| Distance Between Two Most Common Vertical Intervals |
3.0 |
| Prevalence of Most Common Vertical Interval |
0.2364 |
| Prevalence of Second Most Common Vertical Interval |
0.2161 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.9138 |
| Vertical Unisons |
0.06211 |
| Vertical Minor Seconds |
0.004665 |
| Vertical Thirds |
0.3327 |
| Vertical Tritones |
0.006492 |
| Vertical Perfect Fourths |
0.08738 |
| Vertical Perfect Fifths |
0.1765 |
| Vertical Sixths |
0.12 |
| Vertical Sevenths |
0.01646 |
| Vertical Octaves |
0.1743 |
| Perfect Vertical Intervals |
0.5003 |
| Vertical Dissonance Ratio |
0.04928 |
| Vertical Minor Third Prevalence |
0.6497 |
| Vertical Major Third Prevalence |
0.428 |
| Chord Duration |
2.14 |
| Partial Chords |
0.3226 |
| Standard Triads |
0.5342 |
| Diminished and Augmented Triads |
0.02278 |
| Dominant Seventh Chords |
0.003674 |
| Seventh Chords |
0.008817 |
| Non-Standard Chords |
0.1345 |
| Complex Chords |
0.005143 |
| Minor Major Triad Ratio |
2.042 |
| Average Number of Simultaneous Pitch Classes |
2.662 |
| Variability of Number of Simultaneous Pitch Classes |
0.6415 |
| Average Number of Simultaneous Pitches |
3.452 |
| Variability of Number of Simultaneous Pitches |
0.8046 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
3.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
5.224 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
265.1 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
4.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.1791 |
| Stepwise Motion |
0.6163 |
| Melodic Thirds |
0.1471 |
| Melodic Perfect Fourths |
0.05229 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.06144 |
| Melodic Sixths |
0.002614 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.02157 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
2.082 |
| Melodic Embellishments |
0.02801 |
| Direction of Melodic Motion |
0.4909 |
| Average Length of Melodic Arcs |
1.7 |
| Average Interval Spanned by Melodic Arcs |
4.725 |
| Melodic Pitch Variety |
5.063 |
| Mean Melodic Interval |
2.514 |
| Number of Common Melodic Intervals |
4.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.4373 |
| Relative Prevalence of Most Common Melodic Intervals |
0.4096 |
| Amount of Arpeggiation |
0.3288 |
| Repeated Notes |
0.09869 |
| Importance of Middle Register |
0.8248 |
| Importance of High Register |
0.04756 |
| Dominant Spread |
6.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
60.52 |
| Mean Pitch Class |
5.247 |
| Most Common Pitch |
55.0 |
| Most Common Pitch Class |
7.0 |
| Prevalence of Most Common Pitch |
0.127 |
| Prevalence of Most Common Pitch Class |
0.2215 |
| Relative Prevalence of Top Pitches |
0.9077 |
| Relative Prevalence of Top Pitch Classes |
0.8559 |
| Interval Between Most Prevalent Pitches |
7.0 |
| Interval Between Most Prevalent Pitch Classes |
5.0 |
| Pitch Variability |
6.645 |
| Pitch Class Variability |
3.296 |
| Pitch Class Variability After Folding |
3.92 |
| Pitch Skewness |
-0.3765 |
| Pitch Class Skewness |
0.2247 |
| Pitch Class Skewness After Folding |
1.546 |
| Pitch Kurtosis |
5.418 |
| Pitch Class Kurtosis |
4.745 |
| Pitch Class Kurtosis After Folding |
5.081 |
| Major or Minor |
0.0 |
| First Pitch |
62.0 |
| First Pitch Class |
2.0 |
| Last Pitch |
55.0 |
| Last Pitch Class |
7.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
26.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
10.0 |
| Number of Common Pitches |
3.0 |
| Number of Common Pitch Classes |
1.0 |
| Range |
33.0 |
| Importance of Bass Register |
0.1277 |
| Note Density per Quarter Note |
1.083 |
| Note Density per Quarter Note per Voice |
0.2167 |
| Note Density per Quarter Note Variability |
0.4508 |
| Range of Rhythmic Values |
7.0 |
| Number of Different Rhythmic Values Present |
8.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.0 |
| Prevalence of Medium Rhythmic Values |
0.4508 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.7837 |
| Prevalence of Very Long Rhythmic Values |
0.1739 |
| Prevalence of Dotted Notes |
0.1186 |
| Shortest Rhythmic Value |
1.0 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
3.469 |
| Most Common Rhythmic Value |
4.0 |
| Prevalence of Most Common Rhythmic Value |
0.2951 |
| Relative Prevalence of Most Common Rhythmic Values |
0.7947 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
2.336 |
| Rhythmic Value Skewness |
0.602 |
| Rhythmic Value Kurtosis |
6.591 |
| Mean Rhythmic Value Run Length |
1.731 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
2.592 |
| Mean Rhythmic Value Offset |
0.0342 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.4439 |
| Complete Rests Fraction |
0.0006998 |
| Partial Rests Fraction |
0.7812 |
| Average Rest Fraction Across Voices |
0.2412 |
| Longest Complete Rest |
0.9917 |
| Longest Partial Rest |
52.0 |
| Mean Complete Rest Duration |
0.9917 |
| Mean Partial Rest Duration |
9.994 |
| Median Complete Rest Duration |
0.9917 |
| Median Partial Rest Duration |
4.0 |
| Duple Initial Meter |
1.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
9.606 |
| Variability Across Voices of Combined Rests |
142.3 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.5141 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.244 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.108 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.7581 |
| Rhythmic Variability - Tempo Standardized |
0.04837 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.6667 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
1.0 |
| Total Number of Notes |
1535.0 |
| Initial Tempo |
288.0 |
| Average Variability of Time Between Attacks for Each Voice |
1.223 |
| Minimum Note Duration |
0.2083 |
| Maximum Note Duration |
5.0 |
| Average Note Duration |
0.7296 |
| Variability of Note Durations |
0.5201 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
3.0 |
| Number of Moderate Rhythmic Pulses |
6.0 |
| Number of Relatively Strong Rhythmic Pulses |
5.0 |
| Mean Tempo |
288.0 |
| Strongest Rhythmic Pulse |
72.0 |
| Second Strongest Rhythmic Pulse |
48.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.5 |
| Strength of Strongest Rhythmic Pulse |
0.3001 |
| Strength of Second Strongest Rhythmic Pulse |
0.216 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.389 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.5161 |
| Rhythmic Variability |
0.0351 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.4 |
| Tempo Variability |
0.0000000006977 |
| Duration in Seconds |
295.2 |
| Note Density |
5.2 |
| Note Density Variability |
1.674 |
| Average Time Between Attacks |
0.3947 |
| Average Time Between Attacks for Each Voice |
1.227 |
| Variability of Time Between Attacks |
0.2335 |
| Maximum Number of Independent Voices |
5.0 |
| Relative Range of Loudest Voice |
0.5152 |
| Relative Range Isolation of Loudest Voice |
0.5216 |
| Relative Range of Highest Line |
0.5152 |
| Relative Note Density of Highest Line |
0.2248 |
| Relative Note Durations of Lowest Line |
0.9496 |
| Relative Size of Melodic Intervals in Lowest Line |
0.4545 |
| Voice Overlap |
0.8788 |
| Voice Separation |
4.0 |
| Variability of Voice Separation |
4.082 |
| Parallel Motion |
0.05847 |
| Average Number of Independent Voices |
3.797 |
| Similar Motion |
0.1269 |
| Contrary Motion |
0.1927 |
| Oblique Motion |
0.6219 |
| Parallel Fifths |
0.003322 |
| Parallel Octaves |
0.003322 |
| Variability of Number of Independent Voices |
0.8771 |
| Voice Equality - Number of Notes |
116.9 |
| Voice Equality - Note Duration |
29.64 |
| Voice Equality - Dynamics |
7.416 |
| Voice Equality - Melodic Leaps |
1.095 |
| Voice Equality - Range |
3.209 |
| Importance of Loudest Voice |
11.25 |