| Distance Between Two Most Common Vertical Intervals |
3.0 |
| Prevalence of Most Common Vertical Interval |
0.2172 |
| Prevalence of Second Most Common Vertical Interval |
0.1758 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.8094 |
| Vertical Unisons |
0.04608 |
| Vertical Minor Seconds |
0.003173 |
| Vertical Thirds |
0.3371 |
| Vertical Tritones |
0.01291 |
| Vertical Perfect Fourths |
0.0837 |
| Vertical Perfect Fifths |
0.1661 |
| Vertical Sixths |
0.1377 |
| Vertical Sevenths |
0.02388 |
| Vertical Octaves |
0.1711 |
| Perfect Vertical Intervals |
0.467 |
| Vertical Dissonance Ratio |
0.0617 |
| Vertical Minor Third Prevalence |
0.4243 |
| Vertical Major Third Prevalence |
0.3926 |
| Chord Duration |
2.708 |
| Partial Chords |
0.4898 |
| Standard Triads |
0.3846 |
| Diminished and Augmented Triads |
0.02676 |
| Dominant Seventh Chords |
0.002623 |
| Seventh Chords |
0.01522 |
| Non-Standard Chords |
0.1104 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
0.9039 |
| Average Number of Simultaneous Pitch Classes |
2.401 |
| Variability of Number of Simultaneous Pitch Classes |
0.6975 |
| Average Number of Simultaneous Pitches |
2.955 |
| Variability of Number of Simultaneous Pitches |
0.9074 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
3.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
7.045 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
70.63 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
4.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.22 |
| Stepwise Motion |
0.7239 |
| Melodic Thirds |
0.1178 |
| Melodic Perfect Fourths |
0.05724 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.0376 |
| Melodic Sixths |
0.002806 |
| Melodic Sevenths |
0.0005612 |
| Melodic Octaves |
0.00954 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
1.727 |
| Melodic Embellishments |
0.01848 |
| Direction of Melodic Motion |
0.4651 |
| Average Length of Melodic Arcs |
1.874 |
| Average Interval Spanned by Melodic Arcs |
4.563 |
| Melodic Pitch Variety |
5.019 |
| Mean Melodic Interval |
2.318 |
| Number of Common Melodic Intervals |
2.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.5039 |
| Relative Prevalence of Most Common Melodic Intervals |
0.4365 |
| Amount of Arpeggiation |
0.216 |
| Repeated Notes |
0.05051 |
| Importance of Middle Register |
0.8253 |
| Importance of High Register |
0.04367 |
| Dominant Spread |
7.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
61.51 |
| Mean Pitch Class |
5.33 |
| Most Common Pitch |
62.0 |
| Most Common Pitch Class |
2.0 |
| Prevalence of Most Common Pitch |
0.1159 |
| Prevalence of Most Common Pitch Class |
0.1881 |
| Relative Prevalence of Top Pitches |
0.7874 |
| Relative Prevalence of Top Pitch Classes |
0.9643 |
| Interval Between Most Prevalent Pitches |
7.0 |
| Interval Between Most Prevalent Pitch Classes |
5.0 |
| Pitch Variability |
6.486 |
| Pitch Class Variability |
3.433 |
| Pitch Class Variability After Folding |
3.289 |
| Pitch Skewness |
-0.1595 |
| Pitch Class Skewness |
0.2887 |
| Pitch Class Skewness After Folding |
0.5199 |
| Pitch Kurtosis |
5.251 |
| Pitch Class Kurtosis |
4.848 |
| Pitch Class Kurtosis After Folding |
6.584 |
| Major or Minor |
0.0 |
| First Pitch |
55.0 |
| First Pitch Class |
7.0 |
| Last Pitch |
55.0 |
| Last Pitch Class |
7.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
27.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
11.0 |
| Number of Common Pitches |
3.0 |
| Number of Common Pitch Classes |
0.0 |
| Range |
31.0 |
| Importance of Bass Register |
0.131 |
| Note Density per Quarter Note |
0.8485 |
| Note Density per Quarter Note per Voice |
0.2121 |
| Note Density per Quarter Note Variability |
0.5159 |
| Range of Rhythmic Values |
9.0 |
| Number of Different Rhythmic Values Present |
8.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.003359 |
| Prevalence of Medium Rhythmic Values |
0.4485 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.8331 |
| Prevalence of Very Long Rhythmic Values |
0.1948 |
| Prevalence of Dotted Notes |
0.1366 |
| Shortest Rhythmic Value |
0.5 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
3.623 |
| Most Common Rhythmic Value |
4.0 |
| Prevalence of Most Common Rhythmic Value |
0.2917 |
| Relative Prevalence of Most Common Rhythmic Values |
0.9655 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
2.449 |
| Rhythmic Value Skewness |
0.7633 |
| Rhythmic Value Kurtosis |
7.284 |
| Mean Rhythmic Value Run Length |
1.581 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.309 |
| Mean Rhythmic Value Offset |
0.04927 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.5968 |
| Complete Rests Fraction |
0.002602 |
| Partial Rests Fraction |
0.5347 |
| Average Rest Fraction Across Voices |
0.2221 |
| Longest Complete Rest |
4.566 |
| Longest Partial Rest |
146.1 |
| Mean Complete Rest Duration |
2.739 |
| Mean Partial Rest Duration |
15.58 |
| Median Complete Rest Duration |
4.566 |
| Median Partial Rest Duration |
4.566 |
| Duple Initial Meter |
0.0 |
| Variability of Complete Rest Durations |
2.584 |
| Variability of Partial Rest Durations |
25.71 |
| Variability Across Voices of Combined Rests |
125.2 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
1.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.5598 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.2247 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.491 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.7845 |
| Rhythmic Variability - Tempo Standardized |
0.05018 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.6667 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
3.0 |
| Total Number of Notes |
1786.0 |
| Initial Tempo |
232.0 |
| Average Variability of Time Between Attacks for Each Voice |
2.004 |
| Minimum Note Duration |
0.1042 |
| Maximum Note Duration |
5.0 |
| Average Note Duration |
0.831 |
| Variability of Note Durations |
0.5891 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
3.0 |
| Number of Moderate Rhythmic Pulses |
5.0 |
| Number of Relatively Strong Rhythmic Pulses |
5.0 |
| Mean Tempo |
273.8 |
| Strongest Rhythmic Pulse |
67.0 |
| Second Strongest Rhythmic Pulse |
45.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.489 |
| Strength of Strongest Rhythmic Pulse |
0.3043 |
| Strength of Second Strongest Rhythmic Pulse |
0.269 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.131 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.5733 |
| Rhythmic Variability |
0.03804 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.4 |
| Tempo Variability |
57.16 |
| Duration in Seconds |
476.9 |
| Note Density |
3.745 |
| Note Density Variability |
1.594 |
| Average Time Between Attacks |
0.5127 |
| Average Time Between Attacks for Each Voice |
1.083 |
| Variability of Time Between Attacks |
0.3699 |
| Maximum Number of Independent Voices |
4.0 |
| Relative Range of Loudest Voice |
0.5161 |
| Relative Range Isolation of Loudest Voice |
0.4369 |
| Relative Range of Highest Line |
0.5161 |
| Relative Note Density of Highest Line |
0.1545 |
| Relative Note Durations of Lowest Line |
1.017 |
| Relative Size of Melodic Intervals in Lowest Line |
0.5714 |
| Voice Overlap |
0.8281 |
| Voice Separation |
5.0 |
| Variability of Voice Separation |
4.359 |
| Parallel Motion |
0.07934 |
| Average Number of Independent Voices |
3.123 |
| Similar Motion |
0.1468 |
| Contrary Motion |
0.2066 |
| Oblique Motion |
0.5672 |
| Parallel Fifths |
0.005329 |
| Parallel Octaves |
0.005329 |
| Variability of Number of Independent Voices |
0.9121 |
| Voice Equality - Number of Notes |
70.63 |
| Voice Equality - Note Duration |
28.37 |
| Voice Equality - Dynamics |
8.539 |
| Voice Equality - Melodic Leaps |
0.5 |
| Voice Equality - Range |
0.8165 |
| Importance of Loudest Voice |
11.67 |