| Distance Between Two Most Common Vertical Intervals |
4.0 |
| Prevalence of Most Common Vertical Interval |
0.2188 |
| Prevalence of Second Most Common Vertical Interval |
0.1881 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.8596 |
| Vertical Unisons |
0.06686 |
| Vertical Minor Seconds |
0.01329 |
| Vertical Thirds |
0.3366 |
| Vertical Tritones |
0.008693 |
| Vertical Perfect Fourths |
0.07663 |
| Vertical Perfect Fifths |
0.1767 |
| Vertical Sixths |
0.09412 |
| Vertical Sevenths |
0.02491 |
| Vertical Octaves |
0.1519 |
| Perfect Vertical Intervals |
0.4721 |
| Vertical Dissonance Ratio |
0.1076 |
| Vertical Minor Third Prevalence |
0.454 |
| Vertical Major Third Prevalence |
0.4617 |
| Chord Duration |
2.056 |
| Partial Chords |
0.5073 |
| Standard Triads |
0.3101 |
| Diminished and Augmented Triads |
0.01218 |
| Dominant Seventh Chords |
0.003247 |
| Seventh Chords |
0.01055 |
| Non-Standard Chords |
0.1721 |
| Complex Chords |
0.008929 |
| Minor Major Triad Ratio |
0.3451 |
| Average Number of Simultaneous Pitch Classes |
2.486 |
| Variability of Number of Simultaneous Pitch Classes |
0.7273 |
| Average Number of Simultaneous Pitches |
3.072 |
| Variability of Number of Simultaneous Pitches |
1.022 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
4.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
5.672 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
265.3 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
4.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.1956 |
| Stepwise Motion |
0.6637 |
| Melodic Thirds |
0.1831 |
| Melodic Perfect Fourths |
0.03537 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.05964 |
| Melodic Sixths |
0.00208 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.01664 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
1.4 |
| Melodic Embellishments |
0.03798 |
| Direction of Melodic Motion |
0.4462 |
| Average Length of Melodic Arcs |
1.942 |
| Average Interval Spanned by Melodic Arcs |
5.157 |
| Melodic Pitch Variety |
5.376 |
| Mean Melodic Interval |
2.568 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.4681 |
| Relative Prevalence of Most Common Melodic Intervals |
0.4178 |
| Amount of Arpeggiation |
0.2989 |
| Repeated Notes |
0.03953 |
| Importance of Middle Register |
0.7224 |
| Importance of High Register |
0.0 |
| Dominant Spread |
7.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
56.91 |
| Mean Pitch Class |
5.216 |
| Most Common Pitch |
60.0 |
| Most Common Pitch Class |
0.0 |
| Prevalence of Most Common Pitch |
0.1354 |
| Prevalence of Most Common Pitch Class |
0.1858 |
| Relative Prevalence of Top Pitches |
0.9286 |
| Relative Prevalence of Top Pitch Classes |
0.9071 |
| Interval Between Most Prevalent Pitches |
3.0 |
| Interval Between Most Prevalent Pitch Classes |
5.0 |
| Pitch Variability |
6.025 |
| Pitch Class Variability |
3.465 |
| Pitch Class Variability After Folding |
4.198 |
| Pitch Skewness |
0.2328 |
| Pitch Class Skewness |
0.1872 |
| Pitch Class Skewness After Folding |
1.0 |
| Pitch Kurtosis |
6.051 |
| Pitch Class Kurtosis |
4.754 |
| Pitch Class Kurtosis After Folding |
4.75 |
| Major or Minor |
0.0 |
| First Pitch |
53.0 |
| First Pitch Class |
5.0 |
| Last Pitch |
41.0 |
| Last Pitch Class |
5.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
22.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
9.0 |
| Number of Common Pitches |
5.0 |
| Number of Common Pitch Classes |
0.0 |
| Range |
33.0 |
| Importance of Bass Register |
0.2776 |
| Note Density per Quarter Note |
1.11 |
| Note Density per Quarter Note per Voice |
0.1849 |
| Note Density per Quarter Note Variability |
0.6367 |
| Range of Rhythmic Values |
7.0 |
| Number of Different Rhythmic Values Present |
7.0 |
| Number of Common Rhythmic Values Present |
2.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.0 |
| Prevalence of Medium Rhythmic Values |
0.6264 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.6609 |
| Prevalence of Very Long Rhythmic Values |
0.1057 |
| Prevalence of Dotted Notes |
0.1906 |
| Shortest Rhythmic Value |
1.0 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
2.903 |
| Most Common Rhythmic Value |
1.0 |
| Prevalence of Most Common Rhythmic Value |
0.3391 |
| Relative Prevalence of Most Common Rhythmic Values |
0.8473 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
2.706 |
| Rhythmic Value Skewness |
1.001 |
| Rhythmic Value Kurtosis |
10.64 |
| Mean Rhythmic Value Run Length |
1.647 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.071 |
| Mean Rhythmic Value Offset |
0.1326 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.9887 |
| Complete Rests Fraction |
0.0007184 |
| Partial Rests Fraction |
0.9362 |
| Average Rest Fraction Across Voices |
0.4388 |
| Longest Complete Rest |
0.9376 |
| Longest Partial Rest |
761.4 |
| Mean Complete Rest Duration |
0.9376 |
| Mean Partial Rest Duration |
22.31 |
| Median Complete Rest Duration |
0.9376 |
| Median Partial Rest Duration |
4.695 |
| Duple Initial Meter |
0.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
89.84 |
| Variability Across Voices of Combined Rests |
305.8 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
120.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.0 |
| Triple Initial Meter |
1.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.4655 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.2717 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.713 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.7372 |
| Rhythmic Variability - Tempo Standardized |
0.04699 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.6667 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
2.0 |
| Total Number of Notes |
1448.0 |
| Initial Tempo |
232.0 |
| Average Variability of Time Between Attacks for Each Voice |
2.834 |
| Minimum Note Duration |
0.2083 |
| Maximum Note Duration |
6.207 |
| Average Note Duration |
0.6687 |
| Variability of Note Durations |
0.7348 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
5.0 |
| Number of Moderate Rhythmic Pulses |
5.0 |
| Number of Relatively Strong Rhythmic Pulses |
5.0 |
| Mean Tempo |
274.6 |
| Strongest Rhythmic Pulse |
136.0 |
| Second Strongest Rhythmic Pulse |
46.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
2.957 |
| Strength of Strongest Rhythmic Pulse |
0.2464 |
| Strength of Second Strongest Rhythmic Pulse |
0.2376 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.037 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.484 |
| Rhythmic Variability |
0.03585 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.4 |
| Tempo Variability |
23.89 |
| Duration in Seconds |
287.6 |
| Note Density |
5.035 |
| Note Density Variability |
2.546 |
| Average Time Between Attacks |
0.3488 |
| Average Time Between Attacks for Each Voice |
1.244 |
| Variability of Time Between Attacks |
0.2789 |
| Maximum Number of Independent Voices |
6.0 |
| Relative Range of Loudest Voice |
0.5758 |
| Relative Range Isolation of Loudest Voice |
0.0 |
| Relative Range of Highest Line |
0.5758 |
| Relative Note Density of Highest Line |
0.2569 |
| Relative Note Durations of Lowest Line |
1.769 |
| Relative Size of Melodic Intervals in Lowest Line |
1.0 |
| Voice Overlap |
0.9993 |
| Voice Separation |
2.6 |
| Variability of Voice Separation |
1.673 |
| Parallel Motion |
0.03761 |
| Average Number of Independent Voices |
3.371 |
| Similar Motion |
0.09747 |
| Contrary Motion |
0.09133 |
| Oblique Motion |
0.7736 |
| Parallel Fifths |
0.0007675 |
| Parallel Octaves |
0.0 |
| Variability of Number of Independent Voices |
1.217 |
| Voice Equality - Number of Notes |
120.8 |
| Voice Equality - Note Duration |
67.4 |
| Voice Equality - Dynamics |
7.583 |
| Voice Equality - Melodic Leaps |
0.0 |
| Voice Equality - Range |
1.549 |
| Importance of Loudest Voice |
9.0 |