| Distance Between Two Most Common Vertical Intervals |
3.0 |
| Prevalence of Most Common Vertical Interval |
0.2582 |
| Prevalence of Second Most Common Vertical Interval |
0.2069 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.8013 |
| Vertical Unisons |
0.05991 |
| Vertical Minor Seconds |
0.003533 |
| Vertical Thirds |
0.3265 |
| Vertical Tritones |
0.004255 |
| Vertical Perfect Fourths |
0.06988 |
| Vertical Perfect Fifths |
0.183 |
| Vertical Sixths |
0.1221 |
| Vertical Sevenths |
0.01416 |
| Vertical Octaves |
0.1983 |
| Perfect Vertical Intervals |
0.5111 |
| Vertical Dissonance Ratio |
0.04196 |
| Vertical Minor Third Prevalence |
0.7161 |
| Vertical Major Third Prevalence |
0.5326 |
| Chord Duration |
2.564 |
| Partial Chords |
0.2968 |
| Standard Triads |
0.5654 |
| Diminished and Augmented Triads |
0.01628 |
| Dominant Seventh Chords |
0.005636 |
| Seventh Chords |
0.01628 |
| Non-Standard Chords |
0.1215 |
| Complex Chords |
0.003131 |
| Minor Major Triad Ratio |
1.813 |
| Average Number of Simultaneous Pitch Classes |
2.735 |
| Variability of Number of Simultaneous Pitch Classes |
0.5956 |
| Average Number of Simultaneous Pitches |
3.793 |
| Variability of Number of Simultaneous Pitches |
0.9903 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
3.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
5.768 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
219.3 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
4.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.1741 |
| Stepwise Motion |
0.5573 |
| Melodic Thirds |
0.1777 |
| Melodic Perfect Fourths |
0.05942 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.06298 |
| Melodic Sixths |
0.008318 |
| Melodic Sevenths |
0.0005942 |
| Melodic Octaves |
0.01961 |
| Melodic Large Intervals |
0.002971 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
2.738 |
| Melodic Embellishments |
0.04085 |
| Direction of Melodic Motion |
0.4799 |
| Average Length of Melodic Arcs |
1.7 |
| Average Interval Spanned by Melodic Arcs |
4.972 |
| Melodic Pitch Variety |
4.844 |
| Mean Melodic Interval |
2.616 |
| Number of Common Melodic Intervals |
4.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.3832 |
| Relative Prevalence of Most Common Melodic Intervals |
0.4543 |
| Amount of Arpeggiation |
0.3749 |
| Repeated Notes |
0.1111 |
| Importance of Middle Register |
0.6732 |
| Importance of High Register |
0.01066 |
| Dominant Spread |
6.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
57.14 |
| Mean Pitch Class |
5.258 |
| Most Common Pitch |
55.0 |
| Most Common Pitch Class |
7.0 |
| Prevalence of Most Common Pitch |
0.122 |
| Prevalence of Most Common Pitch Class |
0.2143 |
| Relative Prevalence of Top Pitches |
0.8592 |
| Relative Prevalence of Top Pitch Classes |
0.9558 |
| Interval Between Most Prevalent Pitches |
7.0 |
| Interval Between Most Prevalent Pitch Classes |
5.0 |
| Pitch Variability |
7.162 |
| Pitch Class Variability |
3.323 |
| Pitch Class Variability After Folding |
3.97 |
| Pitch Skewness |
0.2123 |
| Pitch Class Skewness |
0.2331 |
| Pitch Class Skewness After Folding |
1.616 |
| Pitch Kurtosis |
5.424 |
| Pitch Class Kurtosis |
4.72 |
| Pitch Class Kurtosis After Folding |
4.926 |
| Major or Minor |
0.0 |
| First Pitch |
43.0 |
| First Pitch Class |
7.0 |
| Last Pitch |
43.0 |
| Last Pitch Class |
7.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
26.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
11.0 |
| Number of Common Pitches |
2.0 |
| Number of Common Pitch Classes |
2.0 |
| Range |
33.0 |
| Importance of Bass Register |
0.3162 |
| Note Density per Quarter Note |
1.039 |
| Note Density per Quarter Note per Voice |
0.1732 |
| Note Density per Quarter Note Variability |
0.5151 |
| Range of Rhythmic Values |
7.0 |
| Number of Different Rhythmic Values Present |
7.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.0 |
| Prevalence of Medium Rhythmic Values |
0.3706 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.8165 |
| Prevalence of Very Long Rhythmic Values |
0.2096 |
| Prevalence of Dotted Notes |
0.1587 |
| Shortest Rhythmic Value |
1.0 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
3.898 |
| Most Common Rhythmic Value |
4.0 |
| Prevalence of Most Common Rhythmic Value |
0.3345 |
| Relative Prevalence of Most Common Rhythmic Values |
0.5593 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
2.668 |
| Rhythmic Value Skewness |
-0.1145 |
| Rhythmic Value Kurtosis |
7.173 |
| Mean Rhythmic Value Run Length |
1.488 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.148 |
| Mean Rhythmic Value Offset |
0.1634 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
1.24 |
| Complete Rests Fraction |
0.0006739 |
| Partial Rests Fraction |
0.792 |
| Average Rest Fraction Across Voices |
0.2958 |
| Longest Complete Rest |
1.095 |
| Longest Partial Rest |
131.6 |
| Mean Complete Rest Duration |
1.095 |
| Mean Partial Rest Duration |
16.57 |
| Median Complete Rest Duration |
1.095 |
| Median Partial Rest Duration |
8.834 |
| Duple Initial Meter |
1.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
20.45 |
| Variability Across Voices of Combined Rests |
52.36 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.5195 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.2429 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.139 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.7623 |
| Rhythmic Variability - Tempo Standardized |
0.04868 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.6667 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
2.0 |
| Total Number of Notes |
1689.0 |
| Initial Tempo |
290.0 |
| Average Variability of Time Between Attacks for Each Voice |
1.593 |
| Minimum Note Duration |
0.2069 |
| Maximum Note Duration |
8.333 |
| Average Note Duration |
0.767 |
| Variability of Note Durations |
0.6633 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
4.0 |
| Number of Moderate Rhythmic Pulses |
7.0 |
| Number of Relatively Strong Rhythmic Pulses |
4.0 |
| Mean Tempo |
329.0 |
| Strongest Rhythmic Pulse |
40.0 |
| Second Strongest Rhythmic Pulse |
80.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
2.0 |
| Strength of Strongest Rhythmic Pulse |
0.2489 |
| Strength of Second Strongest Rhythmic Pulse |
0.2403 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.036 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.4892 |
| Rhythmic Variability |
0.03304 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.75 |
| Tempo Variability |
66.2 |
| Duration in Seconds |
306.6 |
| Note Density |
5.509 |
| Note Density Variability |
1.647 |
| Average Time Between Attacks |
0.3812 |
| Average Time Between Attacks for Each Voice |
1.052 |
| Variability of Time Between Attacks |
0.2107 |
| Maximum Number of Independent Voices |
6.0 |
| Relative Range of Loudest Voice |
0.3636 |
| Relative Range Isolation of Loudest Voice |
0.3562 |
| Relative Range of Highest Line |
0.3636 |
| Relative Note Density of Highest Line |
0.2416 |
| Relative Note Durations of Lowest Line |
0.985 |
| Relative Size of Melodic Intervals in Lowest Line |
0.8571 |
| Voice Overlap |
0.9503 |
| Voice Separation |
3.8 |
| Variability of Voice Separation |
3.194 |
| Parallel Motion |
0.05115 |
| Average Number of Independent Voices |
4.224 |
| Similar Motion |
0.1282 |
| Contrary Motion |
0.1599 |
| Oblique Motion |
0.6608 |
| Parallel Fifths |
0.002352 |
| Parallel Octaves |
0.005291 |
| Variability of Number of Independent Voices |
1.197 |
| Voice Equality - Number of Notes |
40.72 |
| Voice Equality - Note Duration |
9.879 |
| Voice Equality - Dynamics |
6.831 |
| Voice Equality - Melodic Leaps |
0.5164 |
| Voice Equality - Range |
2.994 |
| Importance of Loudest Voice |
10.0 |