| Distance Between Two Most Common Vertical Intervals |
4.0 |
| Prevalence of Most Common Vertical Interval |
0.1893 |
| Prevalence of Second Most Common Vertical Interval |
0.1881 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.9935 |
| Vertical Unisons |
0.02499 |
| Vertical Minor Seconds |
0.005512 |
| Vertical Thirds |
0.337 |
| Vertical Tritones |
0.008195 |
| Vertical Perfect Fourths |
0.082 |
| Vertical Perfect Fifths |
0.1881 |
| Vertical Sixths |
0.1493 |
| Vertical Sevenths |
0.02675 |
| Vertical Octaves |
0.1571 |
| Perfect Vertical Intervals |
0.4522 |
| Vertical Dissonance Ratio |
0.06555 |
| Vertical Minor Third Prevalence |
0.4506 |
| Vertical Major Third Prevalence |
0.3749 |
| Chord Duration |
2.09 |
| Partial Chords |
0.4708 |
| Standard Triads |
0.398 |
| Diminished and Augmented Triads |
0.01602 |
| Dominant Seventh Chords |
0.001282 |
| Seventh Chords |
0.01075 |
| Non-Standard Chords |
0.1205 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
1.33 |
| Average Number of Simultaneous Pitch Classes |
2.438 |
| Variability of Number of Simultaneous Pitch Classes |
0.6809 |
| Average Number of Simultaneous Pitches |
2.926 |
| Variability of Number of Simultaneous Pitches |
0.8639 |
| Most Common Vertical Interval |
3.0 |
| Second Most Common Vertical Interval |
7.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
5.568 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
309.2 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
4.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.2302 |
| Stepwise Motion |
0.7056 |
| Melodic Thirds |
0.1113 |
| Melodic Perfect Fourths |
0.05586 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.05032 |
| Melodic Sixths |
0.009905 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.01506 |
| Melodic Large Intervals |
0.0003962 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
2.747 |
| Melodic Embellishments |
0.02571 |
| Direction of Melodic Motion |
0.4612 |
| Average Length of Melodic Arcs |
1.699 |
| Average Interval Spanned by Melodic Arcs |
4.368 |
| Melodic Pitch Variety |
4.802 |
| Mean Melodic Interval |
2.444 |
| Number of Common Melodic Intervals |
2.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.4754 |
| Relative Prevalence of Most Common Melodic Intervals |
0.4842 |
| Amount of Arpeggiation |
0.2286 |
| Repeated Notes |
0.05151 |
| Importance of Middle Register |
0.7718 |
| Importance of High Register |
0.04747 |
| Dominant Spread |
6.0 |
| Strong Tonal Centres |
1.0 |
| Mean Pitch |
60.84 |
| Mean Pitch Class |
5.368 |
| Most Common Pitch |
64.0 |
| Most Common Pitch Class |
9.0 |
| Prevalence of Most Common Pitch |
0.09889 |
| Prevalence of Most Common Pitch Class |
0.182 |
| Relative Prevalence of Top Pitches |
0.924 |
| Relative Prevalence of Top Pitch Classes |
0.8935 |
| Interval Between Most Prevalent Pitches |
7.0 |
| Interval Between Most Prevalent Pitch Classes |
5.0 |
| Pitch Variability |
7.177 |
| Pitch Class Variability |
3.419 |
| Pitch Class Variability After Folding |
3.267 |
| Pitch Skewness |
-0.2927 |
| Pitch Class Skewness |
0.3228 |
| Pitch Class Skewness After Folding |
0.6183 |
| Pitch Kurtosis |
5.386 |
| Pitch Class Kurtosis |
4.852 |
| Pitch Class Kurtosis After Folding |
6.572 |
| Major or Minor |
0.0 |
| First Pitch |
55.0 |
| First Pitch Class |
7.0 |
| Last Pitch |
45.0 |
| Last Pitch Class |
9.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
31.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
12.0 |
| Number of Common Pitches |
2.0 |
| Number of Common Pitch Classes |
0.0 |
| Range |
34.0 |
| Importance of Bass Register |
0.1808 |
| Note Density per Quarter Note |
0.9933 |
| Note Density per Quarter Note per Voice |
0.2483 |
| Note Density per Quarter Note Variability |
0.4967 |
| Range of Rhythmic Values |
9.0 |
| Number of Different Rhythmic Values Present |
10.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.0269 |
| Prevalence of Medium Rhythmic Values |
0.5969 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.7828 |
| Prevalence of Very Long Rhythmic Values |
0.07476 |
| Prevalence of Dotted Notes |
0.1361 |
| Shortest Rhythmic Value |
0.5 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
2.854 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.3797 |
| Relative Prevalence of Most Common Rhythmic Values |
0.6323 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
2.112 |
| Rhythmic Value Skewness |
1.213 |
| Rhythmic Value Kurtosis |
12.71 |
| Mean Rhythmic Value Run Length |
1.753 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.38 |
| Mean Rhythmic Value Offset |
0.18 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
1.877 |
| Complete Rests Fraction |
0.001071 |
| Partial Rests Fraction |
0.6415 |
| Average Rest Fraction Across Voices |
0.2453 |
| Longest Complete Rest |
1.822 |
| Longest Partial Rest |
699.5 |
| Mean Complete Rest Duration |
1.362 |
| Mean Partial Rest Duration |
14.6 |
| Median Complete Rest Duration |
1.822 |
| Median Partial Rest Duration |
3.643 |
| Duple Initial Meter |
0.0 |
| Variability of Complete Rest Durations |
0.6494 |
| Variability of Partial Rest Durations |
55.18 |
| Variability Across Voices of Combined Rests |
414.8 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
7.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
1.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.544 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.1978 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.75 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.7418 |
| Rhythmic Variability - Tempo Standardized |
0.04798 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.6667 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
3.0 |
| Total Number of Notes |
2528.0 |
| Initial Tempo |
232.0 |
| Average Variability of Time Between Attacks for Each Voice |
3.912 |
| Minimum Note Duration |
0.1293 |
| Maximum Note Duration |
12.41 |
| Average Note Duration |
0.6951 |
| Variability of Note Durations |
0.7607 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
3.0 |
| Number of Moderate Rhythmic Pulses |
5.0 |
| Number of Relatively Strong Rhythmic Pulses |
5.0 |
| Mean Tempo |
265.3 |
| Strongest Rhythmic Pulse |
66.0 |
| Second Strongest Rhythmic Pulse |
44.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.5 |
| Strength of Strongest Rhythmic Pulse |
0.271 |
| Strength of Second Strongest Rhythmic Pulse |
0.2519 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.076 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.5229 |
| Rhythmic Variability |
0.0356 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.4 |
| Tempo Variability |
27.5 |
| Duration in Seconds |
582.1 |
| Note Density |
4.343 |
| Note Density Variability |
1.444 |
| Average Time Between Attacks |
0.4084 |
| Average Time Between Attacks for Each Voice |
1.37 |
| Variability of Time Between Attacks |
0.2365 |
| Maximum Number of Independent Voices |
4.0 |
| Relative Range of Loudest Voice |
0.5882 |
| Relative Range Isolation of Loudest Voice |
0.3524 |
| Relative Range of Highest Line |
0.5882 |
| Relative Note Density of Highest Line |
0.1076 |
| Relative Note Durations of Lowest Line |
0.939 |
| Relative Size of Melodic Intervals in Lowest Line |
1.143 |
| Voice Overlap |
0.8647 |
| Voice Separation |
5.333 |
| Variability of Voice Separation |
4.041 |
| Parallel Motion |
0.04643 |
| Average Number of Independent Voices |
3.01 |
| Similar Motion |
0.155 |
| Contrary Motion |
0.1711 |
| Oblique Motion |
0.6274 |
| Parallel Fifths |
0.003454 |
| Parallel Octaves |
0.001919 |
| Variability of Number of Independent Voices |
0.8695 |
| Voice Equality - Number of Notes |
309.2 |
| Voice Equality - Note Duration |
94.88 |
| Voice Equality - Dynamics |
8.539 |
| Voice Equality - Melodic Leaps |
0.5 |
| Voice Equality - Range |
4.349 |
| Importance of Loudest Voice |
11.67 |