| Distance Between Two Most Common Vertical Intervals |
7.0 |
| Prevalence of Most Common Vertical Interval |
0.2012 |
| Prevalence of Second Most Common Vertical Interval |
0.1889 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.9389 |
| Vertical Unisons |
0.04354 |
| Vertical Minor Seconds |
0.007022 |
| Vertical Thirds |
0.3378 |
| Vertical Tritones |
0.01475 |
| Vertical Perfect Fourths |
0.09656 |
| Vertical Perfect Fifths |
0.1889 |
| Vertical Sixths |
0.1117 |
| Vertical Sevenths |
0.01475 |
| Vertical Octaves |
0.1577 |
| Perfect Vertical Intervals |
0.4867 |
| Vertical Dissonance Ratio |
0.06827 |
| Vertical Minor Third Prevalence |
0.461 |
| Vertical Major Third Prevalence |
0.3807 |
| Chord Duration |
1.676 |
| Partial Chords |
0.5323 |
| Standard Triads |
0.3383 |
| Diminished and Augmented Triads |
0.02488 |
| Dominant Seventh Chords |
0.002488 |
| Seventh Chords |
0.007463 |
| Non-Standard Chords |
0.1219 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
0.679 |
| Average Number of Simultaneous Pitch Classes |
2.372 |
| Variability of Number of Simultaneous Pitch Classes |
0.6528 |
| Average Number of Simultaneous Pitches |
2.858 |
| Variability of Number of Simultaneous Pitches |
0.8366 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
7.0 |
| Dynamic Range |
0.0 |
| Variation of Dynamics |
0.0 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
0.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
0.0 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
1.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.1647 |
| Stepwise Motion |
0.5289 |
| Melodic Thirds |
0.1272 |
| Melodic Perfect Fourths |
0.03613 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.02457 |
| Melodic Sixths |
0.01012 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.00578 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
0.913 |
| Melodic Embellishments |
0.007184 |
| Direction of Melodic Motion |
0.4517 |
| Average Length of Melodic Arcs |
2.095 |
| Average Interval Spanned by Melodic Arcs |
5.219 |
| Melodic Pitch Variety |
4.521 |
| Mean Melodic Interval |
1.848 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
2.0 |
| Prevalence of Most Common Melodic Interval |
0.3642 |
| Relative Prevalence of Most Common Melodic Intervals |
0.7341 |
| Amount of Arpeggiation |
0.4249 |
| Repeated Notes |
0.2673 |
| Importance of Middle Register |
0.7443 |
| Importance of High Register |
0.002874 |
| Dominant Spread |
6.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
58.49 |
| Mean Pitch Class |
5.167 |
| Most Common Pitch |
57.0 |
| Most Common Pitch Class |
9.0 |
| Prevalence of Most Common Pitch |
0.1307 |
| Prevalence of Most Common Pitch Class |
0.204 |
| Relative Prevalence of Top Pitches |
0.7912 |
| Relative Prevalence of Top Pitch Classes |
0.993 |
| Interval Between Most Prevalent Pitches |
3.0 |
| Interval Between Most Prevalent Pitch Classes |
4.0 |
| Pitch Variability |
6.675 |
| Pitch Class Variability |
3.415 |
| Pitch Class Variability After Folding |
4.197 |
| Pitch Skewness |
0.5011 |
| Pitch Class Skewness |
0.1464 |
| Pitch Class Skewness After Folding |
1.068 |
| Pitch Kurtosis |
5.345 |
| Pitch Class Kurtosis |
4.747 |
| Pitch Class Kurtosis After Folding |
4.781 |
| Major or Minor |
0.0 |
| First Pitch |
57.0 |
| First Pitch Class |
9.0 |
| Last Pitch |
53.0 |
| Last Pitch Class |
5.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
19.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
7.0 |
| Number of Common Pitches |
4.0 |
| Number of Common Pitch Classes |
2.0 |
| Range |
31.0 |
| Importance of Bass Register |
0.2529 |
| Note Density per Quarter Note |
1.554 |
| Note Density per Quarter Note per Voice |
0.3884 |
| Note Density per Quarter Note Variability |
0.7148 |
| Range of Rhythmic Values |
7.0 |
| Number of Different Rhythmic Values Present |
7.0 |
| Number of Common Rhythmic Values Present |
2.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.0 |
| Prevalence of Medium Rhythmic Values |
0.8807 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.5374 |
| Prevalence of Very Long Rhythmic Values |
0.01293 |
| Prevalence of Dotted Notes |
0.05747 |
| Shortest Rhythmic Value |
1.0 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
1.805 |
| Most Common Rhythmic Value |
1.0 |
| Prevalence of Most Common Rhythmic Value |
0.4626 |
| Relative Prevalence of Most Common Rhythmic Values |
0.9037 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
1.266 |
| Rhythmic Value Skewness |
-0.4631 |
| Rhythmic Value Kurtosis |
36.88 |
| Mean Rhythmic Value Run Length |
2.559 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.933 |
| Mean Rhythmic Value Offset |
0.07471 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
1.102 |
| Complete Rests Fraction |
0.02679 |
| Partial Rests Fraction |
0.6384 |
| Average Rest Fraction Across Voices |
0.2701 |
| Longest Complete Rest |
2.0 |
| Longest Partial Rest |
50.0 |
| Mean Complete Rest Duration |
2.0 |
| Mean Partial Rest Duration |
10.52 |
| Median Complete Rest Duration |
2.0 |
| Median Partial Rest Duration |
4.0 |
| Duple Initial Meter |
1.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
12.48 |
| Variability Across Voices of Combined Rests |
23.8 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
120.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.0 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.4549 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.2913 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.562 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.7462 |
| Rhythmic Variability - Tempo Standardized |
0.04677 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.6667 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
1.0 |
| Total Number of Notes |
696.0 |
| Initial Tempo |
100.0 |
| Average Variability of Time Between Attacks for Each Voice |
2.688 |
| Minimum Note Duration |
0.6 |
| Maximum Note Duration |
19.2 |
| Average Note Duration |
1.128 |
| Variability of Note Durations |
1.25 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
2.0 |
| Number of Moderate Rhythmic Pulses |
2.0 |
| Number of Relatively Strong Rhythmic Pulses |
2.0 |
| Mean Tempo |
100.0 |
| Strongest Rhythmic Pulse |
50.0 |
| Second Strongest Rhythmic Pulse |
100.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
2.0 |
| Strength of Strongest Rhythmic Pulse |
0.6096 |
| Strength of Second Strongest Rhythmic Pulse |
0.3904 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.562 |
| Combined Strength of Two Strongest Rhythmic Pulses |
1.0 |
| Rhythmic Variability |
0.05689 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
1.0 |
| Tempo Variability |
0.0 |
| Duration in Seconds |
268.8 |
| Note Density |
2.589 |
| Note Density Variability |
1.146 |
| Average Time Between Attacks |
0.8301 |
| Average Time Between Attacks for Each Voice |
1.455 |
| Variability of Time Between Attacks |
0.3786 |
| Maximum Number of Independent Voices |
4.0 |
| Relative Range of Loudest Voice |
0.4516 |
| Relative Range Isolation of Loudest Voice |
0.2273 |
| Relative Range of Highest Line |
0.4516 |
| Relative Note Density of Highest Line |
0.3851 |
| Relative Note Durations of Lowest Line |
0.9899 |
| Relative Size of Melodic Intervals in Lowest Line |
0.8 |
| Voice Overlap |
0.9124 |
| Voice Separation |
5.333 |
| Variability of Voice Separation |
2.082 |
| Parallel Motion |
0.05347 |
| Average Number of Independent Voices |
3.0 |
| Similar Motion |
0.1861 |
| Contrary Motion |
0.2396 |
| Oblique Motion |
0.5208 |
| Parallel Fifths |
0.00396 |
| Parallel Octaves |
0.00198 |
| Variability of Number of Independent Voices |
0.8779 |
| Voice Equality - Number of Notes |
13.76 |
| Voice Equality - Note Duration |
14.28 |
| Voice Equality - Dynamics |
0.0 |
| Voice Equality - Melodic Leaps |
0.5 |
| Voice Equality - Range |
2.363 |
| Importance of Loudest Voice |
0.0 |