| Distance Between Two Most Common Vertical Intervals |
4.0 |
| Prevalence of Most Common Vertical Interval |
0.2047 |
| Prevalence of Second Most Common Vertical Interval |
0.2017 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.9856 |
| Vertical Unisons |
0.04582 |
| Vertical Minor Seconds |
0.004489 |
| Vertical Thirds |
0.3543 |
| Vertical Tritones |
0.01158 |
| Vertical Perfect Fourths |
0.1011 |
| Vertical Perfect Fifths |
0.1743 |
| Vertical Sixths |
0.1214 |
| Vertical Sevenths |
0.01609 |
| Vertical Octaves |
0.1588 |
| Perfect Vertical Intervals |
0.4801 |
| Vertical Dissonance Ratio |
0.0462 |
| Vertical Minor Third Prevalence |
0.5263 |
| Vertical Major Third Prevalence |
0.614 |
| Chord Duration |
2.083 |
| Partial Chords |
0.293 |
| Standard Triads |
0.5635 |
| Diminished and Augmented Triads |
0.02691 |
| Dominant Seventh Chords |
0.0 |
| Seventh Chords |
0.008969 |
| Non-Standard Chords |
0.1345 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
1.618 |
| Average Number of Simultaneous Pitch Classes |
2.709 |
| Variability of Number of Simultaneous Pitch Classes |
0.5737 |
| Average Number of Simultaneous Pitches |
3.452 |
| Variability of Number of Simultaneous Pitches |
0.6898 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
4.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
7.123 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
9.037 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
4.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.2397 |
| Stepwise Motion |
0.6818 |
| Melodic Thirds |
0.1736 |
| Melodic Perfect Fourths |
0.03719 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.04959 |
| Melodic Sixths |
0.0 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.008264 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
0.75 |
| Melodic Embellishments |
0.02846 |
| Direction of Melodic Motion |
0.5 |
| Average Length of Melodic Arcs |
2.0 |
| Average Interval Spanned by Melodic Arcs |
4.896 |
| Melodic Pitch Variety |
5.167 |
| Mean Melodic Interval |
2.376 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.4421 |
| Relative Prevalence of Most Common Melodic Intervals |
0.5421 |
| Amount of Arpeggiation |
0.281 |
| Repeated Notes |
0.04959 |
| Importance of Middle Register |
0.7846 |
| Importance of High Register |
0.03659 |
| Dominant Spread |
6.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
59.7 |
| Mean Pitch Class |
5.211 |
| Most Common Pitch |
62.0 |
| Most Common Pitch Class |
2.0 |
| Prevalence of Most Common Pitch |
0.1138 |
| Prevalence of Most Common Pitch Class |
0.1829 |
| Relative Prevalence of Top Pitches |
0.8929 |
| Relative Prevalence of Top Pitch Classes |
0.8889 |
| Interval Between Most Prevalent Pitches |
5.0 |
| Interval Between Most Prevalent Pitch Classes |
7.0 |
| Pitch Variability |
6.532 |
| Pitch Class Variability |
3.337 |
| Pitch Class Variability After Folding |
4.003 |
| Pitch Skewness |
0.1755 |
| Pitch Class Skewness |
0.19 |
| Pitch Class Skewness After Folding |
0.9992 |
| Pitch Kurtosis |
5.486 |
| Pitch Class Kurtosis |
4.798 |
| Pitch Class Kurtosis After Folding |
4.958 |
| Major or Minor |
0.0 |
| First Pitch |
53.0 |
| First Pitch Class |
5.0 |
| Last Pitch |
55.0 |
| Last Pitch Class |
7.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
25.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
11.0 |
| Number of Common Pitches |
2.0 |
| Number of Common Pitch Classes |
0.0 |
| Range |
30.0 |
| Importance of Bass Register |
0.1789 |
| Note Density per Quarter Note |
1.074 |
| Note Density per Quarter Note per Voice |
0.2686 |
| Note Density per Quarter Note Variability |
0.4968 |
| Range of Rhythmic Values |
7.0 |
| Number of Different Rhythmic Values Present |
8.0 |
| Number of Common Rhythmic Values Present |
2.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.0 |
| Prevalence of Medium Rhythmic Values |
0.4431 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.8374 |
| Prevalence of Very Long Rhythmic Values |
0.126 |
| Prevalence of Dotted Notes |
0.1911 |
| Shortest Rhythmic Value |
1.0 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
3.392 |
| Most Common Rhythmic Value |
4.0 |
| Prevalence of Most Common Rhythmic Value |
0.3333 |
| Relative Prevalence of Most Common Rhythmic Values |
0.8415 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
2.264 |
| Rhythmic Value Skewness |
0.5199 |
| Rhythmic Value Kurtosis |
10.41 |
| Mean Rhythmic Value Run Length |
1.5 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
0.9814 |
| Mean Rhythmic Value Offset |
0.04268 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.3628 |
| Complete Rests Fraction |
0.004331 |
| Partial Rests Fraction |
0.2663 |
| Average Rest Fraction Across Voices |
0.08294 |
| Longest Complete Rest |
0.9917 |
| Longest Partial Rest |
12.0 |
| Mean Complete Rest Duration |
0.9917 |
| Mean Partial Rest Duration |
4.22 |
| Median Complete Rest Duration |
0.9917 |
| Median Partial Rest Duration |
4.0 |
| Duple Initial Meter |
0.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
3.1 |
| Variability Across Voices of Combined Rests |
9.661 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
5.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
1.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.541 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.2138 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.53 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.7548 |
| Rhythmic Variability - Tempo Standardized |
0.04785 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.6667 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
1.0 |
| Total Number of Notes |
246.0 |
| Initial Tempo |
232.0 |
| Average Variability of Time Between Attacks for Each Voice |
0.6706 |
| Minimum Note Duration |
0.2586 |
| Maximum Note Duration |
4.138 |
| Average Note Duration |
0.8831 |
| Variability of Note Durations |
0.6248 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
4.0 |
| Number of Moderate Rhythmic Pulses |
7.0 |
| Number of Relatively Strong Rhythmic Pulses |
2.0 |
| Mean Tempo |
232.0 |
| Strongest Rhythmic Pulse |
58.0 |
| Second Strongest Rhythmic Pulse |
116.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
2.0 |
| Strength of Strongest Rhythmic Pulse |
0.4121 |
| Strength of Second Strongest Rhythmic Pulse |
0.3073 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.341 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.7193 |
| Rhythmic Variability |
0.04211 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
1.0 |
| Tempo Variability |
0.00000000009135 |
| Duration in Seconds |
59.22 |
| Note Density |
4.154 |
| Note Density Variability |
1.706 |
| Average Time Between Attacks |
0.4753 |
| Average Time Between Attacks for Each Voice |
0.9045 |
| Variability of Time Between Attacks |
0.2685 |
| Maximum Number of Independent Voices |
4.0 |
| Relative Range of Loudest Voice |
0.3667 |
| Relative Range Isolation of Loudest Voice |
0.3036 |
| Relative Range of Highest Line |
0.3667 |
| Relative Note Density of Highest Line |
1.106 |
| Relative Note Durations of Lowest Line |
1.085 |
| Relative Size of Melodic Intervals in Lowest Line |
0.5714 |
| Voice Overlap |
0.8171 |
| Voice Separation |
5.333 |
| Variability of Voice Separation |
3.786 |
| Parallel Motion |
0.06093 |
| Average Number of Independent Voices |
3.684 |
| Similar Motion |
0.1685 |
| Contrary Motion |
0.1864 |
| Oblique Motion |
0.5842 |
| Parallel Fifths |
0.003584 |
| Parallel Octaves |
0.003584 |
| Variability of Number of Independent Voices |
0.597 |
| Voice Equality - Number of Notes |
9.037 |
| Voice Equality - Note Duration |
2.499 |
| Voice Equality - Dynamics |
8.539 |
| Voice Equality - Melodic Leaps |
0.5 |
| Voice Equality - Range |
2.63 |
| Importance of Loudest Voice |
11.67 |