| Distance Between Two Most Common Vertical Intervals |
4.0 |
| Prevalence of Most Common Vertical Interval |
0.2568 |
| Prevalence of Second Most Common Vertical Interval |
0.174 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.6774 |
| Vertical Unisons |
0.07795 |
| Vertical Minor Seconds |
0.006917 |
| Vertical Thirds |
0.3385 |
| Vertical Tritones |
0.01533 |
| Vertical Perfect Fourths |
0.07426 |
| Vertical Perfect Fifths |
0.1689 |
| Vertical Sixths |
0.09206 |
| Vertical Sevenths |
0.02161 |
| Vertical Octaves |
0.1788 |
| Perfect Vertical Intervals |
0.4999 |
| Vertical Dissonance Ratio |
0.07472 |
| Vertical Minor Third Prevalence |
0.4535 |
| Vertical Major Third Prevalence |
0.4417 |
| Chord Duration |
2.067 |
| Partial Chords |
0.4984 |
| Standard Triads |
0.3286 |
| Diminished and Augmented Triads |
0.03177 |
| Dominant Seventh Chords |
0.004236 |
| Seventh Chords |
0.01059 |
| Non-Standard Chords |
0.1624 |
| Complex Chords |
0.002118 |
| Minor Major Triad Ratio |
0.4638 |
| Average Number of Simultaneous Pitch Classes |
2.403 |
| Variability of Number of Simultaneous Pitch Classes |
0.7117 |
| Average Number of Simultaneous Pitches |
3.035 |
| Variability of Number of Simultaneous Pitches |
0.9635 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
4.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
7.454 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
12.9 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
4.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.2111 |
| Stepwise Motion |
0.6803 |
| Melodic Thirds |
0.1776 |
| Melodic Perfect Fourths |
0.03866 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.04598 |
| Melodic Sixths |
0.00418 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.008359 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
1.429 |
| Melodic Embellishments |
0.0343 |
| Direction of Melodic Motion |
0.4683 |
| Average Length of Melodic Arcs |
1.991 |
| Average Interval Spanned by Melodic Arcs |
4.948 |
| Melodic Pitch Variety |
5.175 |
| Mean Melodic Interval |
2.405 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.4692 |
| Relative Prevalence of Most Common Melodic Intervals |
0.4499 |
| Amount of Arpeggiation |
0.2769 |
| Repeated Notes |
0.04493 |
| Importance of Middle Register |
0.764 |
| Importance of High Register |
0.09875 |
| Dominant Spread |
4.0 |
| Strong Tonal Centres |
3.0 |
| Mean Pitch |
61.92 |
| Mean Pitch Class |
4.574 |
| Most Common Pitch |
60.0 |
| Most Common Pitch Class |
0.0 |
| Prevalence of Most Common Pitch |
0.1227 |
| Prevalence of Most Common Pitch Class |
0.2048 |
| Relative Prevalence of Top Pitches |
0.822 |
| Relative Prevalence of Top Pitch Classes |
0.8223 |
| Interval Between Most Prevalent Pitches |
4.0 |
| Interval Between Most Prevalent Pitch Classes |
4.0 |
| Pitch Variability |
7.497 |
| Pitch Class Variability |
3.482 |
| Pitch Class Variability After Folding |
3.218 |
| Pitch Skewness |
0.1215 |
| Pitch Class Skewness |
0.4943 |
| Pitch Class Skewness After Folding |
1.085 |
| Pitch Kurtosis |
5.469 |
| Pitch Class Kurtosis |
5.071 |
| Pitch Class Kurtosis After Folding |
7.175 |
| Major or Minor |
0.0 |
| First Pitch |
60.0 |
| First Pitch Class |
0.0 |
| Last Pitch |
48.0 |
| Last Pitch Class |
0.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
22.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
9.0 |
| Number of Common Pitches |
3.0 |
| Number of Common Pitch Classes |
1.0 |
| Range |
32.0 |
| Importance of Bass Register |
0.1372 |
| Note Density per Quarter Note |
0.9241 |
| Note Density per Quarter Note per Voice |
0.1848 |
| Note Density per Quarter Note Variability |
0.4525 |
| Range of Rhythmic Values |
8.0 |
| Number of Different Rhythmic Values Present |
9.0 |
| Number of Common Rhythmic Values Present |
4.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.0 |
| Prevalence of Medium Rhythmic Values |
0.4283 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.7942 |
| Prevalence of Very Long Rhythmic Values |
0.1892 |
| Prevalence of Dotted Notes |
0.1133 |
| Shortest Rhythmic Value |
0.75 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
3.615 |
| Most Common Rhythmic Value |
4.0 |
| Prevalence of Most Common Rhythmic Value |
0.3212 |
| Relative Prevalence of Most Common Rhythmic Values |
0.6926 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
2.403 |
| Rhythmic Value Skewness |
-0.4805 |
| Rhythmic Value Kurtosis |
6.453 |
| Mean Rhythmic Value Run Length |
1.667 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.969 |
| Mean Rhythmic Value Offset |
0.0434 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.5146 |
| Complete Rests Fraction |
0.0009503 |
| Partial Rests Fraction |
0.8328 |
| Average Rest Fraction Across Voices |
0.3246 |
| Longest Complete Rest |
0.9893 |
| Longest Partial Rest |
80.36 |
| Mean Complete Rest Duration |
0.9893 |
| Mean Partial Rest Duration |
13.41 |
| Median Complete Rest Duration |
0.9893 |
| Median Partial Rest Duration |
7.981 |
| Duple Initial Meter |
1.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
14.98 |
| Variability Across Voices of Combined Rests |
52.65 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
120.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.0 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.5535 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.2287 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.421 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.7822 |
| Rhythmic Variability - Tempo Standardized |
0.04946 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.6667 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
1.0 |
| Total Number of Notes |
962.0 |
| Initial Tempo |
290.0 |
| Average Variability of Time Between Attacks for Each Voice |
1.659 |
| Minimum Note Duration |
0.1379 |
| Maximum Note Duration |
5.0 |
| Average Note Duration |
0.7579 |
| Variability of Note Durations |
0.5387 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
3.0 |
| Number of Moderate Rhythmic Pulses |
6.0 |
| Number of Relatively Strong Rhythmic Pulses |
3.0 |
| Mean Tempo |
289.3 |
| Strongest Rhythmic Pulse |
73.0 |
| Second Strongest Rhythmic Pulse |
49.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.49 |
| Strength of Strongest Rhythmic Pulse |
0.2889 |
| Strength of Second Strongest Rhythmic Pulse |
0.2373 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.217 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.5263 |
| Rhythmic Variability |
0.03536 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.6667 |
| Tempo Variability |
0.9508 |
| Duration in Seconds |
215.9 |
| Note Density |
4.456 |
| Note Density Variability |
1.75 |
| Average Time Between Attacks |
0.3973 |
| Average Time Between Attacks for Each Voice |
1.216 |
| Variability of Time Between Attacks |
0.2446 |
| Maximum Number of Independent Voices |
5.0 |
| Relative Range of Loudest Voice |
0.6875 |
| Relative Range Isolation of Loudest Voice |
0.6873 |
| Relative Range of Highest Line |
0.6875 |
| Relative Note Density of Highest Line |
0.369 |
| Relative Note Durations of Lowest Line |
0.8483 |
| Relative Size of Melodic Intervals in Lowest Line |
1.0 |
| Voice Overlap |
0.7723 |
| Voice Separation |
4.5 |
| Variability of Voice Separation |
3.873 |
| Parallel Motion |
0.03567 |
| Average Number of Independent Voices |
3.381 |
| Similar Motion |
0.1177 |
| Contrary Motion |
0.1463 |
| Oblique Motion |
0.7004 |
| Parallel Fifths |
0.002378 |
| Parallel Octaves |
0.001189 |
| Variability of Number of Independent Voices |
1.044 |
| Voice Equality - Number of Notes |
68.36 |
| Voice Equality - Note Duration |
10.92 |
| Voice Equality - Dynamics |
8.944 |
| Voice Equality - Melodic Leaps |
0.0 |
| Voice Equality - Range |
3.435 |
| Importance of Loudest Voice |
13.75 |