| Distance Between Two Most Common Vertical Intervals |
4.0 |
| Prevalence of Most Common Vertical Interval |
0.2067 |
| Prevalence of Second Most Common Vertical Interval |
0.2015 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.9748 |
| Vertical Unisons |
0.04683 |
| Vertical Minor Seconds |
0.003951 |
| Vertical Thirds |
0.3668 |
| Vertical Tritones |
0.0151 |
| Vertical Perfect Fourths |
0.07594 |
| Vertical Perfect Fifths |
0.1655 |
| Vertical Sixths |
0.1388 |
| Vertical Sevenths |
0.01634 |
| Vertical Octaves |
0.1547 |
| Perfect Vertical Intervals |
0.443 |
| Vertical Dissonance Ratio |
0.05424 |
| Vertical Minor Third Prevalence |
0.4603 |
| Vertical Major Third Prevalence |
0.527 |
| Chord Duration |
1.954 |
| Partial Chords |
0.4073 |
| Standard Triads |
0.4675 |
| Diminished and Augmented Triads |
0.02195 |
| Dominant Seventh Chords |
0.0 |
| Seventh Chords |
0.009756 |
| Non-Standard Chords |
0.1154 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
0.8312 |
| Average Number of Simultaneous Pitch Classes |
2.568 |
| Variability of Number of Simultaneous Pitch Classes |
0.5656 |
| Average Number of Simultaneous Pitches |
3.137 |
| Variability of Number of Simultaneous Pitches |
0.6757 |
| Most Common Vertical Interval |
4.0 |
| Second Most Common Vertical Interval |
0.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
7.288 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
72.09 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
3.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.2032 |
| Stepwise Motion |
0.614 |
| Melodic Thirds |
0.1941 |
| Melodic Perfect Fourths |
0.05192 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.04289 |
| Melodic Sixths |
0.006772 |
| Melodic Sevenths |
0.002257 |
| Melodic Octaves |
0.01129 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
2.44 |
| Melodic Embellishments |
0.03132 |
| Direction of Melodic Motion |
0.511 |
| Average Length of Melodic Arcs |
1.663 |
| Average Interval Spanned by Melodic Arcs |
4.329 |
| Melodic Pitch Variety |
4.805 |
| Mean Melodic Interval |
2.438 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.4108 |
| Relative Prevalence of Most Common Melodic Intervals |
0.4945 |
| Amount of Arpeggiation |
0.3273 |
| Repeated Notes |
0.07675 |
| Importance of Middle Register |
0.8188 |
| Importance of High Register |
0.02461 |
| Dominant Spread |
6.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
60.25 |
| Mean Pitch Class |
5.143 |
| Most Common Pitch |
60.0 |
| Most Common Pitch Class |
0.0 |
| Prevalence of Most Common Pitch |
0.1096 |
| Prevalence of Most Common Pitch Class |
0.1678 |
| Relative Prevalence of Top Pitches |
0.9796 |
| Relative Prevalence of Top Pitch Classes |
0.9067 |
| Interval Between Most Prevalent Pitches |
2.0 |
| Interval Between Most Prevalent Pitch Classes |
2.0 |
| Pitch Variability |
6.284 |
| Pitch Class Variability |
3.486 |
| Pitch Class Variability After Folding |
4.123 |
| Pitch Skewness |
0.3279 |
| Pitch Class Skewness |
0.1232 |
| Pitch Class Skewness After Folding |
0.9832 |
| Pitch Kurtosis |
5.445 |
| Pitch Class Kurtosis |
4.71 |
| Pitch Class Kurtosis After Folding |
4.789 |
| Major or Minor |
0.0 |
| First Pitch |
55.0 |
| First Pitch Class |
7.0 |
| Last Pitch |
55.0 |
| Last Pitch Class |
7.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
24.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
10.0 |
| Number of Common Pitches |
4.0 |
| Number of Common Pitch Classes |
0.0 |
| Range |
29.0 |
| Importance of Bass Register |
0.1566 |
| Note Density per Quarter Note |
1.062 |
| Note Density per Quarter Note per Voice |
0.2654 |
| Note Density per Quarter Note Variability |
0.394 |
| Range of Rhythmic Values |
7.0 |
| Number of Different Rhythmic Values Present |
8.0 |
| Number of Common Rhythmic Values Present |
2.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.0 |
| Prevalence of Medium Rhythmic Values |
0.5548 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.8523 |
| Prevalence of Very Long Rhythmic Values |
0.08054 |
| Prevalence of Dotted Notes |
0.1767 |
| Shortest Rhythmic Value |
1.0 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
3.066 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.4072 |
| Relative Prevalence of Most Common Rhythmic Values |
0.6264 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
2.243 |
| Rhythmic Value Skewness |
1.425 |
| Rhythmic Value Kurtosis |
13.41 |
| Mean Rhythmic Value Run Length |
1.461 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
0.8945 |
| Mean Rhythmic Value Offset |
0.06376 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.8232 |
| Complete Rests Fraction |
0.002356 |
| Partial Rests Fraction |
0.5772 |
| Average Rest Fraction Across Voices |
0.1698 |
| Longest Complete Rest |
0.9917 |
| Longest Partial Rest |
26.0 |
| Mean Complete Rest Duration |
0.9917 |
| Mean Partial Rest Duration |
5.719 |
| Median Complete Rest Duration |
0.9917 |
| Median Partial Rest Duration |
4.0 |
| Duple Initial Meter |
0.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
5.504 |
| Variability Across Voices of Combined Rests |
33.84 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
2.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
1.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.6147 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.2142 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.87 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.8288 |
| Rhythmic Variability - Tempo Standardized |
0.05258 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.5 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
1.0 |
| Total Number of Notes |
447.0 |
| Initial Tempo |
232.0 |
| Average Variability of Time Between Attacks for Each Voice |
0.8305 |
| Minimum Note Duration |
0.2586 |
| Maximum Note Duration |
6.207 |
| Average Note Duration |
0.8088 |
| Variability of Note Durations |
0.6762 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
4.0 |
| Number of Moderate Rhythmic Pulses |
4.0 |
| Number of Relatively Strong Rhythmic Pulses |
4.0 |
| Mean Tempo |
232.0 |
| Strongest Rhythmic Pulse |
58.0 |
| Second Strongest Rhythmic Pulse |
116.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
2.0 |
| Strength of Strongest Rhythmic Pulse |
0.3821 |
| Strength of Second Strongest Rhythmic Pulse |
0.3605 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.06 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.7426 |
| Rhythmic Variability |
0.04326 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.5 |
| Tempo Variability |
0.00000000006003 |
| Duration in Seconds |
108.9 |
| Note Density |
4.106 |
| Note Density Variability |
1.219 |
| Average Time Between Attacks |
0.4566 |
| Average Time Between Attacks for Each Voice |
0.904 |
| Variability of Time Between Attacks |
0.1862 |
| Maximum Number of Independent Voices |
4.0 |
| Relative Range of Loudest Voice |
0.5172 |
| Relative Range Isolation of Loudest Voice |
0.3717 |
| Relative Range of Highest Line |
0.5172 |
| Relative Note Density of Highest Line |
0.6085 |
| Relative Note Durations of Lowest Line |
1.042 |
| Relative Size of Melodic Intervals in Lowest Line |
1.0 |
| Voice Overlap |
0.906 |
| Voice Separation |
4.667 |
| Variability of Voice Separation |
3.512 |
| Parallel Motion |
0.0375 |
| Average Number of Independent Voices |
3.329 |
| Similar Motion |
0.12 |
| Contrary Motion |
0.215 |
| Oblique Motion |
0.6275 |
| Parallel Fifths |
0.0 |
| Parallel Octaves |
0.0 |
| Variability of Number of Independent Voices |
0.6702 |
| Voice Equality - Number of Notes |
7.411 |
| Voice Equality - Note Duration |
8.751 |
| Voice Equality - Dynamics |
8.66 |
| Voice Equality - Melodic Leaps |
0.0 |
| Voice Equality - Range |
3.594 |
| Importance of Loudest Voice |
10.0 |