| Distance Between Two Most Common Vertical Intervals |
7.0 |
| Prevalence of Most Common Vertical Interval |
0.1941 |
| Prevalence of Second Most Common Vertical Interval |
0.1924 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.9914 |
| Vertical Unisons |
0.02123 |
| Vertical Minor Seconds |
0.003789 |
| Vertical Thirds |
0.3186 |
| Vertical Tritones |
0.005427 |
| Vertical Perfect Fourths |
0.1195 |
| Vertical Perfect Fifths |
0.1941 |
| Vertical Sixths |
0.1175 |
| Vertical Sevenths |
0.02373 |
| Vertical Octaves |
0.1712 |
| Perfect Vertical Intervals |
0.5059 |
| Vertical Dissonance Ratio |
0.06163 |
| Vertical Minor Third Prevalence |
0.5187 |
| Vertical Major Third Prevalence |
0.6049 |
| Chord Duration |
1.938 |
| Partial Chords |
0.2668 |
| Standard Triads |
0.5474 |
| Diminished and Augmented Triads |
0.01312 |
| Dominant Seventh Chords |
0.004373 |
| Seventh Chords |
0.0277 |
| Non-Standard Chords |
0.1582 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
0.378 |
| Average Number of Simultaneous Pitch Classes |
2.764 |
| Variability of Number of Simultaneous Pitch Classes |
0.5665 |
| Average Number of Simultaneous Pitches |
3.522 |
| Variability of Number of Simultaneous Pitches |
0.6735 |
| Most Common Vertical Interval |
7.0 |
| Second Most Common Vertical Interval |
0.0 |
| Dynamic Range |
4.0 |
| Variation of Dynamics |
1.768 |
| Variation of Dynamics In Each Voice |
1.774 |
| Average Note to Note Change in Dynamics |
2.075 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
0.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
0.0 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
1.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.1441 |
| Stepwise Motion |
0.531 |
| Melodic Thirds |
0.1231 |
| Melodic Perfect Fourths |
0.0765 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.04656 |
| Melodic Sixths |
0.001109 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.01996 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
1.921 |
| Melodic Embellishments |
0.01656 |
| Direction of Melodic Motion |
0.4417 |
| Average Length of Melodic Arcs |
1.698 |
| Average Interval Spanned by Melodic Arcs |
4.828 |
| Melodic Pitch Variety |
4.62 |
| Mean Melodic Interval |
2.286 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
2.0 |
| Prevalence of Most Common Melodic Interval |
0.3869 |
| Relative Prevalence of Most Common Melodic Intervals |
0.5215 |
| Amount of Arpeggiation |
0.3914 |
| Repeated Notes |
0.2018 |
| Importance of Middle Register |
0.8642 |
| Importance of High Register |
0.02539 |
| Dominant Spread |
7.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
61.47 |
| Mean Pitch Class |
5.062 |
| Most Common Pitch |
62.0 |
| Most Common Pitch Class |
7.0 |
| Prevalence of Most Common Pitch |
0.1214 |
| Prevalence of Most Common Pitch Class |
0.2141 |
| Relative Prevalence of Top Pitches |
0.9455 |
| Relative Prevalence of Top Pitch Classes |
0.8299 |
| Interval Between Most Prevalent Pitches |
5.0 |
| Interval Between Most Prevalent Pitch Classes |
7.0 |
| Pitch Variability |
6.316 |
| Pitch Class Variability |
3.573 |
| Pitch Class Variability After Folding |
3.219 |
| Pitch Skewness |
-0.08703 |
| Pitch Class Skewness |
0.0519 |
| Pitch Class Skewness After Folding |
1.002 |
| Pitch Kurtosis |
5.47 |
| Pitch Class Kurtosis |
4.849 |
| Pitch Class Kurtosis After Folding |
7.382 |
| Major or Minor |
0.0 |
| First Pitch |
48.0 |
| First Pitch Class |
0.0 |
| Last Pitch |
48.0 |
| Last Pitch Class |
0.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
18.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
7.0 |
| Number of Common Pitches |
4.0 |
| Number of Common Pitch Classes |
1.0 |
| Range |
29.0 |
| Importance of Bass Register |
0.1104 |
| Note Density per Quarter Note |
1.272 |
| Note Density per Quarter Note per Voice |
0.3181 |
| Note Density per Quarter Note Variability |
0.4817 |
| Range of Rhythmic Values |
9.0 |
| Number of Different Rhythmic Values Present |
8.0 |
| Number of Common Rhythmic Values Present |
2.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.02428 |
| Prevalence of Medium Rhythmic Values |
0.5773 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.8499 |
| Prevalence of Very Long Rhythmic Values |
0.03863 |
| Prevalence of Dotted Notes |
0.0894 |
| Shortest Rhythmic Value |
0.5 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
2.755 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.4272 |
| Relative Prevalence of Most Common Rhythmic Values |
0.7519 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
1.512 |
| Rhythmic Value Skewness |
1.498 |
| Rhythmic Value Kurtosis |
13.54 |
| Mean Rhythmic Value Run Length |
2.054 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.81 |
| Mean Rhythmic Value Offset |
0.03091 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.4784 |
| Complete Rests Fraction |
0.02247 |
| Partial Rests Fraction |
0.3146 |
| Average Rest Fraction Across Voices |
0.1138 |
| Longest Complete Rest |
4.0 |
| Longest Partial Rest |
80.0 |
| Mean Complete Rest Duration |
2.286 |
| Mean Partial Rest Duration |
4.563 |
| Median Complete Rest Duration |
2.0 |
| Median Partial Rest Duration |
2.0 |
| Duple Initial Meter |
1.0 |
| Variability of Complete Rest Durations |
0.7559 |
| Variability of Partial Rest Durations |
10.23 |
| Variability Across Voices of Combined Rests |
34.27 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
1.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.6602 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.1699 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
3.886 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.8302 |
| Rhythmic Variability - Tempo Standardized |
0.0549 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
1.0 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
1.0 |
| Total Number of Notes |
906.0 |
| Initial Tempo |
320.0 |
| Average Variability of Time Between Attacks for Each Voice |
0.639 |
| Minimum Note Duration |
0.09375 |
| Maximum Note Duration |
3.75 |
| Average Note Duration |
0.5224 |
| Variability of Note Durations |
0.3294 |
| Amount of Staccato |
0.02428 |
| Number of Strong Rhythmic Pulses |
4.0 |
| Number of Moderate Rhythmic Pulses |
7.0 |
| Number of Relatively Strong Rhythmic Pulses |
4.0 |
| Mean Tempo |
320.0 |
| Strongest Rhythmic Pulse |
80.0 |
| Second Strongest Rhythmic Pulse |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
2.0 |
| Strength of Strongest Rhythmic Pulse |
0.2157 |
| Strength of Second Strongest Rhythmic Pulse |
0.2144 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.006 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.4301 |
| Rhythmic Variability |
0.03307 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.75 |
| Tempo Variability |
0.0 |
| Duration in Seconds |
133.5 |
| Note Density |
6.787 |
| Note Density Variability |
1.82 |
| Average Time Between Attacks |
0.3346 |
| Average Time Between Attacks for Each Voice |
0.5877 |
| Variability of Time Between Attacks |
0.1913 |
| Maximum Number of Independent Voices |
4.0 |
| Relative Range of Loudest Voice |
0.5862 |
| Relative Range Isolation of Loudest Voice |
0.4541 |
| Relative Range of Highest Line |
0.5862 |
| Relative Note Density of Highest Line |
0.3046 |
| Relative Note Durations of Lowest Line |
1.173 |
| Relative Size of Melodic Intervals in Lowest Line |
0.5714 |
| Voice Overlap |
0.8212 |
| Voice Separation |
5.333 |
| Variability of Voice Separation |
3.786 |
| Parallel Motion |
0.05411 |
| Average Number of Independent Voices |
3.626 |
| Similar Motion |
0.1653 |
| Contrary Motion |
0.1804 |
| Oblique Motion |
0.6002 |
| Parallel Fifths |
0.004008 |
| Parallel Octaves |
0.003006 |
| Variability of Number of Independent Voices |
0.633 |
| Voice Equality - Number of Notes |
35.49 |
| Voice Equality - Note Duration |
6.426 |
| Voice Equality - Dynamics |
0.5774 |
| Voice Equality - Melodic Leaps |
0.5 |
| Voice Equality - Range |
1.5 |
| Importance of Loudest Voice |
0.6667 |