| Distance Between Two Most Common Vertical Intervals |
3.0 |
| Prevalence of Most Common Vertical Interval |
0.2095 |
| Prevalence of Second Most Common Vertical Interval |
0.1872 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.8935 |
| Vertical Unisons |
0.04941 |
| Vertical Minor Seconds |
0.006046 |
| Vertical Thirds |
0.3607 |
| Vertical Tritones |
0.007302 |
| Vertical Perfect Fourths |
0.07367 |
| Vertical Perfect Fifths |
0.1857 |
| Vertical Sixths |
0.1396 |
| Vertical Sevenths |
0.02139 |
| Vertical Octaves |
0.1378 |
| Perfect Vertical Intervals |
0.4466 |
| Vertical Dissonance Ratio |
0.05611 |
| Vertical Minor Third Prevalence |
0.5516 |
| Vertical Major Third Prevalence |
0.4125 |
| Chord Duration |
2.13 |
| Partial Chords |
0.4051 |
| Standard Triads |
0.4823 |
| Diminished and Augmented Triads |
0.01033 |
| Dominant Seventh Chords |
0.004134 |
| Seventh Chords |
0.0155 |
| Non-Standard Chords |
0.09714 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
1.422 |
| Average Number of Simultaneous Pitch Classes |
2.521 |
| Variability of Number of Simultaneous Pitch Classes |
0.6658 |
| Average Number of Simultaneous Pitches |
3.003 |
| Variability of Number of Simultaneous Pitches |
0.8383 |
| Most Common Vertical Interval |
3.0 |
| Second Most Common Vertical Interval |
0.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
6.221 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
103.0 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
4.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.1661 |
| Stepwise Motion |
0.587 |
| Melodic Thirds |
0.1863 |
| Melodic Perfect Fourths |
0.05975 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.03954 |
| Melodic Sixths |
0.002636 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.0123 |
| Melodic Large Intervals |
0.0008787 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
1.827 |
| Melodic Embellishments |
0.02539 |
| Direction of Melodic Motion |
0.4609 |
| Average Length of Melodic Arcs |
1.918 |
| Average Interval Spanned by Melodic Arcs |
5.131 |
| Melodic Pitch Variety |
4.922 |
| Mean Melodic Interval |
2.389 |
| Number of Common Melodic Intervals |
4.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.4209 |
| Relative Prevalence of Most Common Melodic Intervals |
0.3946 |
| Amount of Arpeggiation |
0.3497 |
| Repeated Notes |
0.1116 |
| Importance of Middle Register |
0.8109 |
| Importance of High Register |
0.00613 |
| Dominant Spread |
6.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
60.13 |
| Mean Pitch Class |
5.533 |
| Most Common Pitch |
64.0 |
| Most Common Pitch Class |
9.0 |
| Prevalence of Most Common Pitch |
0.1095 |
| Prevalence of Most Common Pitch Class |
0.1813 |
| Relative Prevalence of Top Pitches |
0.936 |
| Relative Prevalence of Top Pitch Classes |
0.9903 |
| Interval Between Most Prevalent Pitches |
7.0 |
| Interval Between Most Prevalent Pitch Classes |
5.0 |
| Pitch Variability |
6.5 |
| Pitch Class Variability |
3.54 |
| Pitch Class Variability After Folding |
2.854 |
| Pitch Skewness |
0.2114 |
| Pitch Class Skewness |
0.4519 |
| Pitch Class Skewness After Folding |
0.2825 |
| Pitch Kurtosis |
5.402 |
| Pitch Class Kurtosis |
4.859 |
| Pitch Class Kurtosis After Folding |
7.887 |
| Major or Minor |
0.0 |
| First Pitch |
52.0 |
| First Pitch Class |
4.0 |
| Last Pitch |
52.0 |
| Last Pitch Class |
4.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
27.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
10.0 |
| Number of Common Pitches |
3.0 |
| Number of Common Pitch Classes |
0.0 |
| Range |
33.0 |
| Importance of Bass Register |
0.183 |
| Note Density per Quarter Note |
1.101 |
| Note Density per Quarter Note per Voice |
0.2753 |
| Note Density per Quarter Note Variability |
0.462 |
| Range of Rhythmic Values |
9.0 |
| Number of Different Rhythmic Values Present |
9.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.001751 |
| Prevalence of Medium Rhythmic Values |
0.6173 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.7898 |
| Prevalence of Very Long Rhythmic Values |
0.07618 |
| Prevalence of Dotted Notes |
0.1427 |
| Shortest Rhythmic Value |
0.5 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
2.81 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.4072 |
| Relative Prevalence of Most Common Rhythmic Values |
0.5247 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
2.012 |
| Rhythmic Value Skewness |
1.207 |
| Rhythmic Value Kurtosis |
13.1 |
| Mean Rhythmic Value Run Length |
1.773 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.351 |
| Mean Rhythmic Value Offset |
0.09151 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.9799 |
| Complete Rests Fraction |
0.0008623 |
| Partial Rests Fraction |
0.5473 |
| Average Rest Fraction Across Voices |
0.203 |
| Longest Complete Rest |
0.8942 |
| Longest Partial Rest |
58.21 |
| Mean Complete Rest Duration |
0.8942 |
| Mean Partial Rest Duration |
8.42 |
| Median Complete Rest Duration |
0.8942 |
| Median Partial Rest Duration |
3.607 |
| Duple Initial Meter |
0.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
12.06 |
| Variability Across Voices of Combined Rests |
125.0 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
5.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
1.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.5791 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.201 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.882 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.7801 |
| Rhythmic Variability - Tempo Standardized |
0.05043 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.6667 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
2.0 |
| Total Number of Notes |
1142.0 |
| Initial Tempo |
232.0 |
| Average Variability of Time Between Attacks for Each Voice |
1.337 |
| Minimum Note Duration |
0.1293 |
| Maximum Note Duration |
6.667 |
| Average Note Duration |
0.6688 |
| Variability of Note Durations |
0.5884 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
3.0 |
| Number of Moderate Rhythmic Pulses |
5.0 |
| Number of Relatively Strong Rhythmic Pulses |
5.0 |
| Mean Tempo |
262.7 |
| Strongest Rhythmic Pulse |
65.0 |
| Second Strongest Rhythmic Pulse |
44.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.477 |
| Strength of Strongest Rhythmic Pulse |
0.278 |
| Strength of Second Strongest Rhythmic Pulse |
0.2645 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.051 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.5425 |
| Rhythmic Variability |
0.03744 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.4 |
| Tempo Variability |
27.87 |
| Duration in Seconds |
239.6 |
| Note Density |
4.767 |
| Note Density Variability |
1.513 |
| Average Time Between Attacks |
0.3962 |
| Average Time Between Attacks for Each Voice |
0.9663 |
| Variability of Time Between Attacks |
0.2343 |
| Maximum Number of Independent Voices |
4.0 |
| Relative Range of Loudest Voice |
0.6364 |
| Relative Range Isolation of Loudest Voice |
0.2493 |
| Relative Range of Highest Line |
0.6364 |
| Relative Note Density of Highest Line |
0.2347 |
| Relative Note Durations of Lowest Line |
0.9759 |
| Relative Size of Melodic Intervals in Lowest Line |
1.0 |
| Voice Overlap |
0.9081 |
| Voice Separation |
4.667 |
| Variability of Voice Separation |
3.215 |
| Parallel Motion |
0.05355 |
| Average Number of Independent Voices |
3.189 |
| Similar Motion |
0.1442 |
| Contrary Motion |
0.2152 |
| Oblique Motion |
0.587 |
| Parallel Fifths |
0.00103 |
| Parallel Octaves |
0.00206 |
| Variability of Number of Independent Voices |
0.8353 |
| Voice Equality - Number of Notes |
103.0 |
| Voice Equality - Note Duration |
28.88 |
| Voice Equality - Dynamics |
8.539 |
| Voice Equality - Melodic Leaps |
0.0 |
| Voice Equality - Range |
3.403 |
| Importance of Loudest Voice |
11.67 |