| Distance Between Two Most Common Vertical Intervals |
3.0 |
| Prevalence of Most Common Vertical Interval |
0.2219 |
| Prevalence of Second Most Common Vertical Interval |
0.2038 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.9187 |
| Vertical Unisons |
0.05675 |
| Vertical Minor Seconds |
0.007851 |
| Vertical Thirds |
0.3567 |
| Vertical Tritones |
0.00837 |
| Vertical Perfect Fourths |
0.07114 |
| Vertical Perfect Fifths |
0.1696 |
| Vertical Sixths |
0.1253 |
| Vertical Sevenths |
0.02309 |
| Vertical Octaves |
0.1471 |
| Perfect Vertical Intervals |
0.4446 |
| Vertical Dissonance Ratio |
0.07924 |
| Vertical Minor Third Prevalence |
0.4993 |
| Vertical Major Third Prevalence |
0.3372 |
| Chord Duration |
1.907 |
| Partial Chords |
0.5667 |
| Standard Triads |
0.3015 |
| Diminished and Augmented Triads |
0.01195 |
| Dominant Seventh Chords |
0.0007471 |
| Seventh Chords |
0.01121 |
| Non-Standard Chords |
0.1207 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
2.104 |
| Average Number of Simultaneous Pitch Classes |
2.346 |
| Variability of Number of Simultaneous Pitch Classes |
0.6942 |
| Average Number of Simultaneous Pitches |
2.775 |
| Variability of Number of Simultaneous Pitches |
0.8762 |
| Most Common Vertical Interval |
3.0 |
| Second Most Common Vertical Interval |
0.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
5.327 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
240.6 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
4.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.1785 |
| Stepwise Motion |
0.6051 |
| Melodic Thirds |
0.1524 |
| Melodic Perfect Fourths |
0.05722 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.05042 |
| Melodic Sixths |
0.006232 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.0255 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
2.956 |
| Melodic Embellishments |
0.01357 |
| Direction of Melodic Motion |
0.4782 |
| Average Length of Melodic Arcs |
1.871 |
| Average Interval Spanned by Melodic Arcs |
5.241 |
| Melodic Pitch Variety |
5.059 |
| Mean Melodic Interval |
2.524 |
| Number of Common Melodic Intervals |
4.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.4266 |
| Relative Prevalence of Most Common Melodic Intervals |
0.4183 |
| Amount of Arpeggiation |
0.3314 |
| Repeated Notes |
0.1031 |
| Importance of Middle Register |
0.7196 |
| Importance of High Register |
0.006218 |
| Dominant Spread |
6.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
57.66 |
| Mean Pitch Class |
5.15 |
| Most Common Pitch |
57.0 |
| Most Common Pitch Class |
9.0 |
| Prevalence of Most Common Pitch |
0.1266 |
| Prevalence of Most Common Pitch Class |
0.1956 |
| Relative Prevalence of Top Pitches |
0.875 |
| Relative Prevalence of Top Pitch Classes |
0.9798 |
| Interval Between Most Prevalent Pitches |
5.0 |
| Interval Between Most Prevalent Pitch Classes |
7.0 |
| Pitch Variability |
6.366 |
| Pitch Class Variability |
3.4 |
| Pitch Class Variability After Folding |
3.416 |
| Pitch Skewness |
-0.2475 |
| Pitch Class Skewness |
0.1322 |
| Pitch Class Skewness After Folding |
0.6847 |
| Pitch Kurtosis |
5.381 |
| Pitch Class Kurtosis |
4.826 |
| Pitch Class Kurtosis After Folding |
6.296 |
| Major or Minor |
0.0 |
| First Pitch |
57.0 |
| First Pitch Class |
9.0 |
| Last Pitch |
50.0 |
| Last Pitch Class |
2.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
28.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
11.0 |
| Number of Common Pitches |
2.0 |
| Number of Common Pitch Classes |
0.0 |
| Range |
33.0 |
| Importance of Bass Register |
0.2742 |
| Note Density per Quarter Note |
1.204 |
| Note Density per Quarter Note per Voice |
0.3011 |
| Note Density per Quarter Note Variability |
0.4756 |
| Range of Rhythmic Values |
9.0 |
| Number of Different Rhythmic Values Present |
9.0 |
| Number of Common Rhythmic Values Present |
2.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.002826 |
| Prevalence of Medium Rhythmic Values |
0.7326 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.7038 |
| Prevalence of Very Long Rhythmic Values |
0.06049 |
| Prevalence of Dotted Notes |
0.1097 |
| Shortest Rhythmic Value |
0.5 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
2.447 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.4364 |
| Relative Prevalence of Most Common Rhythmic Values |
0.671 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
1.945 |
| Rhythmic Value Skewness |
0.6889 |
| Rhythmic Value Kurtosis |
15.36 |
| Mean Rhythmic Value Run Length |
2.121 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
2.562 |
| Mean Rhythmic Value Offset |
0.01131 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.3428 |
| Complete Rests Fraction |
0.0006156 |
| Partial Rests Fraction |
0.6247 |
| Average Rest Fraction Across Voices |
0.2619 |
| Longest Complete Rest |
0.9043 |
| Longest Partial Rest |
110.9 |
| Mean Complete Rest Duration |
0.9043 |
| Mean Partial Rest Duration |
14.94 |
| Median Complete Rest Duration |
0.9043 |
| Median Partial Rest Duration |
2.264 |
| Duple Initial Meter |
0.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
26.65 |
| Variability Across Voices of Combined Rests |
227.4 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
1.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.5227 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.2433 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.148 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.7661 |
| Rhythmic Variability - Tempo Standardized |
0.04872 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.6667 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
2.0 |
| Total Number of Notes |
1769.0 |
| Initial Tempo |
232.0 |
| Average Variability of Time Between Attacks for Each Voice |
2.097 |
| Minimum Note Duration |
0.1293 |
| Maximum Note Duration |
6.207 |
| Average Note Duration |
0.5601 |
| Variability of Note Durations |
0.483 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
5.0 |
| Number of Moderate Rhythmic Pulses |
5.0 |
| Number of Relatively Strong Rhythmic Pulses |
5.0 |
| Mean Tempo |
265.6 |
| Strongest Rhythmic Pulse |
131.0 |
| Second Strongest Rhythmic Pulse |
66.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.985 |
| Strength of Strongest Rhythmic Pulse |
0.2561 |
| Strength of Second Strongest Rhythmic Pulse |
0.2523 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.015 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.5084 |
| Rhythmic Variability |
0.03658 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.2 |
| Tempo Variability |
27.44 |
| Duration in Seconds |
335.6 |
| Note Density |
5.271 |
| Note Density Variability |
1.821 |
| Average Time Between Attacks |
0.3454 |
| Average Time Between Attacks for Each Voice |
1.249 |
| Variability of Time Between Attacks |
0.1621 |
| Maximum Number of Independent Voices |
4.0 |
| Relative Range of Loudest Voice |
0.5758 |
| Relative Range Isolation of Loudest Voice |
0.2176 |
| Relative Range of Highest Line |
0.5758 |
| Relative Note Density of Highest Line |
0.1447 |
| Relative Note Durations of Lowest Line |
0.8991 |
| Relative Size of Melodic Intervals in Lowest Line |
1.0 |
| Voice Overlap |
0.8915 |
| Voice Separation |
4.333 |
| Variability of Voice Separation |
3.055 |
| Parallel Motion |
0.05767 |
| Average Number of Independent Voices |
2.962 |
| Similar Motion |
0.1514 |
| Contrary Motion |
0.1802 |
| Oblique Motion |
0.6107 |
| Parallel Fifths |
0.0006553 |
| Parallel Octaves |
0.003277 |
| Variability of Number of Independent Voices |
0.9198 |
| Voice Equality - Number of Notes |
240.6 |
| Voice Equality - Note Duration |
51.96 |
| Voice Equality - Dynamics |
8.539 |
| Voice Equality - Melodic Leaps |
0.0 |
| Voice Equality - Range |
1.155 |
| Importance of Loudest Voice |
11.67 |