| Distance Between Two Most Common Vertical Intervals |
7.0 |
| Prevalence of Most Common Vertical Interval |
0.2972 |
| Prevalence of Second Most Common Vertical Interval |
0.1783 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.6 |
| Vertical Unisons |
0.07797 |
| Vertical Minor Seconds |
0.001496 |
| Vertical Thirds |
0.2865 |
| Vertical Tritones |
0.003665 |
| Vertical Perfect Fourths |
0.07856 |
| Vertical Perfect Fifths |
0.1783 |
| Vertical Sixths |
0.1158 |
| Vertical Sevenths |
0.02324 |
| Vertical Octaves |
0.2192 |
| Perfect Vertical Intervals |
0.5541 |
| Vertical Dissonance Ratio |
0.04562 |
| Vertical Minor Third Prevalence |
0.4261 |
| Vertical Major Third Prevalence |
0.3373 |
| Chord Duration |
3.287 |
| Partial Chords |
0.5386 |
| Standard Triads |
0.3565 |
| Diminished and Augmented Triads |
0.009428 |
| Dominant Seventh Chords |
0.001179 |
| Seventh Chords |
0.00825 |
| Non-Standard Chords |
0.09664 |
| Complex Chords |
0.001768 |
| Minor Major Triad Ratio |
2.288 |
| Average Number of Simultaneous Pitch Classes |
2.301 |
| Variability of Number of Simultaneous Pitch Classes |
0.7256 |
| Average Number of Simultaneous Pitches |
2.963 |
| Variability of Number of Simultaneous Pitches |
1.037 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
7.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
5.385 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
256.2 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
4.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.2055 |
| Stepwise Motion |
0.5962 |
| Melodic Thirds |
0.1307 |
| Melodic Perfect Fourths |
0.09718 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.07879 |
| Melodic Sixths |
0.006566 |
| Melodic Sevenths |
0.0006566 |
| Melodic Octaves |
0.01707 |
| Melodic Large Intervals |
0.0006566 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
2.317 |
| Melodic Embellishments |
0.0216 |
| Direction of Melodic Motion |
0.4211 |
| Average Length of Melodic Arcs |
1.902 |
| Average Interval Spanned by Melodic Arcs |
5.563 |
| Melodic Pitch Variety |
5.243 |
| Mean Melodic Interval |
2.732 |
| Number of Common Melodic Intervals |
4.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.3907 |
| Relative Prevalence of Most Common Melodic Intervals |
0.5261 |
| Amount of Arpeggiation |
0.3001 |
| Repeated Notes |
0.07223 |
| Importance of Middle Register |
0.7866 |
| Importance of High Register |
0.02094 |
| Dominant Spread |
3.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
59.1 |
| Mean Pitch Class |
5.73 |
| Most Common Pitch |
62.0 |
| Most Common Pitch Class |
7.0 |
| Prevalence of Most Common Pitch |
0.1224 |
| Prevalence of Most Common Pitch Class |
0.231 |
| Relative Prevalence of Top Pitches |
0.9947 |
| Relative Prevalence of Top Pitch Classes |
0.8782 |
| Interval Between Most Prevalent Pitches |
7.0 |
| Interval Between Most Prevalent Pitch Classes |
5.0 |
| Pitch Variability |
7.281 |
| Pitch Class Variability |
3.265 |
| Pitch Class Variability After Folding |
3.777 |
| Pitch Skewness |
-0.1437 |
| Pitch Class Skewness |
-1.167 |
| Pitch Class Skewness After Folding |
1.568 |
| Pitch Kurtosis |
5.571 |
| Pitch Class Kurtosis |
4.767 |
| Pitch Class Kurtosis After Folding |
5.251 |
| Major or Minor |
0.0 |
| First Pitch |
67.0 |
| First Pitch Class |
7.0 |
| Last Pitch |
43.0 |
| Last Pitch Class |
7.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
26.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
10.0 |
| Number of Common Pitches |
3.0 |
| Number of Common Pitch Classes |
2.0 |
| Range |
34.0 |
| Importance of Bass Register |
0.1924 |
| Note Density per Quarter Note |
0.784 |
| Note Density per Quarter Note per Voice |
0.1568 |
| Note Density per Quarter Note Variability |
0.4665 |
| Range of Rhythmic Values |
7.0 |
| Number of Different Rhythmic Values Present |
7.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.0 |
| Prevalence of Medium Rhythmic Values |
0.3835 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.8377 |
| Prevalence of Very Long Rhythmic Values |
0.2022 |
| Prevalence of Dotted Notes |
0.1191 |
| Shortest Rhythmic Value |
1.0 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
3.912 |
| Most Common Rhythmic Value |
4.0 |
| Prevalence of Most Common Rhythmic Value |
0.3554 |
| Relative Prevalence of Most Common Rhythmic Values |
0.6225 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
2.652 |
| Rhythmic Value Skewness |
-0.09919 |
| Rhythmic Value Kurtosis |
7.188 |
| Mean Rhythmic Value Run Length |
1.664 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.957 |
| Mean Rhythmic Value Offset |
0.3089 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
2.683 |
| Complete Rests Fraction |
0.0002619 |
| Partial Rests Fraction |
0.7898 |
| Average Rest Fraction Across Voices |
0.3656 |
| Longest Complete Rest |
0.5105 |
| Longest Partial Rest |
276.1 |
| Mean Complete Rest Duration |
0.5105 |
| Mean Partial Rest Duration |
20.48 |
| Median Complete Rest Duration |
0.5105 |
| Median Partial Rest Duration |
8.236 |
| Duple Initial Meter |
0.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
41.93 |
| Variability Across Voices of Combined Rests |
278.1 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
120.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.0 |
| Triple Initial Meter |
1.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.5628 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.2423 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.323 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.805 |
| Rhythmic Variability - Tempo Standardized |
0.05045 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.6667 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
2.0 |
| Total Number of Notes |
1528.0 |
| Initial Tempo |
232.0 |
| Average Variability of Time Between Attacks for Each Voice |
3.616 |
| Minimum Note Duration |
0.1042 |
| Maximum Note Duration |
9.31 |
| Average Note Duration |
0.8187 |
| Variability of Note Durations |
0.8838 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
3.0 |
| Number of Moderate Rhythmic Pulses |
6.0 |
| Number of Relatively Strong Rhythmic Pulses |
3.0 |
| Mean Tempo |
341.3 |
| Strongest Rhythmic Pulse |
74.0 |
| Second Strongest Rhythmic Pulse |
50.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.48 |
| Strength of Strongest Rhythmic Pulse |
0.3459 |
| Strength of Second Strongest Rhythmic Pulse |
0.2322 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.489 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.5781 |
| Rhythmic Variability |
0.03733 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.6667 |
| Tempo Variability |
141.7 |
| Duration in Seconds |
394.4 |
| Note Density |
3.874 |
| Note Density Variability |
1.463 |
| Average Time Between Attacks |
0.4793 |
| Average Time Between Attacks for Each Voice |
1.621 |
| Variability of Time Between Attacks |
0.2842 |
| Maximum Number of Independent Voices |
5.0 |
| Relative Range of Loudest Voice |
0.5 |
| Relative Range Isolation of Loudest Voice |
0.5079 |
| Relative Range of Highest Line |
0.5 |
| Relative Note Density of Highest Line |
0.2225 |
| Relative Note Durations of Lowest Line |
1.059 |
| Relative Size of Melodic Intervals in Lowest Line |
0.7143 |
| Voice Overlap |
0.784 |
| Voice Separation |
4.75 |
| Variability of Voice Separation |
4.992 |
| Parallel Motion |
0.04188 |
| Average Number of Independent Voices |
3.311 |
| Similar Motion |
0.153 |
| Contrary Motion |
0.1538 |
| Oblique Motion |
0.6513 |
| Parallel Fifths |
0.002564 |
| Parallel Octaves |
0.0008547 |
| Variability of Number of Independent Voices |
1.233 |
| Voice Equality - Number of Notes |
134.0 |
| Voice Equality - Note Duration |
56.27 |
| Voice Equality - Dynamics |
7.416 |
| Voice Equality - Melodic Leaps |
1.304 |
| Voice Equality - Range |
2.608 |
| Importance of Loudest Voice |
11.25 |