| Distance Between Two Most Common Vertical Intervals |
3.0 |
| Prevalence of Most Common Vertical Interval |
0.2048 |
| Prevalence of Second Most Common Vertical Interval |
0.1915 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.9349 |
| Vertical Unisons |
0.01923 |
| Vertical Minor Seconds |
0.002901 |
| Vertical Thirds |
0.3497 |
| Vertical Tritones |
0.007149 |
| Vertical Perfect Fourths |
0.05628 |
| Vertical Perfect Fifths |
0.1904 |
| Vertical Sixths |
0.164 |
| Vertical Sevenths |
0.01609 |
| Vertical Octaves |
0.1856 |
| Perfect Vertical Intervals |
0.4516 |
| Vertical Dissonance Ratio |
0.036 |
| Vertical Minor Third Prevalence |
0.3689 |
| Vertical Major Third Prevalence |
0.3706 |
| Chord Duration |
2.504 |
| Partial Chords |
0.5443 |
| Standard Triads |
0.3924 |
| Diminished and Augmented Triads |
0.00211 |
| Dominant Seventh Chords |
0.00211 |
| Seventh Chords |
0.01055 |
| Non-Standard Chords |
0.05274 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
1.776 |
| Average Number of Simultaneous Pitch Classes |
2.227 |
| Variability of Number of Simultaneous Pitch Classes |
0.7485 |
| Average Number of Simultaneous Pitches |
2.745 |
| Variability of Number of Simultaneous Pitches |
0.9723 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
3.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
6.819 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
65.94 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
4.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.228 |
| Stepwise Motion |
0.6542 |
| Melodic Thirds |
0.2131 |
| Melodic Perfect Fourths |
0.04112 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.04673 |
| Melodic Sixths |
0.003738 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.003738 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
4.182 |
| Melodic Embellishments |
0.01855 |
| Direction of Melodic Motion |
0.4932 |
| Average Length of Melodic Arcs |
1.614 |
| Average Interval Spanned by Melodic Arcs |
3.915 |
| Melodic Pitch Variety |
4.461 |
| Mean Melodic Interval |
2.368 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.4262 |
| Relative Prevalence of Most Common Melodic Intervals |
0.5351 |
| Amount of Arpeggiation |
0.3009 |
| Repeated Notes |
0.03738 |
| Importance of Middle Register |
0.872 |
| Importance of High Register |
0.009276 |
| Dominant Spread |
7.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
61.35 |
| Mean Pitch Class |
5.722 |
| Most Common Pitch |
57.0 |
| Most Common Pitch Class |
9.0 |
| Prevalence of Most Common Pitch |
0.1039 |
| Prevalence of Most Common Pitch Class |
0.2041 |
| Relative Prevalence of Top Pitches |
0.9286 |
| Relative Prevalence of Top Pitch Classes |
0.7182 |
| Interval Between Most Prevalent Pitches |
12.0 |
| Interval Between Most Prevalent Pitch Classes |
9.0 |
| Pitch Variability |
6.233 |
| Pitch Class Variability |
3.651 |
| Pitch Class Variability After Folding |
3.065 |
| Pitch Skewness |
0.001786 |
| Pitch Class Skewness |
0.593 |
| Pitch Class Skewness After Folding |
0.4412 |
| Pitch Kurtosis |
5.186 |
| Pitch Class Kurtosis |
4.794 |
| Pitch Class Kurtosis After Folding |
7.194 |
| Major or Minor |
0.0 |
| First Pitch |
57.0 |
| First Pitch Class |
9.0 |
| Last Pitch |
45.0 |
| Last Pitch Class |
9.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
20.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
9.0 |
| Number of Common Pitches |
4.0 |
| Number of Common Pitch Classes |
1.0 |
| Range |
29.0 |
| Importance of Bass Register |
0.1187 |
| Note Density per Quarter Note |
0.9407 |
| Note Density per Quarter Note per Voice |
0.2352 |
| Note Density per Quarter Note Variability |
0.5542 |
| Range of Rhythmic Values |
7.0 |
| Number of Different Rhythmic Values Present |
7.0 |
| Number of Common Rhythmic Values Present |
2.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.0 |
| Prevalence of Medium Rhythmic Values |
0.6197 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.9165 |
| Prevalence of Very Long Rhythmic Values |
0.0705 |
| Prevalence of Dotted Notes |
0.1095 |
| Shortest Rhythmic Value |
1.0 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
2.924 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.5362 |
| Relative Prevalence of Most Common Rhythmic Values |
0.4637 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
1.892 |
| Rhythmic Value Skewness |
1.465 |
| Rhythmic Value Kurtosis |
15.48 |
| Mean Rhythmic Value Run Length |
1.911 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
2.218 |
| Mean Rhythmic Value Offset |
0.05195 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.7091 |
| Complete Rests Fraction |
0.00155 |
| Partial Rests Fraction |
0.6474 |
| Average Rest Fraction Across Voices |
0.3004 |
| Longest Complete Rest |
0.8879 |
| Longest Partial Rest |
112.6 |
| Mean Complete Rest Duration |
0.8879 |
| Mean Partial Rest Duration |
15.65 |
| Median Complete Rest Duration |
0.8879 |
| Median Partial Rest Duration |
2.346 |
| Duple Initial Meter |
0.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
32.92 |
| Variability Across Voices of Combined Rests |
152.3 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
1.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
1.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.738 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.1384 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
5.332 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.8764 |
| Rhythmic Variability - Tempo Standardized |
0.05984 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
1.0 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
2.0 |
| Total Number of Notes |
539.0 |
| Initial Tempo |
232.0 |
| Average Variability of Time Between Attacks for Each Voice |
2.077 |
| Minimum Note Duration |
0.1974 |
| Maximum Note Duration |
5.172 |
| Average Note Duration |
0.6558 |
| Variability of Note Durations |
0.5316 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
3.0 |
| Number of Moderate Rhythmic Pulses |
5.0 |
| Number of Relatively Strong Rhythmic Pulses |
3.0 |
| Mean Tempo |
275.8 |
| Strongest Rhythmic Pulse |
68.0 |
| Second Strongest Rhythmic Pulse |
46.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.478 |
| Strength of Strongest Rhythmic Pulse |
0.3141 |
| Strength of Second Strongest Rhythmic Pulse |
0.2987 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.052 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.6127 |
| Rhythmic Variability |
0.04096 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.6667 |
| Tempo Variability |
30.37 |
| Duration in Seconds |
126.3 |
| Note Density |
4.267 |
| Note Density Variability |
2.23 |
| Average Time Between Attacks |
0.4582 |
| Average Time Between Attacks for Each Voice |
0.9708 |
| Variability of Time Between Attacks |
0.2974 |
| Maximum Number of Independent Voices |
4.0 |
| Relative Range of Loudest Voice |
0.4138 |
| Relative Range Isolation of Loudest Voice |
0.6522 |
| Relative Range of Highest Line |
0.4138 |
| Relative Note Density of Highest Line |
0.5046 |
| Relative Note Durations of Lowest Line |
1.112 |
| Relative Size of Melodic Intervals in Lowest Line |
1.0 |
| Voice Overlap |
0.7718 |
| Voice Separation |
5.0 |
| Variability of Voice Separation |
1.0 |
| Parallel Motion |
0.03434 |
| Average Number of Independent Voices |
2.804 |
| Similar Motion |
0.1576 |
| Contrary Motion |
0.303 |
| Oblique Motion |
0.5051 |
| Parallel Fifths |
0.0 |
| Parallel Octaves |
0.0 |
| Variability of Number of Independent Voices |
1.002 |
| Voice Equality - Number of Notes |
65.94 |
| Voice Equality - Note Duration |
33.57 |
| Voice Equality - Dynamics |
8.539 |
| Voice Equality - Melodic Leaps |
0.0 |
| Voice Equality - Range |
2.944 |
| Importance of Loudest Voice |
11.67 |