| Distance Between Two Most Common Vertical Intervals |
3.0 |
| Prevalence of Most Common Vertical Interval |
0.2265 |
| Prevalence of Second Most Common Vertical Interval |
0.1928 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.8513 |
| Vertical Unisons |
0.04784 |
| Vertical Minor Seconds |
0.005046 |
| Vertical Thirds |
0.3409 |
| Vertical Tritones |
0.005042 |
| Vertical Perfect Fourths |
0.07373 |
| Vertical Perfect Fifths |
0.192 |
| Vertical Sixths |
0.1272 |
| Vertical Sevenths |
0.01434 |
| Vertical Octaves |
0.1787 |
| Perfect Vertical Intervals |
0.4922 |
| Vertical Dissonance Ratio |
0.04126 |
| Vertical Minor Third Prevalence |
0.5592 |
| Vertical Major Third Prevalence |
0.4801 |
| Chord Duration |
2.531 |
| Partial Chords |
0.3899 |
| Standard Triads |
0.5156 |
| Diminished and Augmented Triads |
0.009034 |
| Dominant Seventh Chords |
0.0 |
| Seventh Chords |
0.008339 |
| Non-Standard Chords |
0.08617 |
| Complex Chords |
0.00278 |
| Minor Major Triad Ratio |
1.774 |
| Average Number of Simultaneous Pitch Classes |
2.54 |
| Variability of Number of Simultaneous Pitch Classes |
0.6652 |
| Average Number of Simultaneous Pitches |
3.266 |
| Variability of Number of Simultaneous Pitches |
1.088 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
3.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
5.029 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
210.3 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
4.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.1858 |
| Stepwise Motion |
0.5313 |
| Melodic Thirds |
0.1063 |
| Melodic Perfect Fourths |
0.06897 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.04082 |
| Melodic Sixths |
0.009852 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.0183 |
| Melodic Large Intervals |
0.002111 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
1.904 |
| Melodic Embellishments |
0.02873 |
| Direction of Melodic Motion |
0.4136 |
| Average Length of Melodic Arcs |
1.863 |
| Average Interval Spanned by Melodic Arcs |
5.223 |
| Melodic Pitch Variety |
4.797 |
| Mean Melodic Interval |
2.195 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
2.0 |
| Prevalence of Most Common Melodic Interval |
0.3455 |
| Relative Prevalence of Most Common Melodic Intervals |
0.6436 |
| Amount of Arpeggiation |
0.3899 |
| Repeated Notes |
0.2224 |
| Importance of Middle Register |
0.6552 |
| Importance of High Register |
0.009811 |
| Dominant Spread |
6.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
57.4 |
| Mean Pitch Class |
5.371 |
| Most Common Pitch |
57.0 |
| Most Common Pitch Class |
2.0 |
| Prevalence of Most Common Pitch |
0.1016 |
| Prevalence of Most Common Pitch Class |
0.2018 |
| Relative Prevalence of Top Pitches |
0.9448 |
| Relative Prevalence of Top Pitch Classes |
0.816 |
| Interval Between Most Prevalent Pitches |
7.0 |
| Interval Between Most Prevalent Pitch Classes |
7.0 |
| Pitch Variability |
7.326 |
| Pitch Class Variability |
3.371 |
| Pitch Class Variability After Folding |
3.974 |
| Pitch Skewness |
0.26 |
| Pitch Class Skewness |
0.3305 |
| Pitch Class Skewness After Folding |
1.025 |
| Pitch Kurtosis |
5.338 |
| Pitch Class Kurtosis |
4.676 |
| Pitch Class Kurtosis After Folding |
4.904 |
| Major or Minor |
0.0 |
| First Pitch |
57.0 |
| First Pitch Class |
9.0 |
| Last Pitch |
38.0 |
| Last Pitch Class |
2.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
27.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
11.0 |
| Number of Common Pitches |
3.0 |
| Number of Common Pitch Classes |
1.0 |
| Range |
36.0 |
| Importance of Bass Register |
0.335 |
| Note Density per Quarter Note |
0.9284 |
| Note Density per Quarter Note per Voice |
0.1857 |
| Note Density per Quarter Note Variability |
0.4727 |
| Range of Rhythmic Values |
9.0 |
| Number of Different Rhythmic Values Present |
8.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.001402 |
| Prevalence of Medium Rhythmic Values |
0.473 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.8381 |
| Prevalence of Very Long Rhythmic Values |
0.1899 |
| Prevalence of Dotted Notes |
0.1682 |
| Shortest Rhythmic Value |
0.5 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
3.552 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.3111 |
| Relative Prevalence of Most Common Rhythmic Values |
0.9032 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
2.463 |
| Rhythmic Value Skewness |
0.6718 |
| Rhythmic Value Kurtosis |
8.35 |
| Mean Rhythmic Value Run Length |
1.525 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
0.9753 |
| Mean Rhythmic Value Offset |
0.2186 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
1.694 |
| Complete Rests Fraction |
0.0006452 |
| Partial Rests Fraction |
0.7306 |
| Average Rest Fraction Across Voices |
0.301 |
| Longest Complete Rest |
0.9917 |
| Longest Partial Rest |
384.0 |
| Mean Complete Rest Duration |
0.9917 |
| Mean Partial Rest Duration |
17.79 |
| Median Complete Rest Duration |
0.9917 |
| Median Partial Rest Duration |
4.0 |
| Duple Initial Meter |
1.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
39.35 |
| Variability Across Voices of Combined Rests |
196.0 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
120.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.0 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.615 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.1941 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
3.168 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.8091 |
| Rhythmic Variability - Tempo Standardized |
0.05277 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.6667 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
1.0 |
| Total Number of Notes |
1427.0 |
| Initial Tempo |
288.0 |
| Average Variability of Time Between Attacks for Each Voice |
2.227 |
| Minimum Note Duration |
0.1042 |
| Maximum Note Duration |
8.333 |
| Average Note Duration |
0.7854 |
| Variability of Note Durations |
0.7405 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
3.0 |
| Number of Moderate Rhythmic Pulses |
6.0 |
| Number of Relatively Strong Rhythmic Pulses |
3.0 |
| Mean Tempo |
288.0 |
| Strongest Rhythmic Pulse |
72.0 |
| Second Strongest Rhythmic Pulse |
48.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.5 |
| Strength of Strongest Rhythmic Pulse |
0.3016 |
| Strength of Second Strongest Rhythmic Pulse |
0.2513 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.2 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.553 |
| Rhythmic Variability |
0.03684 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.6667 |
| Tempo Variability |
0.0000000008596 |
| Duration in Seconds |
320.2 |
| Note Density |
4.457 |
| Note Density Variability |
1.752 |
| Average Time Between Attacks |
0.429 |
| Average Time Between Attacks for Each Voice |
1.306 |
| Variability of Time Between Attacks |
0.2324 |
| Maximum Number of Independent Voices |
5.0 |
| Relative Range of Loudest Voice |
0.5278 |
| Relative Range Isolation of Loudest Voice |
0.4176 |
| Relative Range of Highest Line |
0.5278 |
| Relative Note Density of Highest Line |
0.2348 |
| Relative Note Durations of Lowest Line |
1.113 |
| Relative Size of Melodic Intervals in Lowest Line |
1.0 |
| Voice Overlap |
0.8935 |
| Voice Separation |
4.5 |
| Variability of Voice Separation |
3.697 |
| Parallel Motion |
0.07227 |
| Average Number of Independent Voices |
3.497 |
| Similar Motion |
0.1403 |
| Contrary Motion |
0.1227 |
| Oblique Motion |
0.6647 |
| Parallel Fifths |
0.002521 |
| Parallel Octaves |
0.003361 |
| Variability of Number of Independent Voices |
1.177 |
| Voice Equality - Number of Notes |
122.5 |
| Voice Equality - Note Duration |
40.83 |
| Voice Equality - Dynamics |
7.583 |
| Voice Equality - Melodic Leaps |
0.0 |
| Voice Equality - Range |
4.817 |
| Importance of Loudest Voice |
10.0 |