths |
0.003488 |
| Melodic Sevenths |
0.001163 |
| Melodic Octaves |
0.02907 |
| Melodic Large Intervals |
0.001163 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
2.257 |
| Melodic Embellishments |
0.01042 |
| Direction of Melodic Motion |
0.4491 |
| Average Length of Melodic Arcs |
1.857 |
| Average Interval Spanned by Melodic Arcs |
5.267 |
| Melodic Pitch Variety |
5.473 |
| Mean Melodic Interval |
2.681 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.4581 |
| Relative Prevalence of Most Common Melodic Intervals |
0.4086 |
| Amount of Arpeggiation |
0.2826 |
| Repeated Notes |
0.06279 |
| Importance of Middle Register |
0.7222 |
| Importance of High Register |
0.006944 |
| Dominant Spread |
6.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
58.02 |
| Mean Pitch Class |
5.309 |
| Most Common Pitch |
55.0 |
| Most Common Pitch Class |
7.0 |
| Prevalence of Most Common Pitch |
0.1181 |
| Prevalence of Most Common Pitch Class |
0.2014 |
| Relative Prevalence of Top Pitches |
0.9706 |
| Relative Prevalence of Top Pitch Classes |
0.9368 |
| Interval Between Most Prevalent Pitches |
7.0 |
| Interval Between Most Prevalent Pitch Classes |
5.0 |
| Pitch Variability |
6.838 |
| Pitch Class Variability |
3.367 |
| Pitch Class Variability After Folding |
4.001 |
| Pitch Skewness |
0.04418 |
| Pitch Class Skewness |
0.2754 |
| Pitch Class Skewness After Folding |
1.612 |
| Pitch Kurtosis |
5.555 |
| Pitch Class Kurtosis |
4.733 |
| Pitch Class Kurtosis After Folding |
4.958 |
| Major or Minor |
0.0 |
| First Pitch |
55.0 |
| First Pitch Class |
7.0 |
| Last Pitch |
43.0 |
| Last Pitch Class |
7.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
26.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
11.0 |
| Number of Common Pitches |
3.0 |
| Number of Common Pitch Classes |
1.0 |
| Range |
33.0 |
| Importance of Bass Register |
0.2708 |
| Note Density per Quarter Note |
0.9066 |
| Note Density per Quarter Note per Voice |
0.2267 |
| Note Density per Quarter Note Variability |
0.4702 |
| Range of Rhythmic Values |
7.0 |
| Number of Different Rhythmic Values Present |
7.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.0 |
| Prevalence of Medium Rhythmic Values |
0.4433 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.8275 |
| Prevalence of Very Long Rhythmic Values |
0.1562 |
| Prevalence of Dotted Notes |
0.103 |
| Shortest Rhythmic Value |
1.0 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
3.505 |
| Most Common Rhythmic Value |
4.0 |
| Prevalence of Most Common Rhythmic Value |
0.3669 |
| Relative Prevalence of Most Common Rhythmic Values |
0.7382 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
2.282 |
| Rhythmic Value Skewness |
-0.6512 |
| Rhythmic Value Kurtosis |
8.293 |
| Mean Rhythmic Value Run Length |
1.646 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.09 |
| Mean Rhythmic Value Offset |
0.03704 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.3833 |
| Complete Rests Fraction |
0.001041 |
| Partial Rests Fraction |
0.5026 |
| Average Rest Fraction Across Voices |
0.1973 |
| Longest Complete Rest |
0.9917 |
| Longest Partial Rest |
132.0 |
| Mean Complete Rest Duration |
0.9917 |
| Mean Partial Rest Duration |
11.22 |
| Median Complete Rest Duration |
0.9917 |
| Median Partial Rest Duration |
4.0 |
| Duple Initial Meter |
1.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
22.97 |
| Variability Across Voices of Combined Rests |
70.78 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
2.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
120.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.0 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.6329 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.2006 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
3.155 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.8336 |
| Rhythmic Variability - Tempo Standardized |
0.05376 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
1.0 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
1.0 |
| Total Number of Notes |
864.0 |
| Initial Tempo |
288.0 |
| Average Variability of Time Between Attacks for Each Voice |
1.655 |
| Minimum Note Duration |
0.2083 |
| Maximum Note Duration |
3.333 |
| Average Note Duration |
0.7378 |
| Variability of Note Durations |
0.5096 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
3.0 |
| Number of Moderate Rhythmic Pulses |
6.0 |
| Number of Relatively Strong Rhythmic Pulses |
3.0 |
| Mean Tempo |
288.0 |
| Strongest Rhythmic Pulse |
72.0 |
| Second Strongest Rhythmic Pulse |
48.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.5 |
| Strength of Strongest Rhythmic Pulse |
0.3208 |
| Strength of Second Strongest Rhythmic Pulse |
0.2464 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.302 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.5672 |
| Rhythmic Variability |
0.03745 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.6667 |
| Tempo Variability |
0.000000000242 |
| Duration in Seconds |
198.5 |
| Note Density |
4.352 |
| Note Density Variability |
1.668 |
| Average Time Between Attacks |
0.4402 |
| Average Time Between Attacks for Each Voice |
0.929 |
| Variability of Time Between Attacks |
0.2469 |
| Maximum Number of Independent Voices |
4.0 |
| Relative Range of Loudest Voice |
0.5758 |
| Relative Range Isolation of Loudest Voice |
0.1891 |
| Relative Range of Highest Line |
0.5758 |
| Relative Note Density of Highest Line |
0.3056 |
| Relative Note Durations of Lowest Line |
0.9914 |
| Relative Size of Melodic Intervals in Lowest Line |
0.4444 |
| Voice Overlap |
0.919 |
| Voice Separation |
5.333 |
| Variability of Voice Separation |
4.619 |
| Parallel Motion |
0.04774 |
| Average Number of Independent Voices |
3.214 |
| Similar Motion |
0.1394 |
| Contrary Motion |
0.1972 |
| Oblique Motion |
0.6156 |
| Parallel Fifths |
0.003769 |
| Parallel Octaves |
0.001256 |
| Variability of Number of Independent Voices |
0.8913 |
| Voice Equality - Number of Notes |
47.81 |
| Voice Equality - Note Duration |
14.75 |
| Voice Equality - Dynamics |
8.539 |
| Voice Equality - Melodic Leaps |
0.9574 |
| Voice Equality - Range |
1.155 |
| Importance of Loudest Voice |
11.67 |