| Distance Between Two Most Common Vertical Intervals |
7.0 |
| Prevalence of Most Common Vertical Interval |
0.2116 |
| Prevalence of Second Most Common Vertical Interval |
0.2039 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.9638 |
| Vertical Unisons |
0.02476 |
| Vertical Minor Seconds |
0.003277 |
| Vertical Thirds |
0.3448 |
| Vertical Tritones |
0.005807 |
| Vertical Perfect Fourths |
0.05875 |
| Vertical Perfect Fifths |
0.2039 |
| Vertical Sixths |
0.1372 |
| Vertical Sevenths |
0.02175 |
| Vertical Octaves |
0.1868 |
| Perfect Vertical Intervals |
0.4743 |
| Vertical Dissonance Ratio |
0.04584 |
| Vertical Minor Third Prevalence |
0.3804 |
| Vertical Major Third Prevalence |
0.4092 |
| Chord Duration |
2.505 |
| Partial Chords |
0.5361 |
| Standard Triads |
0.3846 |
| Diminished and Augmented Triads |
0.01026 |
| Dominant Seventh Chords |
0.0006413 |
| Seventh Chords |
0.005985 |
| Non-Standard Chords |
0.07332 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
0.7365 |
| Average Number of Simultaneous Pitch Classes |
2.328 |
| Variability of Number of Simultaneous Pitch Classes |
0.6926 |
| Average Number of Simultaneous Pitches |
2.905 |
| Variability of Number of Simultaneous Pitches |
0.9502 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
7.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
7.364 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
55.16 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
4.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.1909 |
| Stepwise Motion |
0.5335 |
| Melodic Thirds |
0.1329 |
| Melodic Perfect Fourths |
0.06037 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.03841 |
| Melodic Sixths |
0.006707 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.01341 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
2.303 |
| Melodic Embellishments |
0.03406 |
| Direction of Melodic Motion |
0.4666 |
| Average Length of Melodic Arcs |
1.817 |
| Average Interval Spanned by Melodic Arcs |
4.836 |
| Melodic Pitch Variety |
4.673 |
| Mean Melodic Interval |
2.101 |
| Number of Common Melodic Intervals |
4.0 |
| Distance Between Most Prevalent Melodic Intervals |
2.0 |
| Prevalence of Most Common Melodic Interval |
0.3427 |
| Relative Prevalence of Most Common Melodic Intervals |
0.6263 |
| Amount of Arpeggiation |
0.3994 |
| Repeated Notes |
0.2146 |
| Importance of Middle Register |
0.7372 |
| Importance of High Register |
0.02433 |
| Dominant Spread |
6.0 |
| Strong Tonal Centres |
1.0 |
| Mean Pitch |
59.01 |
| Mean Pitch Class |
5.189 |
| Most Common Pitch |
55.0 |
| Most Common Pitch Class |
7.0 |
| Prevalence of Most Common Pitch |
0.09611 |
| Prevalence of Most Common Pitch Class |
0.1898 |
| Relative Prevalence of Top Pitches |
0.9114 |
| Relative Prevalence of Top Pitch Classes |
0.8558 |
| Interval Between Most Prevalent Pitches |
7.0 |
| Interval Between Most Prevalent Pitch Classes |
7.0 |
| Pitch Variability |
7.612 |
| Pitch Class Variability |
3.54 |
| Pitch Class Variability After Folding |
3.025 |
| Pitch Skewness |
-0.1153 |
| Pitch Class Skewness |
0.1603 |
| Pitch Class Skewness After Folding |
1.132 |
| Pitch Kurtosis |
5.3 |
| Pitch Class Kurtosis |
4.828 |
| Pitch Class Kurtosis After Folding |
7.48 |
| Major or Minor |
0.0 |
| First Pitch |
52.0 |
| First Pitch Class |
4.0 |
| Last Pitch |
52.0 |
| Last Pitch Class |
4.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
28.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
11.0 |
| Number of Common Pitches |
1.0 |
| Number of Common Pitch Classes |
0.0 |
| Range |
33.0 |
| Importance of Bass Register |
0.2384 |
| Note Density per Quarter Note |
0.9357 |
| Note Density per Quarter Note per Voice |
0.2339 |
| Note Density per Quarter Note Variability |
0.5028 |
| Range of Rhythmic Values |
8.0 |
| Number of Different Rhythmic Values Present |
9.0 |
| Number of Common Rhythmic Values Present |
2.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.0 |
| Prevalence of Medium Rhythmic Values |
0.5049 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.8412 |
| Prevalence of Very Long Rhythmic Values |
0.1089 |
| Prevalence of Dotted Notes |
0.1557 |
| Shortest Rhythmic Value |
0.75 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
3.161 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.3461 |
| Relative Prevalence of Most Common Rhythmic Values |
0.8207 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
2.046 |
| Rhythmic Value Skewness |
1.702 |
| Rhythmic Value Kurtosis |
9.903 |
| Mean Rhythmic Value Run Length |
1.777 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.481 |
| Mean Rhythmic Value Offset |
0.0441 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.3596 |
| Complete Rests Fraction |
0.005357 |
| Partial Rests Fraction |
0.5761 |
| Average Rest Fraction Across Voices |
0.2566 |
| Longest Complete Rest |
4.187 |
| Longest Partial Rest |
134.0 |
| Mean Complete Rest Duration |
3.137 |
| Mean Partial Rest Duration |
14.54 |
| Median Complete Rest Duration |
4.187 |
| Median Partial Rest Duration |
4.187 |
| Duple Initial Meter |
1.0 |
| Variability of Complete Rest Durations |
1.818 |
| Variability of Partial Rest Durations |
26.62 |
| Variability Across Voices of Combined Rests |
72.32 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
5.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.5643 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.1928 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.927 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.757 |
| Rhythmic Variability - Tempo Standardized |
0.04897 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.6667 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
2.0 |
| Total Number of Notes |
1644.0 |
| Initial Tempo |
288.0 |
| Average Variability of Time Between Attacks for Each Voice |
1.587 |
| Minimum Note Duration |
0.1367 |
| Maximum Note Duration |
3.333 |
| Average Note Duration |
0.6325 |
| Variability of Note Durations |
0.4532 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
3.0 |
| Number of Moderate Rhythmic Pulses |
8.0 |
| Number of Relatively Strong Rhythmic Pulses |
3.0 |
| Mean Tempo |
307.6 |
| Strongest Rhythmic Pulse |
76.0 |
| Second Strongest Rhythmic Pulse |
51.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.49 |
| Strength of Strongest Rhythmic Pulse |
0.3037 |
| Strength of Second Strongest Rhythmic Pulse |
0.2203 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.378 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.524 |
| Rhythmic Variability |
0.03515 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.6667 |
| Tempo Variability |
50.74 |
| Duration in Seconds |
349.7 |
| Note Density |
4.701 |
| Note Density Variability |
1.815 |
| Average Time Between Attacks |
0.4085 |
| Average Time Between Attacks for Each Voice |
0.8258 |
| Variability of Time Between Attacks |
0.2804 |
| Maximum Number of Independent Voices |
4.0 |
| Relative Range of Loudest Voice |
0.4848 |
| Relative Range Isolation of Loudest Voice |
0.3389 |
| Relative Range of Highest Line |
0.4848 |
| Relative Note Density of Highest Line |
0.1655 |
| Relative Note Durations of Lowest Line |
1.078 |
| Relative Size of Melodic Intervals in Lowest Line |
0.8 |
| Voice Overlap |
0.8467 |
| Voice Separation |
6.333 |
| Variability of Voice Separation |
2.082 |
| Parallel Motion |
0.0444 |
| Average Number of Independent Voices |
2.991 |
| Similar Motion |
0.1579 |
| Contrary Motion |
0.2111 |
| Oblique Motion |
0.5866 |
| Parallel Fifths |
0.0007278 |
| Parallel Octaves |
0.0 |
| Variability of Number of Independent Voices |
0.9662 |
| Voice Equality - Number of Notes |
55.16 |
| Voice Equality - Note Duration |
14.39 |
| Voice Equality - Dynamics |
8.539 |
| Voice Equality - Melodic Leaps |
0.5 |
| Voice Equality - Range |
2.986 |
| Importance of Loudest Voice |
11.67 |