File

Last modified on: April 20, 2024, 2:17 a.m.

Jos0303c-Missa_De_beata_virgine-Credo.mid


Source
RenComp7
Musical Work
Missa De beata virgine
Section
Credo
File Type
Symbolic Music
File Format
.mid
File Size
22.4 KB

Feature Value
Distance Between Two Most Common Vertical Intervals 7.0
Prevalence of Most Common Vertical Interval 0.223
Prevalence of Second Most Common Vertical Interval 0.1942
Prevalence Ratio of Two Most Common Vertical Intervals 0.871
Vertical Unisons 0.03677
Vertical Minor Seconds 0.003728
Vertical Thirds 0.3268
Vertical Tritones 0.007943
Vertical Perfect Fourths 0.08379
Vertical Perfect Fifths 0.1942
Vertical Sixths 0.13
Vertical Sevenths 0.01429
Vertical Octaves 0.1862
Perfect Vertical Intervals 0.501
Vertical Dissonance Ratio 0.0441
Vertical Minor Third Prevalence 0.6245
Vertical Major Third Prevalence 0.6117
Chord Duration 2.195
Partial Chords 0.2395
Standard Triads 0.6116
Diminished and Augmented Triads 0.02544
Dominant Seventh Chords 0.001731
Seventh Chords 0.01817
Non-Standard Chords 0.1307
Complex Chords 0.002423
Minor Major Triad Ratio 0.8406
Average Number of Simultaneous Pitch Classes 2.78
Variability of Number of Simultaneous Pitch Classes 0.5959
Average Number of Simultaneous Pitches 3.803
Variability of Number of Simultaneous Pitches 0.9323
Most Common Vertical Interval 0.0
Second Most Common Vertical Interval 7.0
Dynamic Range 20.0
Variation of Dynamics 7.905
Variation of Dynamics In Each Voice 0.0
Average Note to Note Change in Dynamics 0.0
Unpitched Percussion Instrument Prevalence 0.0
String Keyboard Prevalence 0.0
Acoustic Guitar Prevalence 0.0
Electric Guitar Prevalence 0.0
Violin Prevalence 0.0
Saxophone Prevalence 0.0
Brass Prevalence 0.0
Woodwinds Prevalence 1.0
Orchestral Strings Prevalence 0.0
String Ensemble Prevalence 0.0
Electric Instrument Prevalence 0.0
Variability of Note Prevalence of Pitched Instruments 162.4
Variability of Note Prevalence of Unpitched Instruments 0.0
Number of Pitched Instruments 4.0
Number of Unpitched Instruments 0.0
Chromatic Motion 0.1742
Stepwise Motion 0.5558
Melodic Thirds 0.151
Melodic Perfect Fourths 0.06387
Melodic Tritones 0.0
Melodic Perfect Fifths 0.03982
Melodic Sixths 0.001659
Melodic Sevenths 0.0
Melodic Octaves 0.01244
Melodic Large Intervals 0.0
Most Common Melodic Interval 2.0
Minor Major Melodic Third Ratio 1.984
Melodic Embellishments 0.02235
Direction of Melodic Motion 0.508
Average Length of Melodic Arcs 1.758
Average Interval Spanned by Melodic Arcs 4.682
Melodic Pitch Variety 4.627
Mean Melodic Interval 2.203
Number of Common Melodic Intervals 4.0
Distance Between Most Prevalent Melodic Intervals 2.0
Prevalence of Most Common Melodic Interval 0.3816
Relative Prevalence of Most Common Melodic Intervals 0.4598
Amount of Arpeggiation 0.3787
Repeated Notes 0.1754
Importance of Middle Register 0.6424
Importance of High Register 0.01159
Dominant Spread 6.0
Strong Tonal Centres 1.0
Mean Pitch 56.52
Mean Pitch Class 5.193
Most Common Pitch 55.0
Most Common Pitch Class 7.0
Prevalence of Most Common Pitch 0.1213
Prevalence of Most Common Pitch Class 0.2198
Relative Prevalence of Top Pitches 0.8396
Relative Prevalence of Top Pitch Classes 0.8531
Interval Between Most Prevalent Pitches 7.0
Interval Between Most Prevalent Pitch Classes 5.0
Pitch Variability 7.399
Pitch Class Variability 3.372
Pitch Class Variability After Folding 3.206
Pitch Skewness 0.09566
Pitch Class Skewness 0.1716
Pitch Class Skewness After Folding 1.184
Pitch Kurtosis 5.334
Pitch Class Kurtosis 4.889
Pitch Class Kurtosis After Folding 7.054
Major or Minor 0.0
First Pitch 64.0
First Pitch Class 4.0
Last Pitch 52.0
Last Pitch Class 4.0
Glissando Prevalence 0.0
Average Range of Glissandos 0.0
Number of Pitches 29.0
Vibrato Prevalence 0.0
Microtone Prevalence 0.0
Number of Pitch Classes 12.0
Number of Common Pitches 2.0
Number of Common Pitch Classes 1.0
Range 33.0
Importance of Bass Register 0.346
Note Density per Quarter Note 1.222
Note Density per Quarter Note per Voice 0.2444
Note Density per Quarter Note Variability 0.4423
Range of Rhythmic Values 8.0
Number of Different Rhythmic Values Present 9.0
Number of Common Rhythmic Values Present 2.0
Prevalence of Very Short Rhythmic Values 0.0
Prevalence of Short Rhythmic Values 0.0
Prevalence of Medium Rhythmic Values 0.4135
Simple Initial Meter 1.0
Prevalence of Long Rhythmic Values 0.8762
Prevalence of Very Long Rhythmic Values 0.1209
Prevalence of Dotted Notes 0.2041
Shortest Rhythmic Value 0.75
Longest Rhythmic Value 12.0
Mean Rhythmic Value 3.322
Most Common Rhythmic Value 4.0
Prevalence of Most Common Rhythmic Value 0.3402
Relative Prevalence of Most Common Rhythmic Values 0.8516
Difference Between Most Common Rhythmic Values 2.0
Compound Initial Meter 0.0
Rhythmic Value Variability 1.845
Rhythmic Value Skewness 0.5243
Rhythmic Value Kurtosis 8.551
Mean Rhythmic Value Run Length 1.917
Median Rhythmic Value Run Length 1.0
Variability in Rhythmic Value Run Lengths 1.717
Mean Rhythmic Value Offset 0.09065
Median Rhythmic Value Offset 0.0
Complex Initial Meter 0.0
Variability of Rhythmic Value Offsets 0.713
Complete Rests Fraction 0.0005016
Partial Rests Fraction 0.6122
Average Rest Fraction Across Voices 0.1923
Longest Complete Rest 0.9917
Longest Partial Rest 46.0
Mean Complete Rest Duration 0.9917
Mean Partial Rest Duration 8.411
Median Complete Rest Duration 0.9917
Median Partial Rest Duration 6.0
Duple Initial Meter 1.0
Variability of Complete Rest Durations 0.0
Variability of Partial Rest Durations 7.717
Variability Across Voices of Combined Rests 44.11
Number of Strong Rhythmic Pulses - Tempo Standardized 4.0
Number of Moderate Rhythmic Pulses - Tempo Standardized 5.0
Number of Relatively Strong Rhythmic Pulses - Tempo Standardized 1.0
Strongest Rhythmic Pulse - Tempo Standardized 60.0
Second Strongest Rhythmic Pulse - Tempo Standardized 45.0
Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized 1.333
Triple Initial Meter 0.0
Strength of Strongest Rhythmic Pulse - Tempo Standardized 0.5373
Strength of Second Strongest Rhythmic Pulse - Tempo Standardized 0.1506
Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized 3.569
Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized 0.6879
Rhythmic Variability - Tempo Standardized 0.04629
Rhythmic Looseness - Tempo Standardized 0.0
Polyrhythms - Tempo Standardized 1.0
Quadruple Initial Meter 0.0
Metrical Diversity 1.0
Total Number of Notes 2416.0
Initial Tempo 288.0
Average Variability of Time Between Attacks for Each Voice 0.8896
Minimum Note Duration 0.1389
Maximum Note Duration 6.667
Average Note Duration 0.6885
Variability of Note Durations 0.4389
Amount of Staccato 0.0
Number of Strong Rhythmic Pulses 3.0
Number of Moderate Rhythmic Pulses 9.0
Number of Relatively Strong Rhythmic Pulses 3.0
Mean Tempo 288.0
Strongest Rhythmic Pulse 72.0
Second Strongest Rhythmic Pulse 48.0
Harmonicity of Two Strongest Rhythmic Pulses 1.5
Strength of Strongest Rhythmic Pulse 0.3028
Strength of Second Strongest Rhythmic Pulse 0.2083
Strength Ratio of Two Strongest Rhythmic Pulses 1.454
Combined Strength of Two Strongest Rhythmic Pulses 0.511
Rhythmic Variability 0.03385
Rhythmic Looseness 0.0
Polyrhythms 0.6667
Tempo Variability 0.000000001285
Duration in Seconds 411.9
Note Density 5.866
Note Density Variability 1.655
Average Time Between Attacks 0.4006
Average Time Between Attacks for Each Voice 0.8486
Variability of Time Between Attacks 0.2107
Maximum Number of Independent Voices 5.0
Relative Range of Loudest Voice 0.6364
Relative Range Isolation of Loudest Voice 0.3358
Relative Range of Highest Line 0.6364
Relative Note Density of Highest Line 0.1366
Relative Note Durations of Lowest Line 1.038
Relative Size of Melodic Intervals in Lowest Line 1.25
Voice Overlap 0.8324
Voice Separation 4.75
Variability of Voice Separation 3.304
Parallel Motion 0.05032
Average Number of Independent Voices 4.04
Similar Motion 0.1412
Contrary Motion 0.1928
Oblique Motion 0.6158
Parallel Fifths 0.002132
Parallel Octaves 0.004264
Variability of Number of Independent Voices 0.9655
Voice Equality - Number of Notes 60.77
Voice Equality - Note Duration 9.189
Voice Equality - Dynamics 8.944
Voice Equality - Melodic Leaps 0.5477
Voice Equality - Range 4.604
Importance of Loudest Voice 13.75