| Distance Between Two Most Common Vertical Intervals |
7.0 |
| Prevalence of Most Common Vertical Interval |
0.212 |
| Prevalence of Second Most Common Vertical Interval |
0.1956 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.9227 |
| Vertical Unisons |
0.03461 |
| Vertical Minor Seconds |
0.005218 |
| Vertical Thirds |
0.365 |
| Vertical Tritones |
0.007241 |
| Vertical Perfect Fourths |
0.06789 |
| Vertical Perfect Fifths |
0.1956 |
| Vertical Sixths |
0.1113 |
| Vertical Sevenths |
0.02178 |
| Vertical Octaves |
0.1773 |
| Perfect Vertical Intervals |
0.4754 |
| Vertical Dissonance Ratio |
0.0508 |
| Vertical Minor Third Prevalence |
0.5811 |
| Vertical Major Third Prevalence |
0.5154 |
| Chord Duration |
2.43 |
| Partial Chords |
0.3649 |
| Standard Triads |
0.4887 |
| Diminished and Augmented Triads |
0.01802 |
| Dominant Seventh Chords |
0.0 |
| Seventh Chords |
0.01802 |
| Non-Standard Chords |
0.1284 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
0.5175 |
| Average Number of Simultaneous Pitch Classes |
2.634 |
| Variability of Number of Simultaneous Pitch Classes |
0.6067 |
| Average Number of Simultaneous Pitches |
3.314 |
| Variability of Number of Simultaneous Pitches |
0.5424 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
7.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
6.709 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
24.88 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
4.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.1911 |
| Stepwise Motion |
0.6005 |
| Melodic Thirds |
0.1836 |
| Melodic Perfect Fourths |
0.07692 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.05211 |
| Melodic Sixths |
0.002481 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.007444 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
1.114 |
| Melodic Embellishments |
0.02211 |
| Direction of Melodic Motion |
0.4301 |
| Average Length of Melodic Arcs |
1.683 |
| Average Interval Spanned by Melodic Arcs |
4.48 |
| Melodic Pitch Variety |
5.182 |
| Mean Melodic Interval |
2.506 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.4094 |
| Relative Prevalence of Most Common Melodic Intervals |
0.4667 |
| Amount of Arpeggiation |
0.3201 |
| Repeated Notes |
0.07692 |
| Importance of Middle Register |
0.6732 |
| Importance of High Register |
0.0 |
| Dominant Spread |
4.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
57.17 |
| Mean Pitch Class |
5.558 |
| Most Common Pitch |
53.0 |
| Most Common Pitch Class |
5.0 |
| Prevalence of Most Common Pitch |
0.1278 |
| Prevalence of Most Common Pitch Class |
0.2088 |
| Relative Prevalence of Top Pitches |
0.7692 |
| Relative Prevalence of Top Pitch Classes |
0.8706 |
| Interval Between Most Prevalent Pitches |
7.0 |
| Interval Between Most Prevalent Pitch Classes |
4.0 |
| Pitch Variability |
7.472 |
| Pitch Class Variability |
3.447 |
| Pitch Class Variability After Folding |
4.425 |
| Pitch Skewness |
0.3463 |
| Pitch Class Skewness |
0.4854 |
| Pitch Class Skewness After Folding |
1.374 |
| Pitch Kurtosis |
5.465 |
| Pitch Class Kurtosis |
4.87 |
| Pitch Class Kurtosis After Folding |
4.389 |
| Major or Minor |
0.0 |
| First Pitch |
53.0 |
| First Pitch Class |
5.0 |
| Last Pitch |
41.0 |
| Last Pitch Class |
5.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
21.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
8.0 |
| Number of Common Pitches |
4.0 |
| Number of Common Pitch Classes |
1.0 |
| Range |
31.0 |
| Importance of Bass Register |
0.3268 |
| Note Density per Quarter Note |
0.8906 |
| Note Density per Quarter Note per Voice |
0.2227 |
| Note Density per Quarter Note Variability |
0.3399 |
| Range of Rhythmic Values |
7.0 |
| Number of Different Rhythmic Values Present |
7.0 |
| Number of Common Rhythmic Values Present |
2.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.0 |
| Prevalence of Medium Rhythmic Values |
0.3243 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.8649 |
| Prevalence of Very Long Rhythmic Values |
0.1769 |
| Prevalence of Dotted Notes |
0.1179 |
| Shortest Rhythmic Value |
1.0 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
3.779 |
| Most Common Rhythmic Value |
4.0 |
| Prevalence of Most Common Rhythmic Value |
0.4521 |
| Relative Prevalence of Most Common Rhythmic Values |
0.4185 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
2.097 |
| Rhythmic Value Skewness |
-0.3163 |
| Rhythmic Value Kurtosis |
7.161 |
| Mean Rhythmic Value Run Length |
1.53 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.075 |
| Mean Rhythmic Value Offset |
0.1081 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
1.414 |
| Complete Rests Fraction |
0.00217 |
| Partial Rests Fraction |
0.4967 |
| Average Rest Fraction Across Voices |
0.1346 |
| Longest Complete Rest |
0.9917 |
| Longest Partial Rest |
64.0 |
| Mean Complete Rest Duration |
0.9917 |
| Mean Partial Rest Duration |
9.46 |
| Median Complete Rest Duration |
0.9917 |
| Median Partial Rest Duration |
4.0 |
| Duple Initial Meter |
1.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
14.51 |
| Variability Across Voices of Combined Rests |
50.37 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
120.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.0 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.5889 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.2277 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.586 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.8166 |
| Rhythmic Variability - Tempo Standardized |
0.0516 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.6667 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
1.0 |
| Total Number of Notes |
407.0 |
| Initial Tempo |
288.0 |
| Average Variability of Time Between Attacks for Each Voice |
0.9398 |
| Minimum Note Duration |
0.2083 |
| Maximum Note Duration |
6.667 |
| Average Note Duration |
0.8098 |
| Variability of Note Durations |
0.5958 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
3.0 |
| Number of Moderate Rhythmic Pulses |
6.0 |
| Number of Relatively Strong Rhythmic Pulses |
3.0 |
| Mean Tempo |
288.0 |
| Strongest Rhythmic Pulse |
72.0 |
| Second Strongest Rhythmic Pulse |
48.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.5 |
| Strength of Strongest Rhythmic Pulse |
0.392 |
| Strength of Second Strongest Rhythmic Pulse |
0.2186 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.793 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.6106 |
| Rhythmic Variability |
0.03914 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.6667 |
| Tempo Variability |
0.0000000004146 |
| Duration in Seconds |
95.21 |
| Note Density |
4.275 |
| Note Density Variability |
1.482 |
| Average Time Between Attacks |
0.4844 |
| Average Time Between Attacks for Each Voice |
0.9323 |
| Variability of Time Between Attacks |
0.2579 |
| Maximum Number of Independent Voices |
4.0 |
| Relative Range of Loudest Voice |
0.6129 |
| Relative Range Isolation of Loudest Voice |
0.6 |
| Relative Range of Highest Line |
0.6129 |
| Relative Note Density of Highest Line |
0.6486 |
| Relative Note Durations of Lowest Line |
0.8939 |
| Relative Size of Melodic Intervals in Lowest Line |
1.0 |
| Voice Overlap |
0.7494 |
| Voice Separation |
5.667 |
| Variability of Voice Separation |
3.512 |
| Parallel Motion |
0.04673 |
| Average Number of Independent Voices |
3.469 |
| Similar Motion |
0.1285 |
| Contrary Motion |
0.1706 |
| Oblique Motion |
0.6542 |
| Parallel Fifths |
0.0 |
| Parallel Octaves |
0.0 |
| Variability of Number of Independent Voices |
0.565 |
| Voice Equality - Number of Notes |
24.88 |
| Voice Equality - Note Duration |
10.49 |
| Voice Equality - Dynamics |
8.539 |
| Voice Equality - Melodic Leaps |
0.0 |
| Voice Equality - Range |
3.786 |
| Importance of Loudest Voice |
11.67 |