| Distance Between Two Most Common Vertical Intervals |
7.0 |
| Prevalence of Most Common Vertical Interval |
0.197 |
| Prevalence of Second Most Common Vertical Interval |
0.1849 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.9384 |
| Vertical Unisons |
0.0276 |
| Vertical Minor Seconds |
0.009154 |
| Vertical Thirds |
0.338 |
| Vertical Tritones |
0.0124 |
| Vertical Perfect Fourths |
0.08261 |
| Vertical Perfect Fifths |
0.1849 |
| Vertical Sixths |
0.1277 |
| Vertical Sevenths |
0.02443 |
| Vertical Octaves |
0.1694 |
| Perfect Vertical Intervals |
0.4645 |
| Vertical Dissonance Ratio |
0.07501 |
| Vertical Minor Third Prevalence |
0.5932 |
| Vertical Major Third Prevalence |
0.501 |
| Chord Duration |
1.971 |
| Partial Chords |
0.3002 |
| Standard Triads |
0.4833 |
| Diminished and Augmented Triads |
0.0251 |
| Dominant Seventh Chords |
0.001046 |
| Seventh Chords |
0.03243 |
| Non-Standard Chords |
0.1841 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
1.017 |
| Average Number of Simultaneous Pitch Classes |
2.727 |
| Variability of Number of Simultaneous Pitch Classes |
0.6035 |
| Average Number of Simultaneous Pitches |
3.515 |
| Variability of Number of Simultaneous Pitches |
0.6448 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
7.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
7.816 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
94.21 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
4.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.2304 |
| Stepwise Motion |
0.6964 |
| Melodic Thirds |
0.1184 |
| Melodic Perfect Fourths |
0.05059 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.05059 |
| Melodic Sixths |
0.008611 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.01615 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
1.619 |
| Melodic Embellishments |
0.03751 |
| Direction of Melodic Motion |
0.4485 |
| Average Length of Melodic Arcs |
1.995 |
| Average Interval Spanned by Melodic Arcs |
5.114 |
| Melodic Pitch Variety |
5.28 |
| Mean Melodic Interval |
2.436 |
| Number of Common Melodic Intervals |
2.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.4661 |
| Relative Prevalence of Most Common Melodic Intervals |
0.4942 |
| Amount of Arpeggiation |
0.2443 |
| Repeated Notes |
0.0592 |
| Importance of Middle Register |
0.7814 |
| Importance of High Register |
0.001072 |
| Dominant Spread |
7.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
58.38 |
| Mean Pitch Class |
5.382 |
| Most Common Pitch |
60.0 |
| Most Common Pitch Class |
0.0 |
| Prevalence of Most Common Pitch |
0.1436 |
| Prevalence of Most Common Pitch Class |
0.1833 |
| Relative Prevalence of Top Pitches |
0.8582 |
| Relative Prevalence of Top Pitch Classes |
0.9591 |
| Interval Between Most Prevalent Pitches |
3.0 |
| Interval Between Most Prevalent Pitch Classes |
9.0 |
| Pitch Variability |
6.258 |
| Pitch Class Variability |
3.702 |
| Pitch Class Variability After Folding |
3.556 |
| Pitch Skewness |
-0.09146 |
| Pitch Class Skewness |
0.3092 |
| Pitch Class Skewness After Folding |
0.5932 |
| Pitch Kurtosis |
5.922 |
| Pitch Class Kurtosis |
4.73 |
| Pitch Class Kurtosis After Folding |
5.988 |
| Major or Minor |
0.0 |
| First Pitch |
48.0 |
| First Pitch Class |
0.0 |
| Last Pitch |
41.0 |
| Last Pitch Class |
5.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
25.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
10.0 |
| Number of Common Pitches |
2.0 |
| Number of Common Pitch Classes |
0.0 |
| Range |
33.0 |
| Importance of Bass Register |
0.2176 |
| Note Density per Quarter Note |
0.955 |
| Note Density per Quarter Note per Voice |
0.2387 |
| Note Density per Quarter Note Variability |
0.3982 |
| Range of Rhythmic Values |
7.0 |
| Number of Different Rhythmic Values Present |
7.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.0 |
| Prevalence of Medium Rhythmic Values |
0.4845 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.7181 |
| Prevalence of Very Long Rhythmic Values |
0.1876 |
| Prevalence of Dotted Notes |
0.1897 |
| Shortest Rhythmic Value |
1.0 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
3.479 |
| Most Common Rhythmic Value |
1.0 |
| Prevalence of Most Common Rhythmic Value |
0.2819 |
| Relative Prevalence of Most Common Rhythmic Values |
0.8707 |
| Difference Between Most Common Rhythmic Values |
4.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
2.765 |
| Rhythmic Value Skewness |
0.5198 |
| Rhythmic Value Kurtosis |
8.018 |
| Mean Rhythmic Value Run Length |
1.625 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.284 |
| Mean Rhythmic Value Offset |
0.343 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
2.189 |
| Complete Rests Fraction |
0.001015 |
| Partial Rests Fraction |
0.2856 |
| Average Rest Fraction Across Voices |
0.08751 |
| Longest Complete Rest |
0.9917 |
| Longest Partial Rest |
32.0 |
| Mean Complete Rest Duration |
0.9917 |
| Mean Partial Rest Duration |
6.452 |
| Median Complete Rest Duration |
0.9917 |
| Median Partial Rest Duration |
4.0 |
| Duple Initial Meter |
1.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
7.618 |
| Variability Across Voices of Combined Rests |
41.58 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
120.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.0 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.4823 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.2706 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.782 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.753 |
| Rhythmic Variability - Tempo Standardized |
0.04748 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.6667 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
1.0 |
| Total Number of Notes |
933.0 |
| Initial Tempo |
288.0 |
| Average Variability of Time Between Attacks for Each Voice |
1.091 |
| Minimum Note Duration |
0.2083 |
| Maximum Note Duration |
6.667 |
| Average Note Duration |
0.7963 |
| Variability of Note Durations |
0.891 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
4.0 |
| Number of Moderate Rhythmic Pulses |
6.0 |
| Number of Relatively Strong Rhythmic Pulses |
6.0 |
| Mean Tempo |
288.0 |
| Strongest Rhythmic Pulse |
72.0 |
| Second Strongest Rhythmic Pulse |
48.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.5 |
| Strength of Strongest Rhythmic Pulse |
0.272 |
| Strength of Second Strongest Rhythmic Pulse |
0.2221 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.225 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.4941 |
| Rhythmic Variability |
0.03422 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.3333 |
| Tempo Variability |
0.0000000002362 |
| Duration in Seconds |
203.5 |
| Note Density |
4.584 |
| Note Density Variability |
1.491 |
| Average Time Between Attacks |
0.3853 |
| Average Time Between Attacks for Each Voice |
1.073 |
| Variability of Time Between Attacks |
0.2657 |
| Maximum Number of Independent Voices |
4.0 |
| Relative Range of Loudest Voice |
0.6364 |
| Relative Range Isolation of Loudest Voice |
0.2679 |
| Relative Range of Highest Line |
0.6364 |
| Relative Note Density of Highest Line |
0.2787 |
| Relative Note Durations of Lowest Line |
2.559 |
| Relative Size of Melodic Intervals in Lowest Line |
1.0 |
| Voice Overlap |
0.8982 |
| Voice Separation |
5.667 |
| Variability of Voice Separation |
4.933 |
| Parallel Motion |
0.04119 |
| Average Number of Independent Voices |
3.654 |
| Similar Motion |
0.09555 |
| Contrary Motion |
0.1343 |
| Oblique Motion |
0.729 |
| Parallel Fifths |
0.002471 |
| Parallel Octaves |
0.001647 |
| Variability of Number of Independent Voices |
0.591 |
| Voice Equality - Number of Notes |
94.21 |
| Voice Equality - Note Duration |
8.663 |
| Voice Equality - Dynamics |
8.539 |
| Voice Equality - Melodic Leaps |
0.0 |
| Voice Equality - Range |
2.986 |
| Importance of Loudest Voice |
11.67 |