Distance Between Two Most Common Vertical Intervals |
3.0 |
Prevalence of Most Common Vertical Interval |
0.2425 |
Prevalence of Second Most Common Vertical Interval |
0.2075 |
Prevalence Ratio of Two Most Common Vertical Intervals |
0.8557 |
Vertical Unisons |
0.07244 |
Vertical Minor Seconds |
0.005892 |
Vertical Thirds |
0.4012 |
Vertical Tritones |
0.02204 |
Vertical Perfect Fourths |
0.06064 |
Vertical Perfect Fifths |
0.1415 |
Vertical Sixths |
0.1096 |
Vertical Sevenths |
0.02771 |
Vertical Octaves |
0.1351 |
Perfect Vertical Intervals |
0.4097 |
Vertical Dissonance Ratio |
0.08639 |
Vertical Minor Third Prevalence |
0.5163 |
Vertical Major Third Prevalence |
0.3974 |
Chord Duration |
1.841 |
Partial Chords |
0.533 |
Standard Triads |
0.3214 |
Diminished and Augmented Triads |
0.03359 |
Dominant Seventh Chords |
0.005599 |
Seventh Chords |
0.008959 |
Non-Standard Chords |
0.1366 |
Complex Chords |
0.0 |
Minor Major Triad Ratio |
1.586 |
Average Number of Simultaneous Pitch Classes |
2.348 |
Variability of Number of Simultaneous Pitch Classes |
0.6665 |
Average Number of Simultaneous Pitches |
2.711 |
Variability of Number of Simultaneous Pitches |
0.7504 |
Most Common Vertical Interval |
3.0 |
Second Most Common Vertical Interval |
0.0 |
Dynamic Range |
20.0 |
Variation of Dynamics |
7.186 |
Variation of Dynamics In Each Voice |
0.0 |
Average Note to Note Change in Dynamics |
0.0 |
Unpitched Percussion Instrument Prevalence |
0.0 |
String Keyboard Prevalence |
0.0 |
Acoustic Guitar Prevalence |
0.0 |
Electric Guitar Prevalence |
0.0 |
Violin Prevalence |
0.0 |
Saxophone Prevalence |
0.0 |
Brass Prevalence |
0.0 |
Woodwinds Prevalence |
1.0 |
Orchestral Strings Prevalence |
0.0 |
String Ensemble Prevalence |
0.0 |
Electric Instrument Prevalence |
0.0 |
Variability of Note Prevalence of Pitched Instruments |
107.5 |
Variability of Note Prevalence of Unpitched Instruments |
0.0 |
Number of Pitched Instruments |
4.0 |
Number of Unpitched Instruments |
0.0 |
Chromatic Motion |
0.1738 |
Stepwise Motion |
0.6318 |
Melodic Thirds |
0.2012 |
Melodic Perfect Fourths |
0.04297 |
Melodic Tritones |
0.0 |
Melodic Perfect Fifths |
0.04883 |
Melodic Sixths |
0.00293 |
Melodic Sevenths |
0.0 |
Melodic Octaves |
0.006836 |
Melodic Large Intervals |
0.0 |
Most Common Melodic Interval |
2.0 |
Minor Major Melodic Third Ratio |
3.12 |
Melodic Embellishments |
0.02136 |
Direction of Melodic Motion |
0.4796 |
Average Length of Melodic Arcs |
1.769 |
Average Interval Spanned by Melodic Arcs |
4.506 |
Melodic Pitch Variety |
4.805 |
Mean Melodic Interval |
2.407 |
Number of Common Melodic Intervals |
3.0 |
Distance Between Most Prevalent Melodic Intervals |
1.0 |
Prevalence of Most Common Melodic Interval |
0.458 |
Relative Prevalence of Most Common Melodic Intervals |
0.3795 |
Amount of Arpeggiation |
0.3223 |
Repeated Notes |
0.06543 |
Importance of Middle Register |
0.7777 |
Importance of High Register |
0.001942 |
Dominant Spread |
7.0 |
Strong Tonal Centres |
3.0 |
Mean Pitch |
58.99 |
Mean Pitch Class |
5.197 |
Most Common Pitch |
62.0 |
Most Common Pitch Class |
2.0 |
Prevalence of Most Common Pitch |
0.1359 |
Prevalence of Most Common Pitch Class |
0.1913 |
Relative Prevalence of Top Pitches |
0.8286 |
Relative Prevalence of Top Pitch Classes |
0.8731 |
Interval Between Most Prevalent Pitches |
2.0 |
Interval Between Most Prevalent Pitch Classes |
2.0 |
Pitch Variability |
6.126 |
Pitch Class Variability |
3.372 |
Pitch Class Variability After Folding |
3.205 |
Pitch Skewness |
-0.3248 |
Pitch Class Skewness |
0.1754 |
Pitch Class Skewness After Folding |
0.6007 |
Pitch Kurtosis |
5.435 |
Pitch Class Kurtosis |
4.935 |
Pitch Class Kurtosis After Folding |
6.854 |
Major or Minor |
0.0 |
First Pitch |
62.0 |
First Pitch Class |
2.0 |
Last Pitch |
50.0 |
Last Pitch Class |
2.0 |
Glissando Prevalence |
0.0 |
Average Range of Glissandos |
0.0 |
Number of Pitches |
24.0 |
Vibrato Prevalence |
0.0 |
Microtone Prevalence |
0.0 |
Number of Pitch Classes |
11.0 |
Number of Common Pitches |
3.0 |
Number of Common Pitch Classes |
0.0 |
Range |
29.0 |
Importance of Bass Register |
0.2204 |
Note Density per Quarter Note |
1.046 |
Note Density per Quarter Note per Voice |
0.1743 |
Note Density per Quarter Note Variability |
0.3859 |
Range of Rhythmic Values |
7.0 |
Number of Different Rhythmic Values Present |
7.0 |
Number of Common Rhythmic Values Present |
3.0 |
Prevalence of Very Short Rhythmic Values |
0.0 |
Prevalence of Short Rhythmic Values |
0.0 |
Prevalence of Medium Rhythmic Values |
0.6184 |
Simple Initial Meter |
1.0 |
Prevalence of Long Rhythmic Values |
0.7757 |
Prevalence of Very Long Rhythmic Values |
0.08932 |
Prevalence of Dotted Notes |
0.09223 |
Shortest Rhythmic Value |
1.0 |
Longest Rhythmic Value |
12.0 |
Mean Rhythmic Value |
2.79 |
Most Common Rhythmic Value |
2.0 |
Prevalence of Most Common Rhythmic Value |
0.3942 |
Relative Prevalence of Most Common Rhythmic Values |
0.569 |
Difference Between Most Common Rhythmic Values |
2.0 |
Compound Initial Meter |
0.0 |
Rhythmic Value Variability |
1.861 |
Rhythmic Value Skewness |
1.274 |
Rhythmic Value Kurtosis |
8.331 |
Mean Rhythmic Value Run Length |
1.836 |
Median Rhythmic Value Run Length |
1.0 |
Variability in Rhythmic Value Run Lengths |
1.826 |
Mean Rhythmic Value Offset |
0.003883 |
Median Rhythmic Value Offset |
0.0 |
Complex Initial Meter |
0.0 |
Variability of Rhythmic Value Offsets |
0.1246 |
Complete Rests Fraction |
0.001007 |
Partial Rests Fraction |
1.0 |
Average Rest Fraction Across Voices |
0.513 |
Longest Complete Rest |
0.9917 |
Longest Partial Rest |
836.0 |
Mean Complete Rest Duration |
0.9917 |
Mean Partial Rest Duration |
42.11 |
Median Complete Rest Duration |
0.9917 |
Median Partial Rest Duration |
2.0 |
Duple Initial Meter |
1.0 |
Variability of Complete Rest Durations |
0.0 |
Variability of Partial Rest Durations |
142.2 |
Variability Across Voices of Combined Rests |
337.2 |
Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
Second Strongest Rhythmic Pulse - Tempo Standardized |
120.0 |
Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.0 |
Triple Initial Meter |
0.0 |
Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.5739 |
Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.221 |
Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.597 |
Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.7949 |
Rhythmic Variability - Tempo Standardized |
0.05087 |
Rhythmic Looseness - Tempo Standardized |
0.0 |
Polyrhythms - Tempo Standardized |
0.6667 |
Quadruple Initial Meter |
0.0 |
Metrical Diversity |
1.0 |
Total Number of Notes |
1030.0 |
Initial Tempo |
288.0 |
Average Variability of Time Between Attacks for Each Voice |
3.212 |
Minimum Note Duration |
0.2083 |
Maximum Note Duration |
3.333 |
Average Note Duration |
0.5821 |
Variability of Note Durations |
0.3925 |
Amount of Staccato |
0.0 |
Number of Strong Rhythmic Pulses |
3.0 |
Number of Moderate Rhythmic Pulses |
6.0 |
Number of Relatively Strong Rhythmic Pulses |
6.0 |
Mean Tempo |
288.0 |
Strongest Rhythmic Pulse |
72.0 |
Second Strongest Rhythmic Pulse |
48.0 |
Harmonicity of Two Strongest Rhythmic Pulses |
1.5 |
Strength of Strongest Rhythmic Pulse |
0.2605 |
Strength of Second Strongest Rhythmic Pulse |
0.2456 |
Strength Ratio of Two Strongest Rhythmic Pulses |
1.061 |
Combined Strength of Two Strongest Rhythmic Pulses |
0.5061 |
Rhythmic Variability |
0.0352 |
Rhythmic Looseness |
0.0 |
Polyrhythms |
0.3333 |
Tempo Variability |
0.0000000002118 |
Duration in Seconds |
205.2 |
Note Density |
5.019 |
Note Density Variability |
1.614 |
Average Time Between Attacks |
0.3584 |
Average Time Between Attacks for Each Voice |
1.182 |
Variability of Time Between Attacks |
0.1848 |
Maximum Number of Independent Voices |
5.0 |
Relative Range of Loudest Voice |
0.4828 |
Relative Range Isolation of Loudest Voice |
0.0 |
Relative Range of Highest Line |
0.4828 |
Relative Note Density of Highest Line |
0.3903 |
Relative Note Durations of Lowest Line |
1.003 |
Relative Size of Melodic Intervals in Lowest Line |
1.0 |
Voice Overlap |
1.0 |
Voice Separation |
3.4 |
Variability of Voice Separation |
2.302 |
Parallel Motion |
0.05837 |
Average Number of Independent Voices |
2.925 |
Similar Motion |
0.1388 |
Contrary Motion |
0.2401 |
Oblique Motion |
0.5628 |
Parallel Fifths |
0.0 |
Parallel Octaves |
0.0 |
Variability of Number of Independent Voices |
0.752 |
Voice Equality - Number of Notes |
142.5 |
Voice Equality - Note Duration |
70.24 |
Voice Equality - Dynamics |
7.528 |
Voice Equality - Melodic Leaps |
0.0 |
Voice Equality - Range |
2.639 |
Importance of Loudest Voice |
8.0 |