| Distance Between Two Most Common Vertical Intervals |
3.0 |
| Prevalence of Most Common Vertical Interval |
0.2439 |
| Prevalence of Second Most Common Vertical Interval |
0.1897 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.7777 |
| Vertical Unisons |
0.03991 |
| Vertical Minor Seconds |
0.003619 |
| Vertical Thirds |
0.2642 |
| Vertical Tritones |
0.03688 |
| Vertical Perfect Fourths |
0.1031 |
| Vertical Perfect Fifths |
0.1639 |
| Vertical Sixths |
0.1325 |
| Vertical Sevenths |
0.03398 |
| Vertical Octaves |
0.204 |
| Perfect Vertical Intervals |
0.5109 |
| Vertical Dissonance Ratio |
0.1019 |
| Vertical Minor Third Prevalence |
0.4588 |
| Vertical Major Third Prevalence |
0.2027 |
| Chord Duration |
1.956 |
| Partial Chords |
0.447 |
| Standard Triads |
0.3032 |
| Diminished and Augmented Triads |
0.07376 |
| Dominant Seventh Chords |
0.0 |
| Seventh Chords |
0.00319 |
| Non-Standard Chords |
0.2466 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
0.9012 |
| Average Number of Simultaneous Pitch Classes |
2.337 |
| Variability of Number of Simultaneous Pitch Classes |
0.7929 |
| Average Number of Simultaneous Pitches |
3.048 |
| Variability of Number of Simultaneous Pitches |
0.9008 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
3.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
7.216 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
47.34 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
4.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.1857 |
| Stepwise Motion |
0.6691 |
| Melodic Thirds |
0.1121 |
| Melodic Perfect Fourths |
0.07077 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.0671 |
| Melodic Sixths |
0.0 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.0 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
3.067 |
| Melodic Embellishments |
0.05861 |
| Direction of Melodic Motion |
0.464 |
| Average Length of Melodic Arcs |
1.724 |
| Average Interval Spanned by Melodic Arcs |
4.366 |
| Melodic Pitch Variety |
4.819 |
| Mean Melodic Interval |
2.34 |
| Number of Common Melodic Intervals |
2.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.4835 |
| Relative Prevalence of Most Common Melodic Intervals |
0.384 |
| Amount of Arpeggiation |
0.2601 |
| Repeated Notes |
0.08088 |
| Importance of Middle Register |
0.8077 |
| Importance of High Register |
0.07234 |
| Dominant Spread |
5.0 |
| Strong Tonal Centres |
1.0 |
| Mean Pitch |
61.83 |
| Mean Pitch Class |
5.076 |
| Most Common Pitch |
62.0 |
| Most Common Pitch Class |
2.0 |
| Prevalence of Most Common Pitch |
0.1071 |
| Prevalence of Most Common Pitch Class |
0.2024 |
| Relative Prevalence of Top Pitches |
0.9316 |
| Relative Prevalence of Top Pitch Classes |
0.9819 |
| Interval Between Most Prevalent Pitches |
5.0 |
| Interval Between Most Prevalent Pitch Classes |
5.0 |
| Pitch Variability |
7.049 |
| Pitch Class Variability |
3.353 |
| Pitch Class Variability After Folding |
3.6 |
| Pitch Skewness |
0.2756 |
| Pitch Class Skewness |
0.06801 |
| Pitch Class Skewness After Folding |
1.35 |
| Pitch Kurtosis |
5.219 |
| Pitch Class Kurtosis |
4.752 |
| Pitch Class Kurtosis After Folding |
5.891 |
| Major or Minor |
0.0 |
| First Pitch |
57.0 |
| First Pitch Class |
9.0 |
| Last Pitch |
55.0 |
| Last Pitch Class |
7.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
27.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
12.0 |
| Number of Common Pitches |
3.0 |
| Number of Common Pitch Classes |
1.0 |
| Range |
32.0 |
| Importance of Bass Register |
0.12 |
| Note Density per Quarter Note |
1.091 |
| Note Density per Quarter Note per Voice |
0.2727 |
| Note Density per Quarter Note Variability |
0.4451 |
| Range of Rhythmic Values |
9.0 |
| Number of Different Rhythmic Values Present |
9.0 |
| Number of Common Rhythmic Values Present |
2.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.007326 |
| Prevalence of Medium Rhythmic Values |
0.4634 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.8938 |
| Prevalence of Very Long Rhythmic Values |
0.004579 |
| Prevalence of Dotted Notes |
0.08242 |
| Shortest Rhythmic Value |
0.5 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
2.917 |
| Most Common Rhythmic Value |
4.0 |
| Prevalence of Most Common Rhythmic Value |
0.4588 |
| Relative Prevalence of Most Common Rhythmic Values |
0.7784 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
1.211 |
| Rhythmic Value Skewness |
-0.2065 |
| Rhythmic Value Kurtosis |
10.86 |
| Mean Rhythmic Value Run Length |
1.758 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.519 |
| Mean Rhythmic Value Offset |
0.01923 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.4364 |
| Complete Rests Fraction |
0.0009907 |
| Partial Rests Fraction |
0.5085 |
| Average Rest Fraction Across Voices |
0.1998 |
| Longest Complete Rest |
0.9917 |
| Longest Partial Rest |
22.0 |
| Mean Complete Rest Duration |
0.9917 |
| Mean Partial Rest Duration |
4.969 |
| Median Complete Rest Duration |
0.9917 |
| Median Partial Rest Duration |
4.0 |
| Duple Initial Meter |
1.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
4.736 |
| Variability Across Voices of Combined Rests |
70.47 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
1.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.6635 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.1601 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
4.143 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.8236 |
| Rhythmic Variability - Tempo Standardized |
0.05501 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
1.0 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
1.0 |
| Total Number of Notes |
1092.0 |
| Initial Tempo |
288.0 |
| Average Variability of Time Between Attacks for Each Voice |
0.6107 |
| Minimum Note Duration |
0.1042 |
| Maximum Note Duration |
5.0 |
| Average Note Duration |
0.6113 |
| Variability of Note Durations |
0.2941 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
3.0 |
| Number of Moderate Rhythmic Pulses |
6.0 |
| Number of Relatively Strong Rhythmic Pulses |
3.0 |
| Mean Tempo |
288.0 |
| Strongest Rhythmic Pulse |
72.0 |
| Second Strongest Rhythmic Pulse |
48.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.5 |
| Strength of Strongest Rhythmic Pulse |
0.3196 |
| Strength of Second Strongest Rhythmic Pulse |
0.2504 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.276 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.5699 |
| Rhythmic Variability |
0.03769 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.6667 |
| Tempo Variability |
0.0000000001641 |
| Duration in Seconds |
208.5 |
| Note Density |
5.236 |
| Note Density Variability |
1.385 |
| Average Time Between Attacks |
0.3832 |
| Average Time Between Attacks for Each Voice |
0.7664 |
| Variability of Time Between Attacks |
0.1737 |
| Maximum Number of Independent Voices |
4.0 |
| Relative Range of Loudest Voice |
0.5312 |
| Relative Range Isolation of Loudest Voice |
0.07325 |
| Relative Range of Highest Line |
0.5312 |
| Relative Note Density of Highest Line |
0.2527 |
| Relative Note Durations of Lowest Line |
1.09 |
| Relative Size of Melodic Intervals in Lowest Line |
0.5714 |
| Voice Overlap |
0.9158 |
| Voice Separation |
5.333 |
| Variability of Voice Separation |
0.5774 |
| Parallel Motion |
0.0579 |
| Average Number of Independent Voices |
3.204 |
| Similar Motion |
0.1394 |
| Contrary Motion |
0.2002 |
| Oblique Motion |
0.6026 |
| Parallel Fifths |
0.004907 |
| Parallel Octaves |
0.007851 |
| Variability of Number of Independent Voices |
0.8958 |
| Voice Equality - Number of Notes |
47.34 |
| Voice Equality - Note Duration |
14.68 |
| Voice Equality - Dynamics |
8.539 |
| Voice Equality - Melodic Leaps |
0.5 |
| Voice Equality - Range |
1.155 |
| Importance of Loudest Voice |
11.67 |