| Distance Between Two Most Common Vertical Intervals |
4.0 |
| Prevalence of Most Common Vertical Interval |
0.1919 |
| Prevalence of Second Most Common Vertical Interval |
0.1825 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.951 |
| Vertical Unisons |
0.02159 |
| Vertical Minor Seconds |
0.004702 |
| Vertical Thirds |
0.3401 |
| Vertical Tritones |
0.02018 |
| Vertical Perfect Fourths |
0.09608 |
| Vertical Perfect Fifths |
0.1919 |
| Vertical Sixths |
0.1564 |
| Vertical Sevenths |
0.02278 |
| Vertical Octaves |
0.131 |
| Perfect Vertical Intervals |
0.4406 |
| Vertical Dissonance Ratio |
0.06718 |
| Vertical Minor Third Prevalence |
0.4677 |
| Vertical Major Third Prevalence |
0.4138 |
| Chord Duration |
2.234 |
| Partial Chords |
0.4362 |
| Standard Triads |
0.4227 |
| Diminished and Augmented Triads |
0.04383 |
| Dominant Seventh Chords |
0.0 |
| Seventh Chords |
0.004335 |
| Non-Standard Chords |
0.1368 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
0.7359 |
| Average Number of Simultaneous Pitch Classes |
2.523 |
| Variability of Number of Simultaneous Pitch Classes |
0.5915 |
| Average Number of Simultaneous Pitches |
2.911 |
| Variability of Number of Simultaneous Pitches |
0.7204 |
| Most Common Vertical Interval |
7.0 |
| Second Most Common Vertical Interval |
3.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
6.994 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
166.6 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
4.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.2325 |
| Stepwise Motion |
0.6651 |
| Melodic Thirds |
0.1291 |
| Melodic Perfect Fourths |
0.0336 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.02887 |
| Melodic Sixths |
0.001575 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.008399 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
2.0 |
| Melodic Embellishments |
0.01938 |
| Direction of Melodic Motion |
0.4967 |
| Average Length of Melodic Arcs |
1.781 |
| Average Interval Spanned by Melodic Arcs |
4.118 |
| Melodic Pitch Variety |
4.37 |
| Mean Melodic Interval |
2.012 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.4325 |
| Relative Prevalence of Most Common Melodic Intervals |
0.5376 |
| Amount of Arpeggiation |
0.2997 |
| Repeated Notes |
0.1333 |
| Importance of Middle Register |
0.6354 |
| Importance of High Register |
0.003667 |
| Dominant Spread |
7.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
56.31 |
| Mean Pitch Class |
5.204 |
| Most Common Pitch |
55.0 |
| Most Common Pitch Class |
0.0 |
| Prevalence of Most Common Pitch |
0.1252 |
| Prevalence of Most Common Pitch Class |
0.1755 |
| Relative Prevalence of Top Pitches |
0.8787 |
| Relative Prevalence of Top Pitch Classes |
0.9642 |
| Interval Between Most Prevalent Pitches |
3.0 |
| Interval Between Most Prevalent Pitch Classes |
7.0 |
| Pitch Variability |
6.322 |
| Pitch Class Variability |
3.583 |
| Pitch Class Variability After Folding |
3.1 |
| Pitch Skewness |
-0.1486 |
| Pitch Class Skewness |
0.1711 |
| Pitch Class Skewness After Folding |
0.2565 |
| Pitch Kurtosis |
5.779 |
| Pitch Class Kurtosis |
4.86 |
| Pitch Class Kurtosis After Folding |
7.224 |
| Major or Minor |
0.0 |
| First Pitch |
67.0 |
| First Pitch Class |
7.0 |
| Last Pitch |
45.0 |
| Last Pitch Class |
9.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
27.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
11.0 |
| Number of Common Pitches |
4.0 |
| Number of Common Pitch Classes |
0.0 |
| Range |
33.0 |
| Importance of Bass Register |
0.3609 |
| Note Density per Quarter Note |
0.8867 |
| Note Density per Quarter Note per Voice |
0.2217 |
| Note Density per Quarter Note Variability |
0.3605 |
| Range of Rhythmic Values |
9.0 |
| Number of Different Rhythmic Values Present |
8.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.002095 |
| Prevalence of Medium Rhythmic Values |
0.4741 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.7983 |
| Prevalence of Very Long Rhythmic Values |
0.1325 |
| Prevalence of Dotted Notes |
0.1116 |
| Shortest Rhythmic Value |
0.5 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
3.307 |
| Most Common Rhythmic Value |
4.0 |
| Prevalence of Most Common Rhythmic Value |
0.3363 |
| Relative Prevalence of Most Common Rhythmic Values |
0.81 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
2.214 |
| Rhythmic Value Skewness |
0.4167 |
| Rhythmic Value Kurtosis |
8.698 |
| Mean Rhythmic Value Run Length |
1.633 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.15 |
| Mean Rhythmic Value Offset |
0.05238 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.503 |
| Complete Rests Fraction |
0.000313 |
| Partial Rests Fraction |
0.771 |
| Average Rest Fraction Across Voices |
0.2551 |
| Longest Complete Rest |
0.6739 |
| Longest Partial Rest |
868.5 |
| Mean Complete Rest Duration |
0.6739 |
| Mean Partial Rest Duration |
19.97 |
| Median Complete Rest Duration |
0.6739 |
| Median Partial Rest Duration |
4.144 |
| Duple Initial Meter |
1.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
84.27 |
| Variability Across Voices of Combined Rests |
464.6 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
120.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.0 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.5584 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.233 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.396 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.7914 |
| Rhythmic Variability - Tempo Standardized |
0.05018 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.6667 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
2.0 |
| Total Number of Notes |
1909.0 |
| Initial Tempo |
288.0 |
| Average Variability of Time Between Attacks for Each Voice |
1.428 |
| Minimum Note Duration |
0.1042 |
| Maximum Note Duration |
5.0 |
| Average Note Duration |
0.6758 |
| Variability of Note Durations |
0.4977 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
3.0 |
| Number of Moderate Rhythmic Pulses |
6.0 |
| Number of Relatively Strong Rhythmic Pulses |
3.0 |
| Mean Tempo |
303.2 |
| Strongest Rhythmic Pulse |
75.0 |
| Second Strongest Rhythmic Pulse |
50.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.5 |
| Strength of Strongest Rhythmic Pulse |
0.3077 |
| Strength of Second Strongest Rhythmic Pulse |
0.2282 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.349 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.5359 |
| Rhythmic Variability |
0.03594 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.6667 |
| Tempo Variability |
45.46 |
| Duration in Seconds |
433.0 |
| Note Density |
4.409 |
| Note Density Variability |
1.129 |
| Average Time Between Attacks |
0.404 |
| Average Time Between Attacks for Each Voice |
0.836 |
| Variability of Time Between Attacks |
0.2472 |
| Maximum Number of Independent Voices |
4.0 |
| Relative Range of Loudest Voice |
0.4242 |
| Relative Range Isolation of Loudest Voice |
0.3788 |
| Relative Range of Highest Line |
0.4242 |
| Relative Note Density of Highest Line |
0.1404 |
| Relative Note Durations of Lowest Line |
1.162 |
| Relative Size of Melodic Intervals in Lowest Line |
0.6667 |
| Voice Overlap |
0.935 |
| Voice Separation |
6.0 |
| Variability of Voice Separation |
3.0 |
| Parallel Motion |
0.05198 |
| Average Number of Independent Voices |
2.98 |
| Similar Motion |
0.1576 |
| Contrary Motion |
0.1677 |
| Oblique Motion |
0.6227 |
| Parallel Fifths |
0.00268 |
| Parallel Octaves |
0.0005359 |
| Variability of Number of Independent Voices |
0.6942 |
| Voice Equality - Number of Notes |
166.6 |
| Voice Equality - Note Duration |
93.44 |
| Voice Equality - Dynamics |
8.539 |
| Voice Equality - Melodic Leaps |
0.5774 |
| Voice Equality - Range |
3.5 |
| Importance of Loudest Voice |
11.67 |