| Distance Between Two Most Common Vertical Intervals |
3.0 |
| Prevalence of Most Common Vertical Interval |
0.2121 |
| Prevalence of Second Most Common Vertical Interval |
0.1914 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.9021 |
| Vertical Unisons |
0.0398 |
| Vertical Minor Seconds |
0.003237 |
| Vertical Thirds |
0.347 |
| Vertical Tritones |
0.006359 |
| Vertical Perfect Fourths |
0.09587 |
| Vertical Perfect Fifths |
0.1793 |
| Vertical Sixths |
0.1236 |
| Vertical Sevenths |
0.01445 |
| Vertical Octaves |
0.1723 |
| Perfect Vertical Intervals |
0.4873 |
| Vertical Dissonance Ratio |
0.04396 |
| Vertical Minor Third Prevalence |
0.6316 |
| Vertical Major Third Prevalence |
0.5175 |
| Chord Duration |
3.957 |
| Partial Chords |
0.2679 |
| Standard Triads |
0.5982 |
| Diminished and Augmented Triads |
0.01339 |
| Dominant Seventh Chords |
0.0 |
| Seventh Chords |
0.01786 |
| Non-Standard Chords |
0.1161 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
1.31 |
| Average Number of Simultaneous Pitch Classes |
2.763 |
| Variability of Number of Simultaneous Pitch Classes |
0.5819 |
| Average Number of Simultaneous Pitches |
3.579 |
| Variability of Number of Simultaneous Pitches |
0.5758 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
3.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
7.261 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
7.182 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
4.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.1853 |
| Stepwise Motion |
0.6454 |
| Melodic Thirds |
0.1406 |
| Melodic Perfect Fourths |
0.05112 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.03195 |
| Melodic Sixths |
0.003195 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.0 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
2.143 |
| Melodic Embellishments |
0.02524 |
| Direction of Melodic Motion |
0.4835 |
| Average Length of Melodic Arcs |
1.857 |
| Average Interval Spanned by Melodic Arcs |
4.361 |
| Melodic Pitch Variety |
4.417 |
| Mean Melodic Interval |
2.077 |
| Number of Common Melodic Intervals |
4.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.4601 |
| Relative Prevalence of Most Common Melodic Intervals |
0.4028 |
| Amount of Arpeggiation |
0.3003 |
| Repeated Notes |
0.1278 |
| Importance of Middle Register |
0.6751 |
| Importance of High Register |
0.0 |
| Dominant Spread |
6.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
56.95 |
| Mean Pitch Class |
5.17 |
| Most Common Pitch |
57.0 |
| Most Common Pitch Class |
9.0 |
| Prevalence of Most Common Pitch |
0.1293 |
| Prevalence of Most Common Pitch Class |
0.1861 |
| Relative Prevalence of Top Pitches |
0.7317 |
| Relative Prevalence of Top Pitch Classes |
0.8983 |
| Interval Between Most Prevalent Pitches |
7.0 |
| Interval Between Most Prevalent Pitch Classes |
7.0 |
| Pitch Variability |
6.211 |
| Pitch Class Variability |
3.418 |
| Pitch Class Variability After Folding |
3.213 |
| Pitch Skewness |
0.1067 |
| Pitch Class Skewness |
0.1495 |
| Pitch Class Skewness After Folding |
0.4889 |
| Pitch Kurtosis |
5.317 |
| Pitch Class Kurtosis |
4.925 |
| Pitch Class Kurtosis After Folding |
7.049 |
| Major or Minor |
0.0 |
| First Pitch |
50.0 |
| First Pitch Class |
2.0 |
| Last Pitch |
50.0 |
| Last Pitch Class |
2.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
19.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
10.0 |
| Number of Common Pitches |
2.0 |
| Number of Common Pitch Classes |
0.0 |
| Range |
26.0 |
| Importance of Bass Register |
0.3249 |
| Note Density per Quarter Note |
0.6937 |
| Note Density per Quarter Note per Voice |
0.1734 |
| Note Density per Quarter Note Variability |
0.3416 |
| Range of Rhythmic Values |
7.0 |
| Number of Different Rhythmic Values Present |
7.0 |
| Number of Common Rhythmic Values Present |
2.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.0 |
| Prevalence of Medium Rhythmic Values |
0.1325 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.9937 |
| Prevalence of Very Long Rhythmic Values |
0.4101 |
| Prevalence of Dotted Notes |
0.123 |
| Shortest Rhythmic Value |
1.0 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
5.262 |
| Most Common Rhythmic Value |
4.0 |
| Prevalence of Most Common Rhythmic Value |
0.4511 |
| Relative Prevalence of Most Common Rhythmic Values |
0.6503 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
2.341 |
| Rhythmic Value Skewness |
1.617 |
| Rhythmic Value Kurtosis |
5.744 |
| Mean Rhythmic Value Run Length |
1.315 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
0.8367 |
| Mean Rhythmic Value Offset |
0.1893 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
1.498 |
| Complete Rests Fraction |
0.00217 |
| Partial Rests Fraction |
0.186 |
| Average Rest Fraction Across Voices |
0.05469 |
| Longest Complete Rest |
0.9917 |
| Longest Partial Rest |
24.0 |
| Mean Complete Rest Duration |
0.9917 |
| Mean Partial Rest Duration |
7.14 |
| Median Complete Rest Duration |
0.9917 |
| Median Partial Rest Duration |
4.0 |
| Duple Initial Meter |
0.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
7.972 |
| Variability Across Voices of Combined Rests |
16.33 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
1.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
1.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
1.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.8987 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.06611 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
13.59 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.9648 |
| Rhythmic Variability - Tempo Standardized |
0.07102 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
1.0 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
1.0 |
| Total Number of Notes |
317.0 |
| Initial Tempo |
439.0 |
| Average Variability of Time Between Attacks for Each Voice |
0.5144 |
| Minimum Note Duration |
0.1367 |
| Maximum Note Duration |
3.28 |
| Average Note Duration |
0.745 |
| Variability of Note Durations |
0.4382 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
4.0 |
| Number of Moderate Rhythmic Pulses |
4.0 |
| Number of Relatively Strong Rhythmic Pulses |
3.0 |
| Mean Tempo |
439.0 |
| Strongest Rhythmic Pulse |
55.0 |
| Second Strongest Rhythmic Pulse |
110.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
2.0 |
| Strength of Strongest Rhythmic Pulse |
0.394 |
| Strength of Second Strongest Rhythmic Pulse |
0.3616 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.09 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.7556 |
| Rhythmic Variability |
0.04369 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.6667 |
| Tempo Variability |
0.0000000003586 |
| Duration in Seconds |
62.46 |
| Note Density |
5.075 |
| Note Density Variability |
1.359 |
| Average Time Between Attacks |
0.5046 |
| Average Time Between Attacks for Each Voice |
0.7515 |
| Variability of Time Between Attacks |
0.251 |
| Maximum Number of Independent Voices |
4.0 |
| Relative Range of Loudest Voice |
0.4615 |
| Relative Range Isolation of Loudest Voice |
0.4368 |
| Relative Range of Highest Line |
0.4615 |
| Relative Note Density of Highest Line |
0.8076 |
| Relative Note Durations of Lowest Line |
1.042 |
| Relative Size of Melodic Intervals in Lowest Line |
0.6667 |
| Voice Overlap |
0.776 |
| Voice Separation |
5.0 |
| Variability of Voice Separation |
4.359 |
| Parallel Motion |
0.0807 |
| Average Number of Independent Voices |
3.789 |
| Similar Motion |
0.1895 |
| Contrary Motion |
0.2982 |
| Oblique Motion |
0.4316 |
| Parallel Fifths |
0.007018 |
| Parallel Octaves |
0.0 |
| Variability of Number of Independent Voices |
0.4678 |
| Voice Equality - Number of Notes |
7.182 |
| Voice Equality - Note Duration |
2.232 |
| Voice Equality - Dynamics |
8.539 |
| Voice Equality - Melodic Leaps |
0.5774 |
| Voice Equality - Range |
1.0 |
| Importance of Loudest Voice |
11.67 |