| Distance Between Two Most Common Vertical Intervals |
7.0 |
| Prevalence of Most Common Vertical Interval |
0.2076 |
| Prevalence of Second Most Common Vertical Interval |
0.2001 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.9641 |
| Vertical Unisons |
0.05142 |
| Vertical Minor Seconds |
0.006292 |
| Vertical Thirds |
0.3095 |
| Vertical Tritones |
0.01417 |
| Vertical Perfect Fourths |
0.07754 |
| Vertical Perfect Fifths |
0.2001 |
| Vertical Sixths |
0.1307 |
| Vertical Sevenths |
0.03456 |
| Vertical Octaves |
0.1562 |
| Perfect Vertical Intervals |
0.4853 |
| Vertical Dissonance Ratio |
0.08059 |
| Vertical Minor Third Prevalence |
0.4132 |
| Vertical Major Third Prevalence |
0.3172 |
| Chord Duration |
2.046 |
| Partial Chords |
0.4956 |
| Standard Triads |
0.3586 |
| Diminished and Augmented Triads |
0.02193 |
| Dominant Seventh Chords |
0.006579 |
| Seventh Chords |
0.01974 |
| Non-Standard Chords |
0.1261 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
2.028 |
| Average Number of Simultaneous Pitch Classes |
2.325 |
| Variability of Number of Simultaneous Pitch Classes |
0.7793 |
| Average Number of Simultaneous Pitches |
2.8 |
| Variability of Number of Simultaneous Pitches |
0.9301 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
7.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
6.992 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
29.41 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
4.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.2407 |
| Stepwise Motion |
0.677 |
| Melodic Thirds |
0.179 |
| Melodic Perfect Fourths |
0.0679 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.03909 |
| Melodic Sixths |
0.002058 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.004115 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
4.118 |
| Melodic Embellishments |
0.01633 |
| Direction of Melodic Motion |
0.4883 |
| Average Length of Melodic Arcs |
1.664 |
| Average Interval Spanned by Melodic Arcs |
4.028 |
| Melodic Pitch Variety |
4.562 |
| Mean Melodic Interval |
2.366 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.4362 |
| Relative Prevalence of Most Common Melodic Intervals |
0.5519 |
| Amount of Arpeggiation |
0.2531 |
| Repeated Notes |
0.03086 |
| Importance of Middle Register |
0.7837 |
| Importance of High Register |
0.07347 |
| Dominant Spread |
7.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
60.77 |
| Mean Pitch Class |
5.359 |
| Most Common Pitch |
55.0 |
| Most Common Pitch Class |
7.0 |
| Prevalence of Most Common Pitch |
0.1265 |
| Prevalence of Most Common Pitch Class |
0.198 |
| Relative Prevalence of Top Pitches |
0.8065 |
| Relative Prevalence of Top Pitch Classes |
0.9485 |
| Interval Between Most Prevalent Pitches |
7.0 |
| Interval Between Most Prevalent Pitch Classes |
5.0 |
| Pitch Variability |
7.03 |
| Pitch Class Variability |
3.277 |
| Pitch Class Variability After Folding |
3.833 |
| Pitch Skewness |
0.1254 |
| Pitch Class Skewness |
0.3288 |
| Pitch Class Skewness After Folding |
0.8689 |
| Pitch Kurtosis |
5.276 |
| Pitch Class Kurtosis |
4.767 |
| Pitch Class Kurtosis After Folding |
5.161 |
| Major or Minor |
0.0 |
| First Pitch |
55.0 |
| First Pitch Class |
7.0 |
| Last Pitch |
55.0 |
| Last Pitch Class |
7.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
26.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
10.0 |
| Number of Common Pitches |
2.0 |
| Number of Common Pitch Classes |
0.0 |
| Range |
31.0 |
| Importance of Bass Register |
0.1429 |
| Note Density per Quarter Note |
0.9125 |
| Note Density per Quarter Note per Voice |
0.2281 |
| Note Density per Quarter Note Variability |
0.5455 |
| Range of Rhythmic Values |
9.0 |
| Number of Different Rhythmic Values Present |
8.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.008163 |
| Prevalence of Medium Rhythmic Values |
0.5633 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.7755 |
| Prevalence of Very Long Rhythmic Values |
0.1592 |
| Prevalence of Dotted Notes |
0.1816 |
| Shortest Rhythmic Value |
0.5 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
3.204 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.3388 |
| Relative Prevalence of Most Common Rhythmic Values |
0.6386 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
2.498 |
| Rhythmic Value Skewness |
1.446 |
| Rhythmic Value Kurtosis |
9.467 |
| Mean Rhythmic Value Run Length |
1.42 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
0.8457 |
| Mean Rhythmic Value Offset |
0.04898 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.4404 |
| Complete Rests Fraction |
0.001954 |
| Partial Rests Fraction |
0.5886 |
| Average Rest Fraction Across Voices |
0.2595 |
| Longest Complete Rest |
1.049 |
| Longest Partial Rest |
65.61 |
| Mean Complete Rest Duration |
1.049 |
| Mean Partial Rest Duration |
16.89 |
| Median Complete Rest Duration |
1.049 |
| Median Partial Rest Duration |
3.41 |
| Duple Initial Meter |
0.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
20.13 |
| Variability Across Voices of Combined Rests |
34.96 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
120.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.0 |
| Triple Initial Meter |
1.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.5442 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.227 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.397 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.7712 |
| Rhythmic Variability - Tempo Standardized |
0.04944 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.6667 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
2.0 |
| Total Number of Notes |
490.0 |
| Initial Tempo |
232.0 |
| Average Variability of Time Between Attacks for Each Voice |
1.731 |
| Minimum Note Duration |
0.1293 |
| Maximum Note Duration |
4.138 |
| Average Note Duration |
0.7933 |
| Variability of Note Durations |
0.6377 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
4.0 |
| Number of Moderate Rhythmic Pulses |
5.0 |
| Number of Relatively Strong Rhythmic Pulses |
5.0 |
| Mean Tempo |
247.9 |
| Strongest Rhythmic Pulse |
62.0 |
| Second Strongest Rhythmic Pulse |
41.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.512 |
| Strength of Strongest Rhythmic Pulse |
0.2726 |
| Strength of Second Strongest Rhythmic Pulse |
0.2698 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.01 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.5424 |
| Rhythmic Variability |
0.03736 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.4 |
| Tempo Variability |
25.23 |
| Duration in Seconds |
131.2 |
| Note Density |
3.734 |
| Note Density Variability |
1.51 |
| Average Time Between Attacks |
0.4404 |
| Average Time Between Attacks for Each Voice |
1.018 |
| Variability of Time Between Attacks |
0.2477 |
| Maximum Number of Independent Voices |
4.0 |
| Relative Range of Loudest Voice |
0.4839 |
| Relative Range Isolation of Loudest Voice |
0.5072 |
| Relative Range of Highest Line |
0.4839 |
| Relative Note Density of Highest Line |
0.5714 |
| Relative Note Durations of Lowest Line |
1.08 |
| Relative Size of Melodic Intervals in Lowest Line |
1.0 |
| Voice Overlap |
0.7612 |
| Voice Separation |
6.0 |
| Variability of Voice Separation |
4.0 |
| Parallel Motion |
0.03484 |
| Average Number of Independent Voices |
2.974 |
| Similar Motion |
0.09426 |
| Contrary Motion |
0.1824 |
| Oblique Motion |
0.6885 |
| Parallel Fifths |
0.002049 |
| Parallel Octaves |
0.0 |
| Variability of Number of Independent Voices |
0.9865 |
| Voice Equality - Number of Notes |
29.41 |
| Voice Equality - Note Duration |
8.543 |
| Voice Equality - Dynamics |
8.539 |
| Voice Equality - Melodic Leaps |
0.0 |
| Voice Equality - Range |
0.9574 |
| Importance of Loudest Voice |
11.67 |