| Distance Between Two Most Common Vertical Intervals |
7.0 |
| Prevalence of Most Common Vertical Interval |
0.198 |
| Prevalence of Second Most Common Vertical Interval |
0.1942 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.981 |
| Vertical Unisons |
0.02494 |
| Vertical Minor Seconds |
0.006579 |
| Vertical Thirds |
0.3098 |
| Vertical Tritones |
0.01414 |
| Vertical Perfect Fourths |
0.07401 |
| Vertical Perfect Fifths |
0.198 |
| Vertical Sixths |
0.1587 |
| Vertical Sevenths |
0.0332 |
| Vertical Octaves |
0.1693 |
| Perfect Vertical Intervals |
0.4663 |
| Vertical Dissonance Ratio |
0.06983 |
| Vertical Minor Third Prevalence |
0.3299 |
| Vertical Major Third Prevalence |
0.3209 |
| Chord Duration |
2.254 |
| Partial Chords |
0.6067 |
| Standard Triads |
0.2893 |
| Diminished and Augmented Triads |
0.02388 |
| Dominant Seventh Chords |
0.002809 |
| Seventh Chords |
0.004213 |
| Non-Standard Chords |
0.09972 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
1.124 |
| Average Number of Simultaneous Pitch Classes |
2.285 |
| Variability of Number of Simultaneous Pitch Classes |
0.6177 |
| Average Number of Simultaneous Pitches |
2.716 |
| Variability of Number of Simultaneous Pitches |
0.8246 |
| Most Common Vertical Interval |
7.0 |
| Second Most Common Vertical Interval |
0.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
7.069 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
23.27 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
4.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.2282 |
| Stepwise Motion |
0.6395 |
| Melodic Thirds |
0.1294 |
| Melodic Perfect Fourths |
0.04506 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.03198 |
| Melodic Sixths |
0.001453 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.01308 |
| Melodic Large Intervals |
0.001453 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
2.56 |
| Melodic Embellishments |
0.004335 |
| Direction of Melodic Motion |
0.4384 |
| Average Length of Melodic Arcs |
1.895 |
| Average Interval Spanned by Melodic Arcs |
4.607 |
| Melodic Pitch Variety |
4.54 |
| Mean Melodic Interval |
2.115 |
| Number of Common Melodic Intervals |
4.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.4113 |
| Relative Prevalence of Most Common Melodic Intervals |
0.5548 |
| Amount of Arpeggiation |
0.314 |
| Repeated Notes |
0.1381 |
| Importance of Middle Register |
0.7587 |
| Importance of High Register |
0.1431 |
| Dominant Spread |
6.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
63.72 |
| Mean Pitch Class |
4.887 |
| Most Common Pitch |
62.0 |
| Most Common Pitch Class |
2.0 |
| Prevalence of Most Common Pitch |
0.1214 |
| Prevalence of Most Common Pitch Class |
0.2197 |
| Relative Prevalence of Top Pitches |
0.8095 |
| Relative Prevalence of Top Pitch Classes |
0.7368 |
| Interval Between Most Prevalent Pitches |
7.0 |
| Interval Between Most Prevalent Pitch Classes |
7.0 |
| Pitch Variability |
6.991 |
| Pitch Class Variability |
3.261 |
| Pitch Class Variability After Folding |
3.521 |
| Pitch Skewness |
0.1575 |
| Pitch Class Skewness |
-0.1037 |
| Pitch Class Skewness After Folding |
0.8398 |
| Pitch Kurtosis |
5.293 |
| Pitch Class Kurtosis |
4.99 |
| Pitch Class Kurtosis After Folding |
5.957 |
| Major or Minor |
0.0 |
| First Pitch |
50.0 |
| First Pitch Class |
2.0 |
| Last Pitch |
50.0 |
| Last Pitch Class |
2.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
22.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
10.0 |
| Number of Common Pitches |
2.0 |
| Number of Common Pitch Classes |
1.0 |
| Range |
27.0 |
| Importance of Bass Register |
0.09827 |
| Note Density per Quarter Note |
0.8906 |
| Note Density per Quarter Note per Voice |
0.2227 |
| Note Density per Quarter Note Variability |
0.3527 |
| Range of Rhythmic Values |
7.0 |
| Number of Different Rhythmic Values Present |
7.0 |
| Number of Common Rhythmic Values Present |
2.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.0 |
| Prevalence of Medium Rhythmic Values |
0.4725 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.854 |
| Prevalence of Very Long Rhythmic Values |
0.04913 |
| Prevalence of Dotted Notes |
0.03902 |
| Shortest Rhythmic Value |
1.0 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
3.095 |
| Most Common Rhythmic Value |
4.0 |
| Prevalence of Most Common Rhythmic Value |
0.4538 |
| Relative Prevalence of Most Common Rhythmic Values |
0.7197 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
1.696 |
| Rhythmic Value Skewness |
-1.6 |
| Rhythmic Value Kurtosis |
11.51 |
| Mean Rhythmic Value Run Length |
1.886 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.336 |
| Mean Rhythmic Value Offset |
0.0289 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.339 |
| Complete Rests Fraction |
0.001276 |
| Partial Rests Fraction |
0.7761 |
| Average Rest Fraction Across Voices |
0.3044 |
| Longest Complete Rest |
0.9917 |
| Longest Partial Rest |
56.0 |
| Mean Complete Rest Duration |
0.9917 |
| Mean Partial Rest Duration |
16.31 |
| Median Complete Rest Duration |
0.9917 |
| Median Partial Rest Duration |
12.0 |
| Duple Initial Meter |
1.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
14.94 |
| Variability Across Voices of Combined Rests |
40.31 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
1.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
120.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.0 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.6846 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.1683 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
4.067 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.8529 |
| Rhythmic Variability - Tempo Standardized |
0.05659 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
1.0 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
1.0 |
| Total Number of Notes |
692.0 |
| Initial Tempo |
288.0 |
| Average Variability of Time Between Attacks for Each Voice |
1.341 |
| Minimum Note Duration |
0.2083 |
| Maximum Note Duration |
3.333 |
| Average Note Duration |
0.6509 |
| Variability of Note Durations |
0.3901 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
3.0 |
| Number of Moderate Rhythmic Pulses |
6.0 |
| Number of Relatively Strong Rhythmic Pulses |
3.0 |
| Mean Tempo |
288.0 |
| Strongest Rhythmic Pulse |
72.0 |
| Second Strongest Rhythmic Pulse |
48.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.5 |
| Strength of Strongest Rhythmic Pulse |
0.3353 |
| Strength of Second Strongest Rhythmic Pulse |
0.2636 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.272 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.5988 |
| Rhythmic Variability |
0.03873 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.6667 |
| Tempo Variability |
0.00000000008077 |
| Duration in Seconds |
161.9 |
| Note Density |
4.275 |
| Note Density Variability |
1.248 |
| Average Time Between Attacks |
0.4284 |
| Average Time Between Attacks for Each Voice |
0.9118 |
| Variability of Time Between Attacks |
0.2463 |
| Maximum Number of Independent Voices |
4.0 |
| Relative Range of Loudest Voice |
0.5556 |
| Relative Range Isolation of Loudest Voice |
0.2914 |
| Relative Range of Highest Line |
0.5556 |
| Relative Note Density of Highest Line |
0.4162 |
| Relative Note Durations of Lowest Line |
0.9375 |
| Relative Size of Melodic Intervals in Lowest Line |
0.5714 |
| Voice Overlap |
0.802 |
| Voice Separation |
5.333 |
| Variability of Voice Separation |
2.082 |
| Parallel Motion |
0.05151 |
| Average Number of Independent Voices |
2.786 |
| Similar Motion |
0.1332 |
| Contrary Motion |
0.2185 |
| Oblique Motion |
0.5968 |
| Parallel Fifths |
0.007105 |
| Parallel Octaves |
0.0 |
| Variability of Number of Independent Voices |
0.7983 |
| Voice Equality - Number of Notes |
23.27 |
| Voice Equality - Note Duration |
8.398 |
| Voice Equality - Dynamics |
8.539 |
| Voice Equality - Melodic Leaps |
0.5 |
| Voice Equality - Range |
1.633 |
| Importance of Loudest Voice |
11.67 |