| Distance Between Two Most Common Vertical Intervals |
4.0 |
| Prevalence of Most Common Vertical Interval |
0.2485 |
| Prevalence of Second Most Common Vertical Interval |
0.1929 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.7761 |
| Vertical Unisons |
0.0353 |
| Vertical Minor Seconds |
0.002574 |
| Vertical Thirds |
0.4034 |
| Vertical Tritones |
0.01313 |
| Vertical Perfect Fourths |
0.04372 |
| Vertical Perfect Fifths |
0.1929 |
| Vertical Sixths |
0.102 |
| Vertical Sevenths |
0.03365 |
| Vertical Octaves |
0.146 |
| Perfect Vertical Intervals |
0.4179 |
| Vertical Dissonance Ratio |
0.08312 |
| Vertical Minor Third Prevalence |
0.5066 |
| Vertical Major Third Prevalence |
0.3553 |
| Chord Duration |
1.94 |
| Partial Chords |
0.5179 |
| Standard Triads |
0.3365 |
| Diminished and Augmented Triads |
0.01432 |
| Dominant Seventh Chords |
0.0 |
| Seventh Chords |
0.0 |
| Non-Standard Chords |
0.1456 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
1.074 |
| Average Number of Simultaneous Pitch Classes |
2.362 |
| Variability of Number of Simultaneous Pitch Classes |
0.6271 |
| Average Number of Simultaneous Pitches |
2.713 |
| Variability of Number of Simultaneous Pitches |
0.503 |
| Most Common Vertical Interval |
3.0 |
| Second Most Common Vertical Interval |
7.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
8.319 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
10.97 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
3.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.2449 |
| Stepwise Motion |
0.7775 |
| Melodic Thirds |
0.08764 |
| Melodic Perfect Fourths |
0.02247 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.04494 |
| Melodic Sixths |
0.002247 |
| Melodic Sevenths |
0.002247 |
| Melodic Octaves |
0.01573 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
2.0 |
| Melodic Embellishments |
0.01339 |
| Direction of Melodic Motion |
0.4835 |
| Average Length of Melodic Arcs |
2.068 |
| Average Interval Spanned by Melodic Arcs |
4.829 |
| Melodic Pitch Variety |
5.368 |
| Mean Melodic Interval |
2.258 |
| Number of Common Melodic Intervals |
2.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.5326 |
| Relative Prevalence of Most Common Melodic Intervals |
0.4599 |
| Amount of Arpeggiation |
0.1978 |
| Repeated Notes |
0.04719 |
| Importance of Middle Register |
0.7165 |
| Importance of High Register |
0.006696 |
| Dominant Spread |
6.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
58.62 |
| Mean Pitch Class |
5.696 |
| Most Common Pitch |
57.0 |
| Most Common Pitch Class |
9.0 |
| Prevalence of Most Common Pitch |
0.1339 |
| Prevalence of Most Common Pitch Class |
0.221 |
| Relative Prevalence of Top Pitches |
0.5667 |
| Relative Prevalence of Top Pitch Classes |
0.6768 |
| Interval Between Most Prevalent Pitches |
5.0 |
| Interval Between Most Prevalent Pitch Classes |
5.0 |
| Pitch Variability |
7.139 |
| Pitch Class Variability |
3.631 |
| Pitch Class Variability After Folding |
2.955 |
| Pitch Skewness |
-0.1126 |
| Pitch Class Skewness |
0.5753 |
| Pitch Class Skewness After Folding |
0.4533 |
| Pitch Kurtosis |
5.305 |
| Pitch Class Kurtosis |
4.776 |
| Pitch Class Kurtosis After Folding |
7.494 |
| Major or Minor |
0.0 |
| First Pitch |
52.0 |
| First Pitch Class |
4.0 |
| Last Pitch |
45.0 |
| Last Pitch Class |
9.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
23.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
11.0 |
| Number of Common Pitches |
1.0 |
| Number of Common Pitch Classes |
1.0 |
| Range |
29.0 |
| Importance of Bass Register |
0.2768 |
| Note Density per Quarter Note |
0.9803 |
| Note Density per Quarter Note per Voice |
0.3268 |
| Note Density per Quarter Note Variability |
0.4019 |
| Range of Rhythmic Values |
7.0 |
| Number of Different Rhythmic Values Present |
7.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.0 |
| Prevalence of Medium Rhythmic Values |
0.5491 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.7076 |
| Prevalence of Very Long Rhythmic Values |
0.08482 |
| Prevalence of Dotted Notes |
0.1205 |
| Shortest Rhythmic Value |
1.0 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
2.83 |
| Most Common Rhythmic Value |
4.0 |
| Prevalence of Most Common Rhythmic Value |
0.2969 |
| Relative Prevalence of Most Common Rhythmic Values |
0.985 |
| Difference Between Most Common Rhythmic Values |
4.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
1.909 |
| Rhythmic Value Skewness |
1.305 |
| Rhythmic Value Kurtosis |
10.31 |
| Mean Rhythmic Value Run Length |
1.672 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.048 |
| Mean Rhythmic Value Offset |
0.02679 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.3266 |
| Complete Rests Fraction |
0.00217 |
| Partial Rests Fraction |
0.186 |
| Average Rest Fraction Across Voices |
0.06636 |
| Longest Complete Rest |
0.9917 |
| Longest Partial Rest |
20.0 |
| Mean Complete Rest Duration |
0.9917 |
| Mean Partial Rest Duration |
3.791 |
| Median Complete Rest Duration |
0.9917 |
| Median Partial Rest Duration |
4.0 |
| Duple Initial Meter |
1.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
3.648 |
| Variability Across Voices of Combined Rests |
13.32 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
120.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.0 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.4887 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.2766 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.767 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.7652 |
| Rhythmic Variability - Tempo Standardized |
0.04771 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.6667 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
1.0 |
| Total Number of Notes |
448.0 |
| Initial Tempo |
288.0 |
| Average Variability of Time Between Attacks for Each Voice |
0.4906 |
| Minimum Note Duration |
0.2083 |
| Maximum Note Duration |
3.333 |
| Average Note Duration |
0.5952 |
| Variability of Note Durations |
0.4292 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
5.0 |
| Number of Moderate Rhythmic Pulses |
6.0 |
| Number of Relatively Strong Rhythmic Pulses |
6.0 |
| Mean Tempo |
288.0 |
| Strongest Rhythmic Pulse |
72.0 |
| Second Strongest Rhythmic Pulse |
48.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.5 |
| Strength of Strongest Rhythmic Pulse |
0.2478 |
| Strength of Second Strongest Rhythmic Pulse |
0.2293 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.081 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.4772 |
| Rhythmic Variability |
0.03393 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.3333 |
| Tempo Variability |
0.0000000004146 |
| Duration in Seconds |
95.21 |
| Note Density |
4.706 |
| Note Density Variability |
1.72 |
| Average Time Between Attacks |
0.3716 |
| Average Time Between Attacks for Each Voice |
0.6187 |
| Variability of Time Between Attacks |
0.2142 |
| Maximum Number of Independent Voices |
3.0 |
| Relative Range of Loudest Voice |
0.5862 |
| Relative Range Isolation of Loudest Voice |
0.5359 |
| Relative Range of Highest Line |
0.5862 |
| Relative Note Density of Highest Line |
0.442 |
| Relative Note Durations of Lowest Line |
0.9737 |
| Relative Size of Melodic Intervals in Lowest Line |
0.6 |
| Voice Overlap |
0.7567 |
| Voice Separation |
7.0 |
| Variability of Voice Separation |
1.414 |
| Parallel Motion |
0.04773 |
| Average Number of Independent Voices |
2.807 |
| Similar Motion |
0.1477 |
| Contrary Motion |
0.1932 |
| Oblique Motion |
0.6114 |
| Parallel Fifths |
0.002273 |
| Parallel Octaves |
0.0 |
| Variability of Number of Independent Voices |
0.4163 |
| Voice Equality - Number of Notes |
10.97 |
| Voice Equality - Note Duration |
2.774 |
| Voice Equality - Dynamics |
10.41 |
| Voice Equality - Melodic Leaps |
0.5774 |
| Voice Equality - Range |
1.155 |
| Importance of Loudest Voice |
12.5 |