| Distance Between Two Most Common Vertical Intervals |
4.0 |
| Prevalence of Most Common Vertical Interval |
0.2252 |
| Prevalence of Second Most Common Vertical Interval |
0.187 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.8304 |
| Vertical Unisons |
0.04009 |
| Vertical Minor Seconds |
0.001168 |
| Vertical Thirds |
0.3188 |
| Vertical Tritones |
0.01199 |
| Vertical Perfect Fourths |
0.07471 |
| Vertical Perfect Fifths |
0.1724 |
| Vertical Sixths |
0.07291 |
| Vertical Sevenths |
0.07221 |
| Vertical Octaves |
0.1851 |
| Perfect Vertical Intervals |
0.4724 |
| Vertical Dissonance Ratio |
0.1573 |
| Vertical Minor Third Prevalence |
0.2417 |
| Vertical Major Third Prevalence |
0.3444 |
| Chord Duration |
1.959 |
| Partial Chords |
0.5825 |
| Standard Triads |
0.1953 |
| Diminished and Augmented Triads |
0.006734 |
| Dominant Seventh Chords |
0.0 |
| Seventh Chords |
0.0 |
| Non-Standard Chords |
0.2222 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
0.6571 |
| Average Number of Simultaneous Pitch Classes |
2.169 |
| Variability of Number of Simultaneous Pitch Classes |
0.7005 |
| Average Number of Simultaneous Pitches |
2.536 |
| Variability of Number of Simultaneous Pitches |
0.6181 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
4.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
7.997 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
24.27 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
3.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.2145 |
| Stepwise Motion |
0.7884 |
| Melodic Thirds |
0.04348 |
| Melodic Perfect Fourths |
0.02609 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.04058 |
| Melodic Sixths |
0.002899 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.01449 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
0.875 |
| Melodic Embellishments |
0.02011 |
| Direction of Melodic Motion |
0.4684 |
| Average Length of Melodic Arcs |
2.469 |
| Average Interval Spanned by Melodic Arcs |
5.625 |
| Melodic Pitch Variety |
5.347 |
| Mean Melodic Interval |
2.13 |
| Number of Common Melodic Intervals |
2.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.5739 |
| Relative Prevalence of Most Common Melodic Intervals |
0.3737 |
| Amount of Arpeggiation |
0.1826 |
| Repeated Notes |
0.08406 |
| Importance of Middle Register |
0.8075 |
| Importance of High Register |
0.09195 |
| Dominant Spread |
4.0 |
| Strong Tonal Centres |
1.0 |
| Mean Pitch |
62.1 |
| Mean Pitch Class |
5.224 |
| Most Common Pitch |
62.0 |
| Most Common Pitch Class |
2.0 |
| Prevalence of Most Common Pitch |
0.1121 |
| Prevalence of Most Common Pitch Class |
0.1954 |
| Relative Prevalence of Top Pitches |
0.8718 |
| Relative Prevalence of Top Pitch Classes |
0.8676 |
| Interval Between Most Prevalent Pitches |
7.0 |
| Interval Between Most Prevalent Pitch Classes |
5.0 |
| Pitch Variability |
7.084 |
| Pitch Class Variability |
3.59 |
| Pitch Class Variability After Folding |
3.556 |
| Pitch Skewness |
0.3432 |
| Pitch Class Skewness |
0.1873 |
| Pitch Class Skewness After Folding |
1.353 |
| Pitch Kurtosis |
5.002 |
| Pitch Class Kurtosis |
4.678 |
| Pitch Class Kurtosis After Folding |
5.943 |
| Major or Minor |
0.0 |
| First Pitch |
62.0 |
| First Pitch Class |
2.0 |
| Last Pitch |
55.0 |
| Last Pitch Class |
7.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
22.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
11.0 |
| Number of Common Pitches |
2.0 |
| Number of Common Pitch Classes |
0.0 |
| Range |
28.0 |
| Importance of Bass Register |
0.1006 |
| Note Density per Quarter Note |
0.964 |
| Note Density per Quarter Note per Voice |
0.3213 |
| Note Density per Quarter Note Variability |
0.4728 |
| Range of Rhythmic Values |
6.0 |
| Number of Different Rhythmic Values Present |
6.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.0 |
| Prevalence of Medium Rhythmic Values |
0.5977 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.6954 |
| Prevalence of Very Long Rhythmic Values |
0.1063 |
| Prevalence of Dotted Notes |
0.1379 |
| Shortest Rhythmic Value |
1.0 |
| Longest Rhythmic Value |
8.0 |
| Mean Rhythmic Value |
2.718 |
| Most Common Rhythmic Value |
1.0 |
| Prevalence of Most Common Rhythmic Value |
0.3046 |
| Relative Prevalence of Most Common Rhythmic Values |
0.9623 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
1.795 |
| Rhythmic Value Skewness |
1.2 |
| Rhythmic Value Kurtosis |
6.996 |
| Mean Rhythmic Value Run Length |
1.589 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
0.8857 |
| Mean Rhythmic Value Offset |
0.0 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.0 |
| Complete Rests Fraction |
0.002747 |
| Partial Rests Fraction |
0.3407 |
| Average Rest Fraction Across Voices |
0.1265 |
| Longest Complete Rest |
0.9917 |
| Longest Partial Rest |
16.0 |
| Mean Complete Rest Duration |
0.9917 |
| Mean Partial Rest Duration |
5.479 |
| Median Complete Rest Duration |
0.9917 |
| Median Partial Rest Duration |
4.0 |
| Duple Initial Meter |
1.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
5.035 |
| Variability Across Voices of Combined Rests |
37.54 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.4938 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.2536 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.947 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.7474 |
| Rhythmic Variability - Tempo Standardized |
0.04781 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.6667 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
1.0 |
| Total Number of Notes |
348.0 |
| Initial Tempo |
288.0 |
| Average Variability of Time Between Attacks for Each Voice |
0.5945 |
| Minimum Note Duration |
0.2083 |
| Maximum Note Duration |
1.667 |
| Average Note Duration |
0.5663 |
| Variability of Note Durations |
0.374 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
6.0 |
| Number of Moderate Rhythmic Pulses |
6.0 |
| Number of Relatively Strong Rhythmic Pulses |
6.0 |
| Mean Tempo |
288.0 |
| Strongest Rhythmic Pulse |
72.0 |
| Second Strongest Rhythmic Pulse |
48.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.5 |
| Strength of Strongest Rhythmic Pulse |
0.2258 |
| Strength of Second Strongest Rhythmic Pulse |
0.2202 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.025 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.446 |
| Rhythmic Variability |
0.03343 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.3333 |
| Tempo Variability |
0.0000000002832 |
| Duration in Seconds |
75.21 |
| Note Density |
4.627 |
| Note Density Variability |
1.775 |
| Average Time Between Attacks |
0.3631 |
| Average Time Between Attacks for Each Voice |
0.6426 |
| Variability of Time Between Attacks |
0.2122 |
| Maximum Number of Independent Voices |
3.0 |
| Relative Range of Loudest Voice |
0.5714 |
| Relative Range Isolation of Loudest Voice |
0.5588 |
| Relative Range of Highest Line |
0.5714 |
| Relative Note Density of Highest Line |
0.5948 |
| Relative Note Durations of Lowest Line |
1.016 |
| Relative Size of Melodic Intervals in Lowest Line |
0.6 |
| Voice Overlap |
0.7299 |
| Voice Separation |
6.5 |
| Variability of Voice Separation |
3.536 |
| Parallel Motion |
0.04268 |
| Average Number of Independent Voices |
2.628 |
| Similar Motion |
0.122 |
| Contrary Motion |
0.2073 |
| Oblique Motion |
0.628 |
| Parallel Fifths |
0.003049 |
| Parallel Octaves |
0.0 |
| Variability of Number of Independent Voices |
0.548 |
| Voice Equality - Number of Notes |
24.27 |
| Voice Equality - Note Duration |
7.821 |
| Voice Equality - Dynamics |
10.41 |
| Voice Equality - Melodic Leaps |
0.5774 |
| Voice Equality - Range |
0.0 |
| Importance of Loudest Voice |
12.5 |