| Distance Between Two Most Common Vertical Intervals |
3.0 |
| Prevalence of Most Common Vertical Interval |
0.2319 |
| Prevalence of Second Most Common Vertical Interval |
0.1942 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.8376 |
| Vertical Unisons |
0.03394 |
| Vertical Minor Seconds |
0.002598 |
| Vertical Thirds |
0.3459 |
| Vertical Tritones |
0.009922 |
| Vertical Perfect Fourths |
0.06892 |
| Vertical Perfect Fifths |
0.1683 |
| Vertical Sixths |
0.1442 |
| Vertical Sevenths |
0.01712 |
| Vertical Octaves |
0.198 |
| Perfect Vertical Intervals |
0.4691 |
| Vertical Dissonance Ratio |
0.04246 |
| Vertical Minor Third Prevalence |
0.4903 |
| Vertical Major Third Prevalence |
0.4016 |
| Chord Duration |
2.42 |
| Partial Chords |
0.4777 |
| Standard Triads |
0.4291 |
| Diminished and Augmented Triads |
0.0212 |
| Dominant Seventh Chords |
0.002174 |
| Seventh Chords |
0.00462 |
| Non-Standard Chords |
0.08859 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
1.555 |
| Average Number of Simultaneous Pitch Classes |
2.385 |
| Variability of Number of Simultaneous Pitch Classes |
0.6945 |
| Average Number of Simultaneous Pitches |
3.052 |
| Variability of Number of Simultaneous Pitches |
0.9487 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
3.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
7.013 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
76.55 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
4.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.1848 |
| Stepwise Motion |
0.5825 |
| Melodic Thirds |
0.2205 |
| Melodic Perfect Fourths |
0.05609 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.04716 |
| Melodic Sixths |
0.005099 |
| Melodic Sevenths |
0.003824 |
| Melodic Octaves |
0.0102 |
| Melodic Large Intervals |
0.001275 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
2.531 |
| Melodic Embellishments |
0.01844 |
| Direction of Melodic Motion |
0.4993 |
| Average Length of Melodic Arcs |
1.433 |
| Average Interval Spanned by Melodic Arcs |
3.91 |
| Melodic Pitch Variety |
4.525 |
| Mean Melodic Interval |
2.537 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.3977 |
| Relative Prevalence of Most Common Melodic Intervals |
0.4647 |
| Amount of Arpeggiation |
0.3563 |
| Repeated Notes |
0.0733 |
| Importance of Middle Register |
0.7699 |
| Importance of High Register |
0.01144 |
| Dominant Spread |
6.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
58.66 |
| Mean Pitch Class |
5.522 |
| Most Common Pitch |
55.0 |
| Most Common Pitch Class |
7.0 |
| Prevalence of Most Common Pitch |
0.1208 |
| Prevalence of Most Common Pitch Class |
0.2181 |
| Relative Prevalence of Top Pitches |
0.8474 |
| Relative Prevalence of Top Pitch Classes |
0.8076 |
| Interval Between Most Prevalent Pitches |
7.0 |
| Interval Between Most Prevalent Pitch Classes |
5.0 |
| Pitch Variability |
6.973 |
| Pitch Class Variability |
3.255 |
| Pitch Class Variability After Folding |
3.937 |
| Pitch Skewness |
0.5579 |
| Pitch Class Skewness |
-0.4406 |
| Pitch Class Skewness After Folding |
0.9161 |
| Pitch Kurtosis |
5.381 |
| Pitch Class Kurtosis |
4.811 |
| Pitch Class Kurtosis After Folding |
4.966 |
| Major or Minor |
0.0 |
| First Pitch |
58.0 |
| First Pitch Class |
10.0 |
| Last Pitch |
43.0 |
| Last Pitch Class |
7.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
25.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
11.0 |
| Number of Common Pitches |
2.0 |
| Number of Common Pitch Classes |
1.0 |
| Range |
31.0 |
| Importance of Bass Register |
0.2187 |
| Note Density per Quarter Note |
1.146 |
| Note Density per Quarter Note per Voice |
0.2864 |
| Note Density per Quarter Note Variability |
0.5534 |
| Range of Rhythmic Values |
8.0 |
| Number of Different Rhythmic Values Present |
9.0 |
| Number of Common Rhythmic Values Present |
2.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.0 |
| Prevalence of Medium Rhythmic Values |
0.6503 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.8748 |
| Prevalence of Very Long Rhythmic Values |
0.06548 |
| Prevalence of Dotted Notes |
0.08837 |
| Shortest Rhythmic Value |
0.75 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
2.768 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.5251 |
| Relative Prevalence of Most Common Rhythmic Values |
0.437 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
1.652 |
| Rhythmic Value Skewness |
1.395 |
| Rhythmic Value Kurtosis |
10.85 |
| Mean Rhythmic Value Run Length |
2.129 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
2.138 |
| Mean Rhythmic Value Offset |
0.0116 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.1769 |
| Complete Rests Fraction |
0.003495 |
| Partial Rests Fraction |
0.4858 |
| Average Rest Fraction Across Voices |
0.2078 |
| Longest Complete Rest |
1.923 |
| Longest Partial Rest |
65.38 |
| Mean Complete Rest Duration |
1.6 |
| Mean Partial Rest Duration |
10.77 |
| Median Complete Rest Duration |
1.923 |
| Median Partial Rest Duration |
2.387 |
| Duple Initial Meter |
0.0 |
| Variability of Complete Rest Durations |
0.5597 |
| Variability of Partial Rest Durations |
15.53 |
| Variability Across Voices of Combined Rests |
115.1 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
5.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
1.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
1.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.6908 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.144 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
4.797 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.8348 |
| Rhythmic Variability - Tempo Standardized |
0.05638 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
1.0 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
2.0 |
| Total Number of Notes |
1573.0 |
| Initial Tempo |
232.0 |
| Average Variability of Time Between Attacks for Each Voice |
1.137 |
| Minimum Note Duration |
0.1389 |
| Maximum Note Duration |
3.333 |
| Average Note Duration |
0.5993 |
| Variability of Note Durations |
0.3653 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
3.0 |
| Number of Moderate Rhythmic Pulses |
6.0 |
| Number of Relatively Strong Rhythmic Pulses |
3.0 |
| Mean Tempo |
278.7 |
| Strongest Rhythmic Pulse |
70.0 |
| Second Strongest Rhythmic Pulse |
47.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.489 |
| Strength of Strongest Rhythmic Pulse |
0.2892 |
| Strength of Second Strongest Rhythmic Pulse |
0.2637 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.097 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.5529 |
| Rhythmic Variability |
0.0375 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.6667 |
| Tempo Variability |
20.84 |
| Duration in Seconds |
297.5 |
| Note Density |
5.287 |
| Note Density Variability |
1.844 |
| Average Time Between Attacks |
0.406 |
| Average Time Between Attacks for Each Voice |
0.7593 |
| Variability of Time Between Attacks |
0.2179 |
| Maximum Number of Independent Voices |
4.0 |
| Relative Range of Loudest Voice |
0.5161 |
| Relative Range Isolation of Loudest Voice |
0.2342 |
| Relative Range of Highest Line |
0.5161 |
| Relative Note Density of Highest Line |
0.1704 |
| Relative Note Durations of Lowest Line |
1.014 |
| Relative Size of Melodic Intervals in Lowest Line |
0.5 |
| Voice Overlap |
0.864 |
| Voice Separation |
5.667 |
| Variability of Voice Separation |
4.933 |
| Parallel Motion |
0.05836 |
| Average Number of Independent Voices |
3.187 |
| Similar Motion |
0.1777 |
| Contrary Motion |
0.3017 |
| Oblique Motion |
0.4622 |
| Parallel Fifths |
0.001326 |
| Parallel Octaves |
0.0006631 |
| Variability of Number of Independent Voices |
0.949 |
| Voice Equality - Number of Notes |
76.55 |
| Voice Equality - Note Duration |
24.95 |
| Voice Equality - Dynamics |
8.539 |
| Voice Equality - Melodic Leaps |
0.8165 |
| Voice Equality - Range |
2.062 |
| Importance of Loudest Voice |
11.67 |