| Distance Between Two Most Common Vertical Intervals |
7.0 |
| Prevalence of Most Common Vertical Interval |
0.2358 |
| Prevalence of Second Most Common Vertical Interval |
0.1792 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.7601 |
| Vertical Unisons |
0.05504 |
| Vertical Minor Seconds |
0.009162 |
| Vertical Thirds |
0.2935 |
| Vertical Tritones |
0.01056 |
| Vertical Perfect Fourths |
0.1013 |
| Vertical Perfect Fifths |
0.1792 |
| Vertical Sixths |
0.127 |
| Vertical Sevenths |
0.01932 |
| Vertical Octaves |
0.1807 |
| Perfect Vertical Intervals |
0.5163 |
| Vertical Dissonance Ratio |
0.06752 |
| Vertical Minor Third Prevalence |
0.6242 |
| Vertical Major Third Prevalence |
0.7023 |
| Chord Duration |
2.109 |
| Partial Chords |
0.1576 |
| Standard Triads |
0.6099 |
| Diminished and Augmented Triads |
0.02468 |
| Dominant Seventh Chords |
0.004777 |
| Seventh Chords |
0.03025 |
| Non-Standard Chords |
0.2022 |
| Complex Chords |
0.01513 |
| Minor Major Triad Ratio |
0.4577 |
| Average Number of Simultaneous Pitch Classes |
2.963 |
| Variability of Number of Simultaneous Pitch Classes |
0.6028 |
| Average Number of Simultaneous Pitches |
4.176 |
| Variability of Number of Simultaneous Pitches |
0.9539 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
7.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
9.472 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
322.2 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
3.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.1825 |
| Stepwise Motion |
0.6078 |
| Melodic Thirds |
0.1081 |
| Melodic Perfect Fourths |
0.05966 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.04607 |
| Melodic Sixths |
0.004725 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.01477 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
1.731 |
| Melodic Embellishments |
0.02237 |
| Direction of Melodic Motion |
0.4768 |
| Average Length of Melodic Arcs |
1.876 |
| Average Interval Spanned by Melodic Arcs |
4.949 |
| Melodic Pitch Variety |
4.915 |
| Mean Melodic Interval |
2.234 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.4253 |
| Relative Prevalence of Most Common Melodic Intervals |
0.4292 |
| Amount of Arpeggiation |
0.3278 |
| Repeated Notes |
0.1589 |
| Importance of Middle Register |
0.8211 |
| Importance of High Register |
0.05415 |
| Dominant Spread |
7.0 |
| Strong Tonal Centres |
1.0 |
| Mean Pitch |
61.77 |
| Mean Pitch Class |
4.997 |
| Most Common Pitch |
60.0 |
| Most Common Pitch Class |
0.0 |
| Prevalence of Most Common Pitch |
0.1107 |
| Prevalence of Most Common Pitch Class |
0.2137 |
| Relative Prevalence of Top Pitches |
0.9521 |
| Relative Prevalence of Top Pitch Classes |
0.9421 |
| Interval Between Most Prevalent Pitches |
7.0 |
| Interval Between Most Prevalent Pitch Classes |
7.0 |
| Pitch Variability |
7.102 |
| Pitch Class Variability |
3.673 |
| Pitch Class Variability After Folding |
3.041 |
| Pitch Skewness |
0.09646 |
| Pitch Class Skewness |
-0.002404 |
| Pitch Class Skewness After Folding |
0.8942 |
| Pitch Kurtosis |
5.331 |
| Pitch Class Kurtosis |
4.794 |
| Pitch Class Kurtosis After Folding |
7.802 |
| Major or Minor |
0.0 |
| First Pitch |
67.0 |
| First Pitch Class |
7.0 |
| Last Pitch |
48.0 |
| Last Pitch Class |
0.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
24.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
9.0 |
| Number of Common Pitches |
3.0 |
| Number of Common Pitch Classes |
2.0 |
| Range |
34.0 |
| Importance of Bass Register |
0.1248 |
| Note Density per Quarter Note |
1.322 |
| Note Density per Quarter Note per Voice |
0.2204 |
| Note Density per Quarter Note Variability |
0.5262 |
| Range of Rhythmic Values |
9.0 |
| Number of Different Rhythmic Values Present |
9.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.001766 |
| Prevalence of Medium Rhythmic Values |
0.4179 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.8293 |
| Prevalence of Very Long Rhythmic Values |
0.1448 |
| Prevalence of Dotted Notes |
0.1142 |
| Shortest Rhythmic Value |
0.5 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
3.446 |
| Most Common Rhythmic Value |
4.0 |
| Prevalence of Most Common Rhythmic Value |
0.379 |
| Relative Prevalence of Most Common Rhythmic Values |
0.6522 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
2.088 |
| Rhythmic Value Skewness |
-0.7967 |
| Rhythmic Value Kurtosis |
7.532 |
| Mean Rhythmic Value Run Length |
1.618 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.131 |
| Mean Rhythmic Value Offset |
0.0259 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.3209 |
| Complete Rests Fraction |
0.01389 |
| Partial Rests Fraction |
0.7533 |
| Average Rest Fraction Across Voices |
0.2448 |
| Longest Complete Rest |
8.405 |
| Longest Partial Rest |
50.43 |
| Mean Complete Rest Duration |
4.463 |
| Mean Partial Rest Duration |
12.84 |
| Median Complete Rest Duration |
4.202 |
| Median Partial Rest Duration |
8.405 |
| Duple Initial Meter |
1.0 |
| Variability of Complete Rest Durations |
3.021 |
| Variability of Partial Rest Durations |
12.43 |
| Variability Across Voices of Combined Rests |
65.52 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
120.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.0 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.5923 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.2035 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.911 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.7959 |
| Rhythmic Variability - Tempo Standardized |
0.05164 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.6667 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
2.0 |
| Total Number of Notes |
1699.0 |
| Initial Tempo |
288.0 |
| Average Variability of Time Between Attacks for Each Voice |
1.218 |
| Minimum Note Duration |
0.1042 |
| Maximum Note Duration |
3.333 |
| Average Note Duration |
0.6795 |
| Variability of Note Durations |
0.4364 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
3.0 |
| Number of Moderate Rhythmic Pulses |
6.0 |
| Number of Relatively Strong Rhythmic Pulses |
3.0 |
| Mean Tempo |
309.2 |
| Strongest Rhythmic Pulse |
76.0 |
| Second Strongest Rhythmic Pulse |
51.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.49 |
| Strength of Strongest Rhythmic Pulse |
0.3277 |
| Strength of Second Strongest Rhythmic Pulse |
0.2304 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.422 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.5581 |
| Rhythmic Variability |
0.03688 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.6667 |
| Tempo Variability |
52.41 |
| Duration in Seconds |
254.8 |
| Note Density |
6.668 |
| Note Density Variability |
1.747 |
| Average Time Between Attacks |
0.3681 |
| Average Time Between Attacks for Each Voice |
0.9145 |
| Variability of Time Between Attacks |
0.2708 |
| Maximum Number of Independent Voices |
6.0 |
| Relative Range of Loudest Voice |
0.5 |
| Relative Range Isolation of Loudest Voice |
0.01667 |
| Relative Range of Highest Line |
0.5 |
| Relative Note Density of Highest Line |
0.2507 |
| Relative Note Durations of Lowest Line |
1.169 |
| Relative Size of Melodic Intervals in Lowest Line |
0.6 |
| Voice Overlap |
0.9906 |
| Voice Separation |
3.8 |
| Variability of Voice Separation |
1.643 |
| Parallel Motion |
0.05693 |
| Average Number of Independent Voices |
4.651 |
| Similar Motion |
0.1407 |
| Contrary Motion |
0.1563 |
| Oblique Motion |
0.6461 |
| Parallel Fifths |
0.003759 |
| Parallel Octaves |
0.008056 |
| Variability of Number of Independent Voices |
1.058 |
| Voice Equality - Number of Notes |
63.45 |
| Voice Equality - Note Duration |
12.99 |
| Voice Equality - Dynamics |
10.21 |
| Voice Equality - Melodic Leaps |
0.5164 |
| Voice Equality - Range |
1.722 |
| Importance of Loudest Voice |
13.0 |