| Distance Between Two Most Common Vertical Intervals |
7.0 |
| Prevalence of Most Common Vertical Interval |
0.2032 |
| Prevalence of Second Most Common Vertical Interval |
0.1649 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.8115 |
| Vertical Unisons |
0.02411 |
| Vertical Minor Seconds |
0.003185 |
| Vertical Thirds |
0.2812 |
| Vertical Tritones |
0.04162 |
| Vertical Perfect Fourths |
0.1013 |
| Vertical Perfect Fifths |
0.1649 |
| Vertical Sixths |
0.1442 |
| Vertical Sevenths |
0.03743 |
| Vertical Octaves |
0.1791 |
| Perfect Vertical Intervals |
0.4694 |
| Vertical Dissonance Ratio |
0.1176 |
| Vertical Minor Third Prevalence |
0.4868 |
| Vertical Major Third Prevalence |
0.352 |
| Chord Duration |
2.546 |
| Partial Chords |
0.3309 |
| Standard Triads |
0.3532 |
| Diminished and Augmented Triads |
0.08922 |
| Dominant Seventh Chords |
0.01115 |
| Seventh Chords |
0.02974 |
| Non-Standard Chords |
0.2862 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
1.065 |
| Average Number of Simultaneous Pitch Classes |
2.546 |
| Variability of Number of Simultaneous Pitch Classes |
0.7851 |
| Average Number of Simultaneous Pitches |
3.257 |
| Variability of Number of Simultaneous Pitches |
0.8351 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
7.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
7.33 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
4.349 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
4.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.1609 |
| Stepwise Motion |
0.5594 |
| Melodic Thirds |
0.07663 |
| Melodic Perfect Fourths |
0.04215 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.0 |
| Melodic Sixths |
0.0 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.01533 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
1.5 |
| Melodic Embellishments |
0.03774 |
| Direction of Melodic Motion |
0.4144 |
| Average Length of Melodic Arcs |
1.724 |
| Average Interval Spanned by Melodic Arcs |
3.886 |
| Melodic Pitch Variety |
3.152 |
| Mean Melodic Interval |
1.613 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
2.0 |
| Prevalence of Most Common Melodic Interval |
0.3985 |
| Relative Prevalence of Most Common Melodic Intervals |
0.7692 |
| Amount of Arpeggiation |
0.3985 |
| Repeated Notes |
0.3065 |
| Importance of Middle Register |
0.8868 |
| Importance of High Register |
0.0 |
| Dominant Spread |
6.0 |
| Strong Tonal Centres |
1.0 |
| Mean Pitch |
60.72 |
| Mean Pitch Class |
5.034 |
| Most Common Pitch |
62.0 |
| Most Common Pitch Class |
7.0 |
| Prevalence of Most Common Pitch |
0.1283 |
| Prevalence of Most Common Pitch Class |
0.1962 |
| Relative Prevalence of Top Pitches |
0.8529 |
| Relative Prevalence of Top Pitch Classes |
0.8077 |
| Interval Between Most Prevalent Pitches |
5.0 |
| Interval Between Most Prevalent Pitch Classes |
7.0 |
| Pitch Variability |
5.865 |
| Pitch Class Variability |
3.459 |
| Pitch Class Variability After Folding |
3.115 |
| Pitch Skewness |
-0.3011 |
| Pitch Class Skewness |
0.02946 |
| Pitch Class Skewness After Folding |
1.177 |
| Pitch Kurtosis |
5.428 |
| Pitch Class Kurtosis |
4.917 |
| Pitch Class Kurtosis After Folding |
7.211 |
| Major or Minor |
0.0 |
| First Pitch |
50.0 |
| First Pitch Class |
2.0 |
| Last Pitch |
55.0 |
| Last Pitch Class |
7.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
18.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
10.0 |
| Number of Common Pitches |
4.0 |
| Number of Common Pitch Classes |
0.0 |
| Range |
24.0 |
| Importance of Bass Register |
0.1132 |
| Note Density per Quarter Note |
0.8689 |
| Note Density per Quarter Note per Voice |
0.2172 |
| Note Density per Quarter Note Variability |
0.4467 |
| Range of Rhythmic Values |
9.0 |
| Number of Different Rhythmic Values Present |
8.0 |
| Number of Common Rhythmic Values Present |
4.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.03019 |
| Prevalence of Medium Rhythmic Values |
0.4528 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.7736 |
| Prevalence of Very Long Rhythmic Values |
0.2679 |
| Prevalence of Dotted Notes |
0.1396 |
| Shortest Rhythmic Value |
0.5 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
3.789 |
| Most Common Rhythmic Value |
4.0 |
| Prevalence of Most Common Rhythmic Value |
0.2491 |
| Relative Prevalence of Most Common Rhythmic Values |
0.9091 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
2.676 |
| Rhythmic Value Skewness |
-0.2369 |
| Rhythmic Value Kurtosis |
6.15 |
| Mean Rhythmic Value Run Length |
1.636 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
0.8969 |
| Mean Rhythmic Value Offset |
0.07547 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.5453 |
| Complete Rests Fraction |
0.003251 |
| Partial Rests Fraction |
0.4098 |
| Average Rest Fraction Across Voices |
0.1606 |
| Longest Complete Rest |
0.9917 |
| Longest Partial Rest |
24.0 |
| Mean Complete Rest Duration |
0.9917 |
| Mean Partial Rest Duration |
7.839 |
| Median Complete Rest Duration |
0.9917 |
| Median Partial Rest Duration |
4.0 |
| Duple Initial Meter |
1.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
7.67 |
| Variability Across Voices of Combined Rests |
14.61 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
4.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
120.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.0 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.5702 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.232 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.458 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.8022 |
| Rhythmic Variability - Tempo Standardized |
0.05037 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.6667 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
1.0 |
| Total Number of Notes |
265.0 |
| Initial Tempo |
288.0 |
| Average Variability of Time Between Attacks for Each Voice |
1.07 |
| Minimum Note Duration |
0.1042 |
| Maximum Note Duration |
3.333 |
| Average Note Duration |
0.805 |
| Variability of Note Durations |
0.6145 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
3.0 |
| Number of Moderate Rhythmic Pulses |
7.0 |
| Number of Relatively Strong Rhythmic Pulses |
3.0 |
| Mean Tempo |
288.0 |
| Strongest Rhythmic Pulse |
72.0 |
| Second Strongest Rhythmic Pulse |
48.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.5 |
| Strength of Strongest Rhythmic Pulse |
0.3054 |
| Strength of Second Strongest Rhythmic Pulse |
0.22 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.388 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.5255 |
| Rhythmic Variability |
0.03532 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.6667 |
| Tempo Variability |
0.0000000001683 |
| Duration in Seconds |
63.54 |
| Note Density |
4.171 |
| Note Density Variability |
1.311 |
| Average Time Between Attacks |
0.404 |
| Average Time Between Attacks for Each Voice |
0.9216 |
| Variability of Time Between Attacks |
0.2524 |
| Maximum Number of Independent Voices |
4.0 |
| Relative Range of Loudest Voice |
0.5 |
| Relative Range Isolation of Loudest Voice |
0.4714 |
| Relative Range of Highest Line |
0.5 |
| Relative Note Density of Highest Line |
1.011 |
| Relative Note Durations of Lowest Line |
1.122 |
| Relative Size of Melodic Intervals in Lowest Line |
1.0 |
| Voice Overlap |
0.8 |
| Voice Separation |
4.333 |
| Variability of Voice Separation |
1.155 |
| Parallel Motion |
0.02952 |
| Average Number of Independent Voices |
3.368 |
| Similar Motion |
0.05904 |
| Contrary Motion |
0.1328 |
| Oblique Motion |
0.7786 |
| Parallel Fifths |
0.0 |
| Parallel Octaves |
0.0 |
| Variability of Number of Independent Voices |
0.8405 |
| Voice Equality - Number of Notes |
4.349 |
| Voice Equality - Note Duration |
3.043 |
| Voice Equality - Dynamics |
8.539 |
| Voice Equality - Melodic Leaps |
0.0 |
| Voice Equality - Range |
0.0 |
| Importance of Loudest Voice |
11.67 |