| Distance Between Two Most Common Vertical Intervals |
7.0 |
| Prevalence of Most Common Vertical Interval |
0.2641 |
| Prevalence of Second Most Common Vertical Interval |
0.211 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.7989 |
| Vertical Unisons |
0.06545 |
| Vertical Minor Seconds |
0.003483 |
| Vertical Thirds |
0.3388 |
| Vertical Tritones |
0.001671 |
| Vertical Perfect Fourths |
0.06618 |
| Vertical Perfect Fifths |
0.211 |
| Vertical Sixths |
0.1008 |
| Vertical Sevenths |
0.005014 |
| Vertical Octaves |
0.1987 |
| Perfect Vertical Intervals |
0.5414 |
| Vertical Dissonance Ratio |
0.01943 |
| Vertical Minor Third Prevalence |
0.6288 |
| Vertical Major Third Prevalence |
0.7178 |
| Chord Duration |
3.443 |
| Partial Chords |
0.2559 |
| Standard Triads |
0.668 |
| Diminished and Augmented Triads |
0.003906 |
| Dominant Seventh Chords |
0.0 |
| Seventh Chords |
0.01367 |
| Non-Standard Chords |
0.0625 |
| Complex Chords |
0.001953 |
| Minor Major Triad Ratio |
0.3412 |
| Average Number of Simultaneous Pitch Classes |
2.723 |
| Variability of Number of Simultaneous Pitch Classes |
0.5735 |
| Average Number of Simultaneous Pitches |
3.926 |
| Variability of Number of Simultaneous Pitches |
1.055 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
7.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
8.392 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
75.97 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
4.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.07771 |
| Stepwise Motion |
0.3006 |
| Melodic Thirds |
0.1677 |
| Melodic Perfect Fourths |
0.1125 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.03476 |
| Melodic Sixths |
0.002045 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.02249 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
0.0 |
| Minor Major Melodic Third Ratio |
1.216 |
| Melodic Embellishments |
0.06061 |
| Direction of Melodic Motion |
0.4377 |
| Average Length of Melodic Arcs |
1.622 |
| Average Interval Spanned by Melodic Arcs |
5.425 |
| Melodic Pitch Variety |
4.058 |
| Mean Melodic Interval |
2.194 |
| Number of Common Melodic Intervals |
4.0 |
| Distance Between Most Prevalent Melodic Intervals |
2.0 |
| Prevalence of Most Common Melodic Interval |
0.3599 |
| Relative Prevalence of Most Common Melodic Intervals |
0.6193 |
| Amount of Arpeggiation |
0.5849 |
| Repeated Notes |
0.3599 |
| Importance of Middle Register |
0.5616 |
| Importance of High Register |
0.0 |
| Dominant Spread |
5.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
55.48 |
| Mean Pitch Class |
4.895 |
| Most Common Pitch |
53.0 |
| Most Common Pitch Class |
5.0 |
| Prevalence of Most Common Pitch |
0.1515 |
| Prevalence of Most Common Pitch Class |
0.2485 |
| Relative Prevalence of Top Pitches |
0.64 |
| Relative Prevalence of Top Pitch Classes |
0.748 |
| Interval Between Most Prevalent Pitches |
7.0 |
| Interval Between Most Prevalent Pitch Classes |
5.0 |
| Pitch Variability |
7.334 |
| Pitch Class Variability |
3.273 |
| Pitch Class Variability After Folding |
4.462 |
| Pitch Skewness |
0.4479 |
| Pitch Class Skewness |
-0.0963 |
| Pitch Class Skewness After Folding |
1.168 |
| Pitch Kurtosis |
5.32 |
| Pitch Class Kurtosis |
4.935 |
| Pitch Class Kurtosis After Folding |
4.51 |
| Major or Minor |
0.0 |
| First Pitch |
53.0 |
| First Pitch Class |
5.0 |
| Last Pitch |
41.0 |
| Last Pitch Class |
5.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
21.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
9.0 |
| Number of Common Pitches |
2.0 |
| Number of Common Pitch Classes |
1.0 |
| Range |
31.0 |
| Importance of Bass Register |
0.4384 |
| Note Density per Quarter Note |
0.9357 |
| Note Density per Quarter Note per Voice |
0.156 |
| Note Density per Quarter Note Variability |
0.4493 |
| Range of Rhythmic Values |
7.0 |
| Number of Different Rhythmic Values Present |
7.0 |
| Number of Common Rhythmic Values Present |
2.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.0 |
| Prevalence of Medium Rhythmic Values |
0.2364 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.9293 |
| Prevalence of Very Long Rhythmic Values |
0.2364 |
| Prevalence of Dotted Notes |
0.1596 |
| Shortest Rhythmic Value |
1.0 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
4.453 |
| Most Common Rhythmic Value |
4.0 |
| Prevalence of Most Common Rhythmic Value |
0.4727 |
| Relative Prevalence of Most Common Rhythmic Values |
0.3504 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
2.614 |
| Rhythmic Value Skewness |
0.5193 |
| Rhythmic Value Kurtosis |
7.53 |
| Mean Rhythmic Value Run Length |
1.695 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.287 |
| Mean Rhythmic Value Offset |
0.3071 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
1.88 |
| Complete Rests Fraction |
0.001875 |
| Partial Rests Fraction |
0.7505 |
| Average Rest Fraction Across Voices |
0.2577 |
| Longest Complete Rest |
0.9917 |
| Longest Partial Rest |
152.0 |
| Mean Complete Rest Duration |
0.9917 |
| Mean Partial Rest Duration |
12.39 |
| Median Complete Rest Duration |
0.9917 |
| Median Partial Rest Duration |
4.0 |
| Duple Initial Meter |
1.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
26.73 |
| Variability Across Voices of Combined Rests |
91.37 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
2.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.6311 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.1918 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
3.291 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.8229 |
| Rhythmic Variability - Tempo Standardized |
0.05363 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.5 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
1.0 |
| Total Number of Notes |
495.0 |
| Initial Tempo |
288.0 |
| Average Variability of Time Between Attacks for Each Voice |
1.887 |
| Minimum Note Duration |
0.2083 |
| Maximum Note Duration |
8.333 |
| Average Note Duration |
0.9916 |
| Variability of Note Durations |
0.8072 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
3.0 |
| Number of Moderate Rhythmic Pulses |
6.0 |
| Number of Relatively Strong Rhythmic Pulses |
3.0 |
| Mean Tempo |
288.0 |
| Strongest Rhythmic Pulse |
72.0 |
| Second Strongest Rhythmic Pulse |
48.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.5 |
| Strength of Strongest Rhythmic Pulse |
0.5133 |
| Strength of Second Strongest Rhythmic Pulse |
0.1729 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
2.969 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.6862 |
| Rhythmic Variability |
0.0449 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.6667 |
| Tempo Variability |
0.0000000003286 |
| Duration in Seconds |
110.2 |
| Note Density |
4.492 |
| Note Density Variability |
1.671 |
| Average Time Between Attacks |
0.5166 |
| Average Time Between Attacks for Each Voice |
1.513 |
| Variability of Time Between Attacks |
0.2703 |
| Maximum Number of Independent Voices |
6.0 |
| Relative Range of Loudest Voice |
0.4839 |
| Relative Range Isolation of Loudest Voice |
0.2913 |
| Relative Range of Highest Line |
0.4839 |
| Relative Note Density of Highest Line |
0.7879 |
| Relative Note Durations of Lowest Line |
0.9749 |
| Relative Size of Melodic Intervals in Lowest Line |
0.6667 |
| Voice Overlap |
0.8707 |
| Voice Separation |
3.8 |
| Variability of Voice Separation |
2.387 |
| Parallel Motion |
0.03497 |
| Average Number of Independent Voices |
4.462 |
| Similar Motion |
0.1224 |
| Contrary Motion |
0.1783 |
| Oblique Motion |
0.6643 |
| Parallel Fifths |
0.0 |
| Parallel Octaves |
0.006993 |
| Variability of Number of Independent Voices |
1.19 |
| Voice Equality - Number of Notes |
41.37 |
| Voice Equality - Note Duration |
19.04 |
| Voice Equality - Dynamics |
8.01 |
| Voice Equality - Melodic Leaps |
0.5477 |
| Voice Equality - Range |
4.355 |
| Importance of Loudest Voice |
13.0 |