| Distance Between Two Most Common Vertical Intervals |
3.0 |
| Prevalence of Most Common Vertical Interval |
0.227 |
| Prevalence of Second Most Common Vertical Interval |
0.2158 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.9509 |
| Vertical Unisons |
0.06545 |
| Vertical Minor Seconds |
0.009595 |
| Vertical Thirds |
0.3084 |
| Vertical Tritones |
0.01575 |
| Vertical Perfect Fourths |
0.08961 |
| Vertical Perfect Fifths |
0.1472 |
| Vertical Sixths |
0.1393 |
| Vertical Sevenths |
0.03335 |
| Vertical Octaves |
0.1615 |
| Perfect Vertical Intervals |
0.4638 |
| Vertical Dissonance Ratio |
0.09704 |
| Vertical Minor Third Prevalence |
0.5354 |
| Vertical Major Third Prevalence |
0.2562 |
| Chord Duration |
1.789 |
| Partial Chords |
0.4747 |
| Standard Triads |
0.3121 |
| Diminished and Augmented Triads |
0.02857 |
| Dominant Seventh Chords |
0.01538 |
| Seventh Chords |
0.02198 |
| Non-Standard Chords |
0.1912 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
1.491 |
| Average Number of Simultaneous Pitch Classes |
2.487 |
| Variability of Number of Simultaneous Pitch Classes |
0.6613 |
| Average Number of Simultaneous Pitches |
3.05 |
| Variability of Number of Simultaneous Pitches |
0.6934 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
3.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
6.449 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
57.1 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
4.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.2521 |
| Stepwise Motion |
0.7812 |
| Melodic Thirds |
0.1021 |
| Melodic Perfect Fourths |
0.02917 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.05417 |
| Melodic Sixths |
0.004167 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.002083 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
5.125 |
| Melodic Embellishments |
0.02893 |
| Direction of Melodic Motion |
0.4647 |
| Average Length of Melodic Arcs |
2.004 |
| Average Interval Spanned by Melodic Arcs |
4.536 |
| Melodic Pitch Variety |
5.072 |
| Mean Melodic Interval |
2.221 |
| Number of Common Melodic Intervals |
2.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.5292 |
| Relative Prevalence of Most Common Melodic Intervals |
0.4764 |
| Amount of Arpeggiation |
0.1854 |
| Repeated Notes |
0.02708 |
| Importance of Middle Register |
0.8492 |
| Importance of High Register |
0.01033 |
| Dominant Spread |
6.0 |
| Strong Tonal Centres |
3.0 |
| Mean Pitch |
61.3 |
| Mean Pitch Class |
5.647 |
| Most Common Pitch |
67.0 |
| Most Common Pitch Class |
7.0 |
| Prevalence of Most Common Pitch |
0.1054 |
| Prevalence of Most Common Pitch Class |
0.2045 |
| Relative Prevalence of Top Pitches |
0.9412 |
| Relative Prevalence of Top Pitch Classes |
0.7778 |
| Interval Between Most Prevalent Pitches |
12.0 |
| Interval Between Most Prevalent Pitch Classes |
2.0 |
| Pitch Variability |
6.504 |
| Pitch Class Variability |
3.321 |
| Pitch Class Variability After Folding |
4.012 |
| Pitch Skewness |
-0.1706 |
| Pitch Class Skewness |
-1.223 |
| Pitch Class Skewness After Folding |
0.9688 |
| Pitch Kurtosis |
5.004 |
| Pitch Class Kurtosis |
4.855 |
| Pitch Class Kurtosis After Folding |
4.913 |
| Major or Minor |
0.0 |
| First Pitch |
67.0 |
| First Pitch Class |
7.0 |
| Last Pitch |
55.0 |
| Last Pitch Class |
7.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
22.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
11.0 |
| Number of Common Pitches |
3.0 |
| Number of Common Pitch Classes |
1.0 |
| Range |
28.0 |
| Importance of Bass Register |
0.1405 |
| Note Density per Quarter Note |
1.006 |
| Note Density per Quarter Note per Voice |
0.2516 |
| Note Density per Quarter Note Variability |
0.4291 |
| Range of Rhythmic Values |
7.0 |
| Number of Different Rhythmic Values Present |
7.0 |
| Number of Common Rhythmic Values Present |
2.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.0 |
| Prevalence of Medium Rhythmic Values |
0.4236 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.7149 |
| Prevalence of Very Long Rhythmic Values |
0.1322 |
| Prevalence of Dotted Notes |
0.1488 |
| Shortest Rhythmic Value |
1.0 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
3.244 |
| Most Common Rhythmic Value |
4.0 |
| Prevalence of Most Common Rhythmic Value |
0.3616 |
| Relative Prevalence of Most Common Rhythmic Values |
0.7886 |
| Difference Between Most Common Rhythmic Values |
4.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
2.141 |
| Rhythmic Value Skewness |
0.3417 |
| Rhythmic Value Kurtosis |
8.115 |
| Mean Rhythmic Value Run Length |
1.592 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.046 |
| Mean Rhythmic Value Offset |
0.04132 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.4049 |
| Complete Rests Fraction |
0.002062 |
| Partial Rests Fraction |
0.5717 |
| Average Rest Fraction Across Voices |
0.1736 |
| Longest Complete Rest |
0.9917 |
| Longest Partial Rest |
32.0 |
| Mean Complete Rest Duration |
0.9917 |
| Mean Partial Rest Duration |
9.823 |
| Median Complete Rest Duration |
0.9917 |
| Median Partial Rest Duration |
4.0 |
| Duple Initial Meter |
1.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
10.76 |
| Variability Across Voices of Combined Rests |
71.28 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
120.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.0 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.46 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.2777 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.657 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.7377 |
| Rhythmic Variability - Tempo Standardized |
0.04686 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.6667 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
1.0 |
| Total Number of Notes |
484.0 |
| Initial Tempo |
288.0 |
| Average Variability of Time Between Attacks for Each Voice |
1.024 |
| Minimum Note Duration |
0.2083 |
| Maximum Note Duration |
3.333 |
| Average Note Duration |
0.6844 |
| Variability of Note Durations |
0.4873 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
6.0 |
| Number of Moderate Rhythmic Pulses |
6.0 |
| Number of Relatively Strong Rhythmic Pulses |
6.0 |
| Mean Tempo |
288.0 |
| Strongest Rhythmic Pulse |
72.0 |
| Second Strongest Rhythmic Pulse |
48.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.5 |
| Strength of Strongest Rhythmic Pulse |
0.2493 |
| Strength of Second Strongest Rhythmic Pulse |
0.2304 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.082 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.4796 |
| Rhythmic Variability |
0.03375 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.3333 |
| Tempo Variability |
0.0000000004393 |
| Duration in Seconds |
100.2 |
| Note Density |
4.83 |
| Note Density Variability |
1.573 |
| Average Time Between Attacks |
0.3545 |
| Average Time Between Attacks for Each Voice |
0.9511 |
| Variability of Time Between Attacks |
0.2037 |
| Maximum Number of Independent Voices |
4.0 |
| Relative Range of Loudest Voice |
0.4286 |
| Relative Range Isolation of Loudest Voice |
0.128 |
| Relative Range of Highest Line |
0.4286 |
| Relative Note Density of Highest Line |
0.562 |
| Relative Note Durations of Lowest Line |
1.319 |
| Relative Size of Melodic Intervals in Lowest Line |
0.5714 |
| Voice Overlap |
0.8636 |
| Voice Separation |
5.333 |
| Variability of Voice Separation |
1.528 |
| Parallel Motion |
0.04991 |
| Average Number of Independent Voices |
3.312 |
| Similar Motion |
0.09122 |
| Contrary Motion |
0.1876 |
| Oblique Motion |
0.6713 |
| Parallel Fifths |
0.003442 |
| Parallel Octaves |
0.006885 |
| Variability of Number of Independent Voices |
0.6695 |
| Voice Equality - Number of Notes |
57.1 |
| Voice Equality - Note Duration |
14.85 |
| Voice Equality - Dynamics |
8.539 |
| Voice Equality - Melodic Leaps |
0.5 |
| Voice Equality - Range |
3.403 |
| Importance of Loudest Voice |
11.67 |