| Distance Between Two Most Common Vertical Intervals |
3.0 |
| Prevalence of Most Common Vertical Interval |
0.2111 |
| Prevalence of Second Most Common Vertical Interval |
0.2056 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.9741 |
| Vertical Unisons |
0.05378 |
| Vertical Minor Seconds |
0.003288 |
| Vertical Thirds |
0.3677 |
| Vertical Tritones |
0.007049 |
| Vertical Perfect Fourths |
0.06062 |
| Vertical Perfect Fifths |
0.1829 |
| Vertical Sixths |
0.1293 |
| Vertical Sevenths |
0.02322 |
| Vertical Octaves |
0.1518 |
| Perfect Vertical Intervals |
0.4491 |
| Vertical Dissonance Ratio |
0.05698 |
| Vertical Minor Third Prevalence |
0.4541 |
| Vertical Major Third Prevalence |
0.3476 |
| Chord Duration |
1.9 |
| Partial Chords |
0.5716 |
| Standard Triads |
0.3194 |
| Diminished and Augmented Triads |
0.0113 |
| Dominant Seventh Chords |
0.002826 |
| Seventh Chords |
0.01837 |
| Non-Standard Chords |
0.09069 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
0.9825 |
| Average Number of Simultaneous Pitch Classes |
2.267 |
| Variability of Number of Simultaneous Pitch Classes |
0.7335 |
| Average Number of Simultaneous Pitches |
2.681 |
| Variability of Number of Simultaneous Pitches |
0.9614 |
| Most Common Vertical Interval |
3.0 |
| Second Most Common Vertical Interval |
0.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
6.658 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
102.8 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
4.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.1862 |
| Stepwise Motion |
0.6436 |
| Melodic Thirds |
0.2021 |
| Melodic Perfect Fourths |
0.05957 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.03723 |
| Melodic Sixths |
0.007447 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.005319 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
2.878 |
| Melodic Embellishments |
0.01801 |
| Direction of Melodic Motion |
0.4967 |
| Average Length of Melodic Arcs |
1.782 |
| Average Interval Spanned by Melodic Arcs |
4.538 |
| Melodic Pitch Variety |
4.995 |
| Mean Melodic Interval |
2.445 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.4574 |
| Relative Prevalence of Most Common Melodic Intervals |
0.407 |
| Amount of Arpeggiation |
0.2894 |
| Repeated Notes |
0.04468 |
| Importance of Middle Register |
0.839 |
| Importance of High Register |
0.06356 |
| Dominant Spread |
7.0 |
| Strong Tonal Centres |
1.0 |
| Mean Pitch |
62.57 |
| Mean Pitch Class |
5.138 |
| Most Common Pitch |
62.0 |
| Most Common Pitch Class |
7.0 |
| Prevalence of Most Common Pitch |
0.1028 |
| Prevalence of Most Common Pitch Class |
0.179 |
| Relative Prevalence of Top Pitches |
0.9794 |
| Relative Prevalence of Top Pitch Classes |
0.8994 |
| Interval Between Most Prevalent Pitches |
5.0 |
| Interval Between Most Prevalent Pitch Classes |
5.0 |
| Pitch Variability |
6.659 |
| Pitch Class Variability |
3.338 |
| Pitch Class Variability After Folding |
3.979 |
| Pitch Skewness |
-0.4553 |
| Pitch Class Skewness |
0.1238 |
| Pitch Class Skewness After Folding |
0.8354 |
| Pitch Kurtosis |
5.402 |
| Pitch Class Kurtosis |
4.772 |
| Pitch Class Kurtosis After Folding |
5.073 |
| Major or Minor |
0.0 |
| First Pitch |
55.0 |
| First Pitch Class |
7.0 |
| Last Pitch |
55.0 |
| Last Pitch Class |
7.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
27.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
11.0 |
| Number of Common Pitches |
2.0 |
| Number of Common Pitch Classes |
0.0 |
| Range |
33.0 |
| Importance of Bass Register |
0.09746 |
| Note Density per Quarter Note |
1.15 |
| Note Density per Quarter Note per Voice |
0.2875 |
| Note Density per Quarter Note Variability |
0.5859 |
| Range of Rhythmic Values |
9.0 |
| Number of Different Rhythmic Values Present |
10.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.002119 |
| Prevalence of Medium Rhythmic Values |
0.6557 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.7013 |
| Prevalence of Very Long Rhythmic Values |
0.04237 |
| Prevalence of Dotted Notes |
0.1547 |
| Shortest Rhythmic Value |
0.5 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
2.453 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.357 |
| Relative Prevalence of Most Common Rhythmic Values |
0.7567 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
1.599 |
| Rhythmic Value Skewness |
0.8492 |
| Rhythmic Value Kurtosis |
15.29 |
| Mean Rhythmic Value Run Length |
1.692 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.223 |
| Mean Rhythmic Value Offset |
0.03099 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.5528 |
| Complete Rests Fraction |
0.001127 |
| Partial Rests Fraction |
0.6201 |
| Average Rest Fraction Across Voices |
0.2816 |
| Longest Complete Rest |
0.9172 |
| Longest Partial Rest |
259.0 |
| Mean Complete Rest Duration |
0.9172 |
| Mean Partial Rest Duration |
13.6 |
| Median Complete Rest Duration |
0.9172 |
| Median Partial Rest Duration |
2.296 |
| Duple Initial Meter |
0.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
43.17 |
| Variability Across Voices of Combined Rests |
174.5 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
5.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
1.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.5118 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.2213 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.313 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.7331 |
| Rhythmic Variability - Tempo Standardized |
0.04702 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.6667 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
2.0 |
| Total Number of Notes |
944.0 |
| Initial Tempo |
232.0 |
| Average Variability of Time Between Attacks for Each Voice |
2.696 |
| Minimum Note Duration |
0.1293 |
| Maximum Note Duration |
5.0 |
| Average Note Duration |
0.5629 |
| Variability of Note Durations |
0.4174 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
5.0 |
| Number of Moderate Rhythmic Pulses |
5.0 |
| Number of Relatively Strong Rhythmic Pulses |
5.0 |
| Mean Tempo |
269.2 |
| Strongest Rhythmic Pulse |
45.0 |
| Second Strongest Rhythmic Pulse |
67.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.489 |
| Strength of Strongest Rhythmic Pulse |
0.2568 |
| Strength of Second Strongest Rhythmic Pulse |
0.2493 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.03 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.5061 |
| Rhythmic Variability |
0.03545 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.6 |
| Tempo Variability |
26.45 |
| Duration in Seconds |
184.9 |
| Note Density |
5.105 |
| Note Density Variability |
1.907 |
| Average Time Between Attacks |
0.3606 |
| Average Time Between Attacks for Each Voice |
0.8351 |
| Variability of Time Between Attacks |
0.2368 |
| Maximum Number of Independent Voices |
4.0 |
| Relative Range of Loudest Voice |
0.5152 |
| Relative Range Isolation of Loudest Voice |
0.547 |
| Relative Range of Highest Line |
0.5152 |
| Relative Note Density of Highest Line |
0.2966 |
| Relative Note Durations of Lowest Line |
1.139 |
| Relative Size of Melodic Intervals in Lowest Line |
1.0 |
| Voice Overlap |
0.8125 |
| Voice Separation |
5.667 |
| Variability of Voice Separation |
2.517 |
| Parallel Motion |
0.06538 |
| Average Number of Independent Voices |
2.846 |
| Similar Motion |
0.1501 |
| Contrary Motion |
0.207 |
| Oblique Motion |
0.5775 |
| Parallel Fifths |
0.004843 |
| Parallel Octaves |
0.003632 |
| Variability of Number of Independent Voices |
1.011 |
| Voice Equality - Number of Notes |
102.8 |
| Voice Equality - Note Duration |
39.3 |
| Voice Equality - Dynamics |
8.539 |
| Voice Equality - Melodic Leaps |
0.0 |
| Voice Equality - Range |
2.062 |
| Importance of Loudest Voice |
11.67 |